#Art & #Antiques #Appraiser, #MidCenturyModern Specialist, #Entrepreneur #Empowering with #Education, #WorthwhileMagazine Co-Editor
Virginia
Joined January 2013
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I am rarely here, but I am sometimes here (instagram.com/artifactualhis…) or here (linkedin.com/in/sarah-reeder…) The very best way to stay on top of what I'm up to is through here: tinyurl.com/yt2ehvu4
We were named a top renovation and design expert by @Redfin. Check out the article we were featured in: 16 Living Room Remodel Tips to Design Your Perfect Space redfin.com/blog/living-room-… #art #artcollecting #artconsulting #redfin
Really enjoyed reading this great new article about money laundering in the #art world featuring expert insights from @OdysseyGCLLC ww3.rics.org/uk/en/modus/bus…
Have you ever wondered what it's like to work with an #art consultant? In the latest episode of The Art Elevator Podcast created by my lovely friend Larissa Wild, we switch roles and I interviewed Larissa about her #artconsulting expertise youtu.be/MPLbwKMwyC8
It was such an honor to have the opportunity to write about #midcenturymoderndesign for @RICSnews!
ww3.rics.org/uk/en/journals/…
Congratulations @LangeAlexandra!
Galleys are in for MEET ME BY THE FOUNTAIN: AN INSIDE HISTORY OF THE MALL and I’m thrilled to share the cover @katiphon
—> Preorder here for June 2022 bookshop.org/books/meet-me-b…
—> LMK if you’re in the media and you want one
—> Can’t wait to talk more malls
ALT Box of galleys for MEET ME BY THE FOUNTAIN, cover shows a 1950s mall merging into a 1990s mall, with the title in a big white dot
I'm thrilled to announce the publication of my new book "Ray Eames in 1930s New York" based on my original research of Ray's manuscript collection & the culmination of many years of my scholarship exploring Ray's life and inspirations. #rayeames amazon.com/Ray-Eames-1930s-N…
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In December 1850 renowned abolitionist Harriet Tubman executed one of her first daring rescue missions. Using the Underground Railroad, she helped her niece Kessiah and her two children escape slavery in Maryland by ushering them to Philadelphia, PA where they found freedom.
Glad to see this topic covered a major paper in November: theguardian.com/technology/2… I wrote about it in August: artifactualhistory.com/blog/…
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I weep for the squandered years, the denial, distraction and delay, during which the fossil fuel companies trashed our chances of maintaining a habitable planet.
Time is now so short, and the action required so drastic, that the chance of avoiding catastrophe is slight.
This newsletter is always an insightful and thought-provoking read: In the News, Issue 13, October 29, 2021 fashionandrace.substack.com/…
“Now the darker the world gets, the more I seek beauty that feeds my heart. This is also a lesson one can learn from “the dark night of the soul,” when we go through a dark tunnel, we must grab tools of light..." worthwhile-magazine.com/arti…
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Experts estimate that building collisions kill around 600 million birds each year in the U.S. A recent analysis of bird collisions at a single building in Chicago shows turning off just half of lights could cut collisions by 60%. bit.ly/3hD9U8J
ALT A drawer of birds in the Field Museum's collection killed crashing into the city's windows. Credit: Ben Marks/Field Museum
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Excellent talk on lost natural history painters from 18th C India by @DAGworld (@andrewjohnrudd @Comet_Moth_HM @SAsia_exeter). Including fascinating stories behind artists' signatures and labels. This has been a very good month for highlighting marginal/erased names from art.
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I have climbed, researched & advocated for trees all of my life. I've stood in the middle of clearcuts that extend to the horizon, but nothing has hurt more than losing a beloved mature tree next to my flat that was cut down by the landlord next door without any notice to tenants
Artifactual History® retweeted
The Gilgamesh Dream Tablet is headed back to Iraq. The 3,500-year-old clay artifact, which was looted from Iraq and bought by Hobby Lobby, was seized by authorities who demanded it must be returned.
n.pr/3krGsVE
"This museum union movement represents a major shift in the self-conception of workers in museums and the nonprofit sector more broadly, a refusal to accept unsustainable conditions as the trade-off for working in a creative or prestigious field."
my new museum tell-all, for @thebafflermag and with love to @newmuseum_union
thebaffler.com/salvos/agains…