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https://nitter.gq/t.co/osccf3ciwg

the zone
Joined April 2010
Photo by dankco (@DankCAro)Photo by dankco (@DankCAro)Photo by dankco (@DankCAro)Photo by dankco (@DankCAro)Photo by dankco (@DankCAro)Photo by dankco (@DankCAro)Photo by dankco (@DankCAro)Photo by dankco (@DankCAro)Photo by dankco (@DankCAro)Photo by dankco (@DankCAro)
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dankco retweeted
THIS. Seol Kyung-gu should be at the top of the Best Actor convo this year. He's incredible in Possible Love. even in silence, he has this inexplicable presence you just cant look away from. Such a devastating performance. Won't forget this anytime soon...
a performance that's miles ahead of the ones being predicted for best actor #btw
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Kieślowski, interview 1995
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dankco retweeted
Una generación a la deriva. En los márgenes de Medellín, sus chavales viven así. “Barrio Triste” es la primera película de Stillz (el artífice de los videoclips de Bad Bunny), con música de Arca y producida por Harmony Korine. Casi nada.
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dankco retweeted
السينما اليونانية: ثلاثية الحدود عن الإنتماء والهوية والمنفى
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más allá de coincidir o no. uno lee esto y se da cuenta que no hay tal “crítica” per se, si la entendemos como una producción de conocimiento a raíz de un artefacto cultural específico. sí es, en cambio, una escritura reaccionaria. eso, y no lo que dice, es lo que la anula.
“La Bola Negra,” a new film by Javier Ambrossi and Javier Calvo, dramatizes gay repression and liberation across three interconnected stories. At first, the year is 1937 and viewers are thrust deep into the Spanish Civil War, where a Nationalist soldier and a wounded Republican freedom fighter exchange furtive glances. By the end, it’s 2017, and a Madrid-based historian need only look to Grindr to satisfy an urge. The movie “wants to be a sweeping historical epic of gay longing—a film about what it means to be a man who desires other men in times of war and peace,” Justin Chang writes. Instead, the directors have produced “a film that insists, arrogantly and aggressively, on its own monumentality”. Even compelling performances from Glenn Close, Penélope Cruz, and Lola Dueñas fail to rescue the extravagantly overwrought film. Read Chang's full review: newyorker.com/culture/the-cu…
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si vas a tener este trabajo y no vas a abrazar osos mejor retírate...
Bir ayı, vücut ölçülerini alan veterinerin kendisine sarıldığını zannetti.
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Scenes from the fishing community of Vũng Tàu, Vietnam, 1989, by David Alan Harvey
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se adelantó la navidad.
The 4K restoration of Ken Russell’s Director’s Cut of THE DEVILS will be released on digital VOD next Tuesday, November 10.
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maravilla.
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dankco retweeted
current state: 20 cigs no lunch
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Ya me jodería estar rascándome tan tranquilo y de repente decapitarme
The moment the fly realised "oh fuck!"
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lluvia, cafecito, panga y peliculita de edward yang
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tarkovsky, maldito genio. te odio 😖😩
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A boy carrying a papier-mâché skeleton figure for Día de Muertos. Metepec, Mexico, 1969. Photo by René Burri.
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carupano es, objetivamente, superior.
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i had potential
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even if i could go back, i don't belong there any more
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dankco retweeted
All this shi just to die on a random day
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qué fruta tan noble la K 🧘🏽‍♂️
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