
Bosence Building Conservation study and repair vernacular buildings: their materials; crafts; function and decay. see also: @localworkstudio
Lewes, England
Joined February 2016
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I just signed a @eastbournefoe petition: Save Pete the Pond's ponds. Sign here: actionnetwork.org/petitions/…
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Really happy to have been shortlisted for @LFArchitecture #arch42 competition. Working with fflo.co.uk and alltenvironmental.com
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Really excited to share our new project. It will be the highest residential building in @sdnpa 🏔🏔🏔 and built using #CircularEconomy principles using site-based waste materials. Creative and experienced team led by @BBMarchitects with @ElliottWood_
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Our Chairman James Simpson speculates on new structural roles for stone and lime in a more environmentally benign system of post-modern construction in the latest edition of
@NatStoneSpec pg10.
Digital Natural Stone Specialist magazine - Stone Specialist stonespecialist.com/news/mar…
I have an article published today in @BuildLimes journal. About the history and development of oyster shell lime for buildings. More info localworksstudio.com @localworkstudio Image shows our cast tile made from #oyster shell lime and demolition waste #waste #buildingcraft
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3. To remove a statue is not to "erase history". On the contrary, statues themselves can be acts of historical erasure. The Colston Statue, for example, did not mention his role in the slave trade. It constructed a history from which slavery was written out and cast it in bronze.
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2. Statues inhabit the present, not the past, and are subject to its jurisdiction. Our relationship with the past - and the things we choose to honour - can change over time. It is not an offence against history to reflect those changes in what we commemorate in our public spaces
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1. Public statues are not politically neutral. They are statements about who and what we honour as a society. The decision to erect (or maintain) them is an exercise of power over the public realm. As such, it carries into one age the values and power structures of another.
Why was this statue still up in the first place? @HistoricEngland needs to rethink their listings pronto. Not acceptable to protect and keep displaying this kind of heritage. #edwardcolston #bristol #historicengland
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Thanks @eddwall @localworkstudio for a fascinating case study of implementing local material sourcing and the challenges this brings. I’d quite enjoy a trip to the woods to split some lath right now! – at Birmingham, England
Excited to be hosting The Landscapists Seminars over the coming weeks. Thanks to friends and colleagues for joining these critical conversations about how we design and research. Full listings on: thelandscape.org/the-landsca… #landscapearchitecture #urbanism #urbandesign
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It’s HERE!!! Very excited to share our NEW website! 💥localworksstudio.com Thanks @design.by.two #localworksstudio #newwebsite #landscapearchitecture #circulareconomy #making #mapping #repair #maintenance #design #architecture #codesign
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Larger samples of our 💯% Waste-based plasters for internal walls. #buildingcraft #wastecolour #architecture #plaster
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Waste-based plasters. Colour blends from 💯% #waste materials. #colourmaking #architecture #wastecolour
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Really happy to have our oyster tiles added to @MaterialDriven library @BuildingCentre London #oyster #waste
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Looking forward to exhibiting our #waste #materials from the city exhibition @FuturebuildNow with @localworkstudio
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Excited to be starting on new project in Newham with @AOCarchitecture @OfficeSandM @CarverHaggard @europaaporue @SOCIALBRDCSTS #urbannewham
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Really happy to have been shortlisted on this architectural competition with #astulaarchitects architectsjournal.co.uk/comp…
Ben Bosence retweeted
Timber Stock mould and our Wastebrick. 💯% #waste from 1 site. #brick #buildingcraft #architecture #wip #lws




















