Clockwork Cosmos (@ClockworkCosmos) header
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Curious eukaryote... Don't follow me, I have no idea where I'm going...

Joined January 2015
Photo by Clockwork Cosmos (@ClockworkCosmos)Photo by Clockwork Cosmos (@ClockworkCosmos)Photo by Clockwork Cosmos (@ClockworkCosmos)Photo by Clockwork Cosmos (@ClockworkCosmos)Photo by Clockwork Cosmos (@ClockworkCosmos)Photo by Clockwork Cosmos (@ClockworkCosmos)Photo by Clockwork Cosmos (@ClockworkCosmos)Photo by Clockwork Cosmos (@ClockworkCosmos)Photo by Clockwork Cosmos (@ClockworkCosmos)Photo by Clockwork Cosmos (@ClockworkCosmos)
Clockwork Cosmos retweeted
The 90s big tech explosion was built on the ethos of "disruption" of markets. In the 2020s with saturated markets, big tech moved onto disrupting our social fabric. It has now become a machine that produces social fragmentation & isolation for profit. Pic: S. Stålenhag
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Clockwork Cosmos retweeted
We are attempting to replace the God we killed with a technological God of our own making. We cannot bear the meaning crisis we are in any more. So technological progress has become our new religion. This is where my novel "For Emma" begins.
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Clockwork Cosmos retweeted
. Paul Mogensen 2017 . .
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Clockwork Cosmos retweeted
"Lily of the Valley and Stars" 2021 by Tetsuhiro Wakabayashi. Acrylic.
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An image that crept out of my cyborg anxieties.
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Clockwork Cosmos retweeted
Probably my all time favourite surrealist image is actually a photomontage. “La Simulatuer” (1936), Dora Marr.
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Clockwork Cosmos retweeted
Stills from all the book trailers we made for For Emma. Nice to see that they tell a story and there's that accidental recurring trope again of the "wanderer over the sea of fog". Eight days till publication. Cheers folks.
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Drawings by a “respectable artisan of considerable intelligence” who suffered a prolonged “melancholy mood”. Featured in G. Mackenzie Bacon's On the Writing of the Insane (1870) — publicdomainreview.org/colle…
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Clockwork Cosmos retweeted
Human beings are more than a series of biological and mental systems. So why do we allow technology to treat us like data instead of people—and how can we stop? My new article
Human beings are more than a series of biological and mental systems. So why do we allow technology to treat us like data instead of people—and how can we stop? @MrEwanMorrison explores some answers. psychologytoday.com/us/blog/…
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Clockwork Cosmos retweeted
Really stunning compositions from one-man Neoclassical post-rock project by Amirreza Miri. The Illusory Explainer -Here There Nowhere youtu.be/ISqbcHzH4LE?si=awgQ…
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Clockwork Cosmos retweeted
How To Disappear Completely - are an ambient drone collective from Poland. This is their 11th album - The Quietus. If you are suffering from anxiety or pain - give it a listen with the lights out. youtube.com/watch?v=-H1AbSWu…
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Clockwork Cosmos retweeted
Before Alien, Solaris and 2001: A space Odyssey was "IKARIE XB- 1" A pioneering 1963 Czechoslovak sci-fi film loosely based on The Magellanic Cloud, by Solaris author Stanisław Lem. If anyone can find the entire film online, please let me know. Trailer: youtube.com/watch?v=rHEXyV5L…
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Star nursery. A forge for atoms.
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. BLUE SKY in the Midnight yayoikusama
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Clockwork Cosmos retweeted
Transhumanism & tech-Utopianism see themselves as answers to nihilism. Our species is doomed, so we shall become immortal with tech, they say. There is no God, so we shall make our own, they say. They believe these are answers to nihilism, but they are really symptoms of it.
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Clockwork Cosmos retweeted
📷 Vintage photo of a solar eruption from 1929.
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"One of the benefits of procrastination is that you will never become a tyrant." Aphorisms & maxims - by yours truly, written over 20 years while writing novels - kept hidden in a couple of notebooks, now being aired for the first time. Enjoy. open.substack.com/pub/ewanmo…
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Clockwork Cosmos retweeted
"Adornment I" by artist, photographer, maker Dawn Surratt. Metal, paper, coldwax, linen thread, leather and fabric.
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