Colin Campbell (@CcampFx) profile picture

Visual effects artist, fisherman, compmonger, pixelero, paidlancer.

Joined September 2013
Photo by Colin Campbell (@CcampFx)Photo by Colin Campbell (@CcampFx)Photo by Colin Campbell (@CcampFx)Photo by Colin Campbell (@CcampFx)Photo by Colin Campbell (@CcampFx)Photo by Colin Campbell (@CcampFx)Photo by Colin Campbell (@CcampFx)Photo by Colin Campbell (@CcampFx)Photo by Colin Campbell (@CcampFx)Photo by Colin Campbell (@CcampFx)
¿Te habías fijado alguna vez en lo que ocurre al fondo de esta escena de **En busca del arca perdida** (*Raiders of the Lost Ark*, 1981)? Durante el abordaje al carguero Bantu Wind, mientras Belloq decide quedarse con Marion y el capitán Katanga intenta negociar su rescate, en segundo plano se aprecia a un soldado nazi arrastrando penosamente a otro compañero visiblemente herido por la pasarela. Nadie en escena menciona el incidente ni se explica de dónde sale ese soldado maltrecho. La explicación reside en la sala de montaje: En el guion original y en el rodaje existía una escena previa en la bodega del barco. Cuando los soldados bajan a buscar a Marion Ravenwood (Karen Allen), ella no se rinde sin presentar batalla: forcejea violentamente en las escaleras y empuja a uno de los soldados, haciéndolo caer por el hueco y dejándolo herido. Steven Spielberg decidió eliminar ese fragmento previo para aligerar el ritmo de la secuencia, pero mantuvo el plano general en cubierta. El resultado es este curioso cabo suelto visual que quedó inmortalizado en el metraje final para los espectadores más observadores. ¿Conocías el motivo de este detalle en segundo plano o pensabas que era un simple error de continuidad? Te leemos en comentarios. Ésta y más curiosidades en nuestro podcast monográfico de En busca del Arca perdida: go.ivoox.com/rf/136918978 #IndianaJones #EnBuscaDelArcaPerdida #RaidersOfTheLostArk #StevenSpielberg #HarrisonFord #KarenAllen #DetrasDeCamaras #CuriosidadesCine #Cinefilos
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Colin Campbell retweeted
Remembering the late, great, 5-time Academy Award winning composer — JOHN BARRY — born 93yrs ago today. GOLDFINGER (1964)
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In visual effects, this just means more indecision, more iterations.
Step 4 is where most AI infrastructure plans get frustrating.

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This one REALLY hurts.
Patrick Stewart has sadly passed away at the age of 86.
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Colin Campbell retweeted
Academy Award-winning special make-up effects artist and actor @TheRickBaker shares the monsters and maker that inspired his craft – as he reflects on the work of pioneering make-up artist, Jack Pierce. See the full conversation on our YouTube: bit.ly/4z5S0lf
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Phil Tippett's Dark Overlord monster from HOWARD THE DUCK, including the original design that George Lucas nixed (the last image) which Tippett preferred and described as "Lovecraftian".
Phil Tippett concept art for an unmade MARS ATTACKS! movie that was developed in the '80s by Tippett and ROBOCOP producer Jon Davison. Alex Cox and Martin Amis wrote scripts for the movie.
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King Kong Volkswagen Commercial animated by David Allen (1971)
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1980s gaming console.
Found this listed in a government surplus auction recently. No meaningful description, just that it had something to do with military simulations in the 1980s. Located in Colorado Springs.
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The photograph features the famous Theme Building, located at Los Angeles International Airport (LAX). ​This distinctive structure was built in 1961 and represents one of the most famous examples of Googie architecture (a futuristic and space-age style of the mid-20th century). It is characterized by its iconic concrete arches that resemble a flying saucer landed on four legs. ​The photograph was taken in the late 1960s or early 1970s, as clearly evidenced by the classic car models in the parking lot, the yellow taxi in the foreground, and the distinct retro color palette of the image. ​Looking at this structure, one feels an incredible sense of optimism and the vision of the future as imagined in the mid-last century—it feels timeless, like a sci-fi movie set that somehow stepped off the screen and into reality.
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All my rowdy friends are coming over tonight!
One week away! 🇫🇷 👀👀👀👀👀 #NFL #Steelers
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Carmen Nigro claimed to have been the “man in the suit” portraying the original King Kong in 1933. Kong was created with stop motion animation and full sized animatronics. There was no man in a suit. en.wikipedia.org/wiki/Carmen…
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Someone should run both films through an AI image analysis for similarities and discrepancies between the two figures and motion and come up with a decision whether or not both are the suit or if one is actually an original creature.
The legendary 1967 Bigfoot footage may finally have met its match. A newly discovered 1966 reel reportedly shows a rehearsal for the famous Patterson-Gimlin film, with new family revelations explored in the documentary CAPTURING BIGFOOT. Nearly 60 years later, the mystery is facing its biggest challenge yet. (Via: variety.com/2026/film/review…)
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Colin Campbell retweeted
Five years in the making, this animated passion project by Patrick Schoenmaker proves an Indiana Jones 'toon could capture the atmosphere, charm and excitement of the movies. Wouldn't you love to see a series of these, voiced by Harrison Ford?
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Them! (1954), behind the scenes photo.
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In case any visual effects folks were wondering what a Weta is.
'Entirety of your hand': World's heftiest and most horrifying insect brought back from extinction - it's heavier than a mouse trib.al/MY2EV33
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Colin Campbell retweeted
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The Red River Shootout is the BEST rivalry in sports. 100,000 fans inside the stadium, split down the 50. 100,000 more in the fair waiting to see which side of the stadium makes the next roar. ANYTHING can happen when these teams step into the Cotton Bowl.
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So much good reference here.
Flight 13 delivered incredible data, progress, and lessons. Now we celebrate the next chapter: Starship Flight 14! More progress. More learning. More Starship.
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