Pinned Tweet
Limited time offer: you now get up to 50% off on purchase of any invideo annual plan.
If you're a serious creator or editor, this one's for you. Go crazy.
Hybrid or fully synthetic, which film crosses 100 crore first? India’s leading filmmakers and studio heads get honest about AI, box office, and what it actually costs to make a film now.
The Next Frame: India Edition is out now on YouTube.
Hosted by @NishantTahill , Chief Creative Technologist at invideo
Panelists:
@RajkumarHirani , Director of 3 Idiots
@Shakunbatra , Director of Kapoor & Sons
@RamKMadhvani , Director of Neerja
@vikramix , Founder & CEO of Abundantia Entertainment
@Im_Rohitjain , Founder of Lionsgate Play
@HridayeN , Filmmaker & Global Creative Lead at invideo
This is the clone effect, and you can build it in 3 steps with the invideo editor. Stack your takes on separate tracks, ask the agent to rotoscope each one, then have it add flash transitions for the reveal. Here’s how it came together.
MiniMax H3 Max is live on invideo. Relight scenes, swap characters while keeping the same movement, convert 3D layouts into photorealistic shots, extend clips, and lip sync audio to any face. One model, a lot of range.
An AI hybrid film. But who’s writing it?
We’re in the writers’ room talking characters, collaboration and what changes when budgets stop steering the story.
Here’s EP 11 of Building a Feature Film in Public.
What HOD should we put in the hotseat next? Comment below!
This is the object clone effect, built entirely with the invideo editor by chatting with the agent. Load your audio, ask the agent to beat-sync your clips and rotoscope the subjects, then have it duplicate and stack each clone across the beat.
Here’s the breakdown.
Click here for the prompt we used: docs.google.com/document/d/1…
Try the invideo Editor here: invideo.io
We put India's leading filmmakers in a room with the studio heads who decide what gets made, and asked what AI filmmaking really costs and what it will never change about cinema.
The Next Frame: India Edition. Full conversation, right here.
Hosted by @NishantTahill , Chief Creative Technologist at invideo
Panelists:
@RajkumarHirani , Director of 3 Idiots
@Shakunbatra , Director of Kapoor & Sons
@RamKMadhvani , Director of Neerja
@vikramix , Founder & CEO of Abundantia Entertainment
@Im_Rohitjain , Founder of Lionsgate Play
@HridayeN , Filmmaker & Global Creative Lead at invideo
This is the echo trail effect, and you can build it with the invideo editor in under 30 seconds. Duplicate your clip, rotoscope the subject, and ask the agent to build a Colorama-style echo trail with glow, blur and distortion.
Here’s exactly how it came together.
Click here to access the prompt we used: docs.google.com/document/d/1…
Click here to access the invideo Editor: invideo.io
The invideo editor allows you to build your own transitions on your timeline itself. You do this by describing the transition to an agent that works with you on the timeline, in real time.
What you get is the transition with a custom control panel to adjust every parameter, hue, speed, easing, colour palette and more, after the transition is coded. Save it as a preset and apply variations of it across your edits.
It works on a laptop. But does it hold up in a theatre?
We converted our test shots and took it to the big screen at Excel Entertainment. Here’s how that check went.
EP 10 of Building a Feature Film in Public.
Keep watching to learn more!
Connect Claude to invideo via MCP and make Vox-style motion graphic explainers without touching After Effects. Claude generates the assets, codes the motion graphics, and builds a fully editable timeline in the invideo editor.
Watch the full setup video on our YouTube Here: youtu.be/vXljcZsHXn0
Try out invideo MCP here: invideo.io/mcp
