The "perfect human being" can only be born within works of art, much like all the entities and elements on a flat surface that attend a supreme purity—a purity that ultimately leads to rebirth.
-Fragment of the 5th movement of Berlioz's Symphonie Fantastique, 2024.
Imagination, illusion, and indeed all hallucinatory activity that accompanies human beings throughout their lives are manifestations of an unfinished world.
-Portrait of “Terra”, 2026. Acrylic on canvas.
From childhood, society imposes a mask upon the individual to be used as a façade presented to the world, concealing their true self behind a carefully constructed image. This is the beginning of the invention of traditions.
-Compo ( 22), 2026.
Despite scientific advances, we remain unable to resolve the ambiguities of social interaction: spontaneity and constraints, affection and dependence, prohibitions and freedoms—the spaces in between. Interaction with the other will forever remain the great mystery.
-Compo (19).
Humans have a lot of resources at their disposal for leading a peaceful life; they can consult scientists, doctors of all specialties, economists, physicists, historians, and so on. Yet, without a philosophy of life, all of this merely gives rise to profound doubt.
-Compo (16).
A mystical experience must be based on prior philosophical knowledge; otherwise, the individual will fall into the abyss of illusion and error.
-Compo (13). 2026.
Yayoi Kusama
1929-2026
The Japanese avant-garde-surrealist artist Yayoi Kusama has died at the age of 97. Yayoi Kusama, considered the "Queen of Polka Dots," cemented her place in the contemporary art world.
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“There is nothing better than memories, and there is nothing worse than them.” Anton Chekhov
-Ambiance
Scientific progress, despite all its positive insights, is leading us into a zone of very confusing uncertainty, more so than any we have known before.
-Awaiting the unexpected, 2026. Acrylic on canvas.
A. Chehade retweeted
🇫🇷 Aujourd’hui, le Louvre souffle ses 233 bougies !
🎂 Le 10 août 1793, le musée du Louvre ouvrait ses portes au public sous le nom de Muséum central des Arts. Les visiteurs pouvaient y admirer des œuvres issues des anciennes collections royales.
Merci d’être toujours présents pour vous émerveiller des chefs-d’œuvre du musée.
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🌍 Today, le Louvre celebrates its 233rd birthday
🎉 On August 10, 1793, the Louvre opened its doors to the public as the Central Museum of Art. Visitors could admire artworks mainly from the former royal collections. T
Thank you for always being there to marvel at the museum’s masterpieces.
Throughout its history, art has sustained a dialogue with spirituality; one need only step into any spiritual space to see that the relationship between the two is anchored, mysteriously and hermetically.
-Lady of the fig and the olive, 2021. Acrylic on canvas.
Human discourse is based on compatibility, not on the conformity of the discourse to the world around it.
-Dandyism2017. Mixed media on canvas.
In critical thinking, one must first establish a reference point that ensures impartiality; this dissolves the hopes, fears, promises, and threats of those with a stake in the outcome.
-A moment of abandonment, 2002. Oil on canvas—81X61 cm.
There is a theory holding that a work of art exists solely through its role in shaping the consciousness of the viewer—a process that influences the work itself and imbues it with a paradigmatic character. This stands in contradiction to the notion of creation.
-Selfie (5). 2024.
There is necessarily a truth, and those who arrive at this truth through intuition are the ones worthy of living it.
-Morphologization of a paper bust, 2023. Acrylic on technical paper.
I admit that, at my age, I fear the person who justifies their assertions according to their own personal standards.
-The Artist's House. 2008. Acrylic on canvas.
Belief needs no justification, since it belongs to a realm that requires no definition. It is enough for us to simply be here, in this world, already immersed in its materialistic substance with all these definitions.
-Last Testaments, 2001. Oil on canvas

























