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So happy to share with you all my favorite work I've done. Inspired by the one and only @JorgeJimenezArt and his superman artwork, this is my poster for @jamesgunn Superman movie featuring @corenswet
I put my whole heart into this one.
#Superman #Superman2025 #DC #DCU
Jobhutz retweeted
Você é DCnauta e passou pela:
-Era Nolan
-Era Snyder e Geoff Johns
-Era Walter Hamada
-Era The Rock
-Era James Gunn
One important thing to point out though that many missed in #Skydance’s announcement is that, whereas #DCStudios under Gunn & Safran were their own, independent division in which they called the shots with no oversight, now under #JeremyLatcham’s leadership, the division will be reporting to Skydance Film Division’s co-chairs, #DanaGoldberg and #JoshGreenstein.
So #DCStudios’ autonomy is over. This isn’t just a CEO replacement. It’s also a structural & hierarchical shake up.
And as we know very well by now, there is no such a thing as total creative freedom when you are not fully in control, unless the several cooks overseeing you in the kitchen are happy with what you are cooking.
Them doing a good or bad job aside, this only tells that DC fans will never get peace. Feels like we're unlucky.
Changes like this are not a good sign.
Or maybe I'm wrong, who knows.
James Gunn and Peter Safran will no longer run DC Studios.
Jeremy Latcham, who previously served as a producer at Marvel Studios, is taking over DC.
(Source: hollywoodreporter.com/movies…)
lmao
Forget James Bond (don't worry, I didn't)! Let's talk about Hollywood's NEXT GREAT CASTING SEARCH.
The search for Wolverine!
theinsneider.com/p/oscar-pre…
Damn, I should've placed a bet cause I said "this guy could be the next James Bond" when I watched the first episode of Slow Horses back in 2022.
Jack Lowden is being “strongly considered” to play the next James Bond.
(Source: podcasts.apple.com/gb/podcas…)
Jobhutz retweeted
A lot of people have been throwing around the term “Technicolor” lately, often in reference to this shot in Dune: Part 3. And while this shot is awesome, it definitely doesn’t have a traditional 3-Strip / Technicolor look, and wasn’t intended to.
Real Technicolor films (like The Wizard Oz) were captured on special camera systems that used a prism beam splitter to isolate red, green, and blue light. Each color was then exposed to a different black and white film stock, which were later dyed cyan, magenta, and yellow and then combined together to create a full color effect. Shots became highly saturated with deep reds and subtle contrast.
I simulated this process digitally on this shot by splitting apart the red, green, and blue channels and then re-combining in DaVinci Resolve, with some other finishing touches. This yields a very different look than the official grade, which is just beautifully shot footage by DP Linus Sandgren.
Jobhutz retweeted
The way I sobbed
#TheOdyssey


































