Substack editor @InRO | ✍️ @mubinotebook, @filmmakermag, @reverse_shot, @filmcomment | 📧[email protected] | my personal newsletter ⬇️⬇️

Brooklyn, NY
Joined December 2011
ICYMI: @InRO launched a podcast today! In Review On Mic is now available on our Substack or wherever else you get your podcasts. Listen to our debut episode (about some of our writers' favorite debut films) here: api.omarshehata.me/substack-…
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I type out and delete approximately 85% of the tweets I want to send. it's better for all of us.
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Chris Cassingham retweeted
The ongoing series of essays on @MoMA's Long Live The Underground program that I've been editing for @InRO continues apace. Our penultimate piece by Joseph Dimacchia draws on a rich selection of films about the body, memory, and abstraction. Link below!
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boo
Sascha survives a SCARE 😳 The 2021 champ digs deep to overcome a spirited Landaluce in Vienna! 👏 @ErsteBankOpen | #ErsteBankOpen
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The ongoing series of essays on @MoMA's Long Live The Underground program that I've been editing for @InRO continues apace. Our penultimate piece by Joseph Dimacchia draws on a rich selection of films about the body, memory, and abstraction. Link below!
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ALDI english muffins some of the worst things I've ever tasted wow
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that's the good stuff right there
Marseille (2004) Dir. Angela Schanelec Vo - 🇬🇧🇫🇷🇩🇪🇧🇷🇪🇸subs transfer.it/t/QybGGH4RHLyR
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Chris Cassingham retweeted
Our Lee Chang-dong retrospective kicks off today @InRO. Become a paid subscriber to read brand-new essays on each of Lee's feature films ahead of the streaming release of Possible Love. First up: Tyler Thier on GREEN FISH (1997). api.omarshehata.me/substack-…
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Our Lee Chang-dong retrospective kicks off today @InRO. Become a paid subscriber to read brand-new essays on each of Lee's feature films ahead of the streaming release of Possible Love. First up: Tyler Thier on GREEN FISH (1997). api.omarshehata.me/substack-…
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realizing how much more difficult online scholarly research is when you're not associated with a university anymore...
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Chris Cassingham retweeted
It is not anti-art to harbor a longing to engage w what interests you rather than what you, as a film critic, have a professional/financial incentive to write about. talking about the movie on this website is labor for us, writing about the movie is labor, GET MORE MARXIST NOW!!!
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The latest @InRO newsletter has, as usual, new reviews, interviews, and festival coverage, plus: a special announcement of new retrospective essays on the films of Lee Chang-dong. api.omarshehata.me/substack-…
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New @InRO newsletter coming your way in an hour
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once again prepping for a filmmaker interview and feeling like I have, conservatively, about three coherent questions to ask.
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So I'm actually going to write a book proposal...
So I’m making a book proposal
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let's start with humanity and a sense of humor and a little bit of perversion
What quality do you value the most in a film director? Trying to get a gauge on what many cinephiles value the most these days.
29%Ambition
25%Audacity
11%Consistency
34%Idiosyncrasy
470 votes • Final results
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"Oh my god I loooove ________, they're so consistent!"
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Caesar salad straight from the mixing bowl dinner and a Diet Coke
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No shit
Rejoice. KEN RUSSELL’S THE DEVILS is here to stay. Experience the uncensored director’s cut only in theaters: thedevils.movie
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