Design studio for startups and enterprises
Joined April 2013
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Anyone following what's happening to China's AI market? The STAR50 index dropped 40% in under four months—around $480B gone. AI stocks made up 42% of the country's entire market cap. For comparison, Nasdaq is down 6% from its peak. What happens if it pops there too?
This one is a demo of a service we just opened: AI-built websites. The designer draws the pages in Figma, then builds them with Claude—so the person who designed the motion is the person who ships it. The build took about a week once the design was settled.
Illustration + Figma + Claude + Blender = a real site you can actually use.
What’s redundant here? Looks like Figma is about to drop out of that equation.
A small flower shop that also dresses rooms for parties. Every illustration is cut by hand—linocut, real ink texture, no vectors anywhere. The hero carries the same drawing twice, ink and cream, and the cursor decides where one ends and the other begins.
Illustrations by hand. The site straight into code, no mockup. Device shots for the presentation—3D mockups in Blender. Figma just had nothing left to do in that chain.
Six icons for the six things they make, each a linocut stamp that flips ink to cream as you reach it. Every drawing runs three cels of one contour, so nothing sits perfectly still. On a phone the two halves of the hero push each other out of frame.
We drew twelve stickers for Opera Neon's DEF CON drop. 4×4 cm, kiss-cut, promo code on the backing.
The hard part wasn't the art. Hackers and builders at DEF CON ignore anything that looks like an ad, so the logo had to be in every sticker without being the reason anyone puts it on a laptop.
A grid of twelve squares tells you nothing about how a sticker behaves, so we put them on a laptop you can peel them off. The one underneath won't lift until you move the one on top.
Web design for a fintech SaaS founders page.
Line-art portraits instead of stock photos, a serif for the story, one blue for every action—and every now and then one of the founders blinks.
A museum at 2,275 m, reached by cable car through the fog.
We reworked its website into one continuous 3D scene—scroll moves the camera around the building, every stop opens a new chapter.
A TikTok tab bar concept—a design exercise in UX accents, built around one idea: a glitch on the active icon. Instead of a plain highlight, the selected tab briefly distorts, then snaps back into a crisp monoline shape. Restrained redesign—the motion does the talking.
A custom icon set for Nova Post—Ukraine's largest logistics company. 300+ icons on one shared stroke, angle and corner radius, now in motion. Each animation is drawn on the same grid the icons are built on—so movement follows structure, and ships as lightweight Lottie/Rive files.
Wow, thank you for the recognition @awwwards 🙏
Today’s #SOTD goes to @tubikstudio for "Mosby's Flies".
awwwards.com/sites/mosbys-fi…
A research-driven archive spotlighting the early American architects.
Congratulations! 🏆
#animation #transitions #GSAP
Branding shapes a product—but there's one more part of UX: emotion. And the real connection often forms after use, once the app is closed. That's where a small delight lands. Case in point: an animated messenger sticker, born as a printed one for your laptop or surfboard ☺️
What a year🏆 The Alabama Solution just won a @TheWebbyAwards. This @HBODocs investigation hits different: 1,300+ prison-death records—too often filed as "accident" or "undetermined"—turned into something human, impossible to ignore. Live site in the thread 👇
