AI Creative Director/Filmmaker | BMI Award-winning Composer | Commercials • Film • Sound • Music

Nashville, TN
Joined April 2013
My new website is live! I've finally put together a home for my filmmaking, generative AI, music, and creative work. You'll also find a link to my new venture, Quietcraft, where I'm building a little world of original stories, characters, and creative projects. Take a look! nuum.media
🤖 Made with AI
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Amazing weekend in Hollywood with @capcutapp and crew. I could see the Hollywood sign from the rooftop. Felt poetic. We’re coming for you 🤘🏻
Wrapped up an incredible day of learning, connection, and creativity the only appropriate way in LA–a sunset rooftop party where we kept it all going. 🌴🌅🥂 Huge thanks to all the creators who came to inspire, win prizes, and share their creativity with us. Next stop, 🇬🇧.
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What if AI's greatest contribution to art isn't replacing human creativity, but unlocking the creative potential already within us? For centuries, extraordinary abilities belonged to the exceptionally gifted. AI is democratizing genius.
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David LaChance, Jr. retweeted
OMG I uploaded a Donald Duck comics to AI agent and it created an entire cartoon in a single generation 😭😭
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We’ve confused the difficulty of making art with its value. AI is challenging that assumption, and Hollywood may be learning an uncomfortable truth: audiences care less about how something was made than whether it was worth experiencing.
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CapCut World rooftop after party is the place to be, Hollywood sign in view. We are coming for you. 🤘🏻 #capcut #capcutworld
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Amazing ad by JDC team for a great product. I had a blast doing the music for this spot.
The workforce changed. Most tools haven't. Half your workforce is now AI. Invisible to most portfolio tools. Intelligent Portfolio Orchestration changes that. That's Loop. Launched today. Book a demo here: bit.ly/4cUQB8q
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Nailed it. I eat your laugh emojis for breakfast. Resistance is futile. RIP Hollywood.
Denzel explica por qué usa la IA. Un pequeña prueba explorando Minimax H3 en ComfyUI con mis nodos y métodos de inpainting.
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David LaChance, Jr. retweeted
Denzel explica por qué usa la IA. Un pequeña prueba explorando Minimax H3 en ComfyUI con mis nodos y métodos de inpainting.
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Jordan putting another nail in Hollywood’s coffin. Exploring more emotional depth over spectacle and absolutely nailing it. You e been programmed to turn it off after five seconds without spectacle, don’t.
What makes something beautiful? For centuries they said, "Beauty is in the eye of the beholder", meaning you get to decide what's beautiful, and no one can take that from you. Now, they want to take that back. Now, they want to tell you what's beautiful, what is art, what is creative, and what is worthy. The good news is... Who cares what they think? Who cares what they say? They have no power. Their words are dust. You decide what's beautiful and moving, exciting and entertaining. Art is yours to love or hate. No amount of gold and worship placed at the feet of one piece of art should sway us to value it. And no screeching voices, or shrill cruelty demanding you surrender your opinions should steal it away. • Beautiful A short film by Jordan Daniel Chesney Produced by @capcutapp Special thanks to @Orangedudull Special thanks to @invideoOfficial • Hopefully this little film exemplifies that Seedance 2.5 have completely changed the game when it comes to performances. I have NEVER been able to get such perfectly dialed emotions, even with SD2. This was the first time I was actually moved by a performance. I felt something real. I STRONGLY RECOMMEND you head over to @capcutapp Creator Studio, select Seedance 2.5, and see what kind of performances you can bring to life. We have enough fight scenes where no one gets hurt, sweeping aerial shots, and dragons breathing fire to last us a lifetime. Let's try something new because now... we can.
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Such a creative piece. It was fun to do the sound design and music on this. Don’t miss it!
Let's be honest, the average SPEC AD is... boring. I don't think this is because the AI filmmakers and directors are boring, I think it's because they're making what they think clients will like instead of creating something they themselves like. If a client said, "Make whatever you want", what would you create? When @kyoso_ai asked me to create a SPEC AD on their platform, they said, "It can be any product you want and you have creative control." I was booked, so I pulled one of the BEST AI FILMMAKERS I know onto the project – Nate @xdeconstructed. I asked Nate to create a spec commercial for a wild product that didn't exist; To create something that was different, and weird, and heartfelt, and fun, and most importantly... something that HE WANTED to see and not just something he thought a client would want to see. We have to temper our creative ideas when working with brands because we need to SERVE them, and not create something that simply serves ourselves. However, if you're making a SPEC COMMERCIAL, make what you want to make. Why? Because people hire you to make something that feels like the last thing you just made. So make something that's very... you. Director, Writer, Generator, and Editor: @xdeconstructed Executive Producers: @kyoso_ai & Jordan Daniel Chesney Composer & Sound Designer: @DavidLaChanceJr Produced by: JDC Entertainment
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David LaChance, Jr. retweeted
Let's be honest, the average SPEC AD is... boring. I don't think this is because the AI filmmakers and directors are boring, I think it's because they're making what they think clients will like instead of creating something they themselves like. If a client said, "Make whatever you want", what would you create? When @kyoso_ai asked me to create a SPEC AD on their platform, they said, "It can be any product you want and you have creative control." I was booked, so I pulled one of the BEST AI FILMMAKERS I know onto the project – Nate @xdeconstructed. I asked Nate to create a spec commercial for a wild product that didn't exist; To create something that was different, and weird, and heartfelt, and fun, and most importantly... something that HE WANTED to see and not just something he thought a client would want to see. We have to temper our creative ideas when working with brands because we need to SERVE them, and not create something that simply serves ourselves. However, if you're making a SPEC COMMERCIAL, make what you want to make. Why? Because people hire you to make something that feels like the last thing you just made. So make something that's very... you. Director, Writer, Generator, and Editor: @xdeconstructed Executive Producers: @kyoso_ai & Jordan Daniel Chesney Composer & Sound Designer: @DavidLaChanceJr Produced by: JDC Entertainment
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Get hyped, the master is on the move 🤘🏻
Beautiful (Trailer): Coming Soon A short film by Jordan Daniel Chesney Produced by @capcutapp Trailer Prompt(s) below...
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David LaChance, Jr. retweeted
Beautiful (Trailer): Coming Soon A short film by Jordan Daniel Chesney Produced by @capcutapp Trailer Prompt(s) below...
🤖 Made with AI
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David LaChance, Jr. retweeted
Apennine Colossus (Colosso dell'Appennino), a 11m statue created around 1580 by sculptor Giambologna. It is located in the gardens of the Villa Demidoff (formerly Villa di Pratolino) in Vaglia, just north of Florence, Italy 🇮🇹 Built over 420 years ago, the Apennine Colossus statue built with a brick core encased by a carved stone exterior. There's even a secret room behind his head with a fireplace that blows smoke through his nostrils. Completed around 1580, the Apennine Colossus was designed by Flemish sculptor Giambologna for the Villa di Pratolino, the Medici family's lavish estate outside Florence. Standing approximately 35 feet (10.7 meters) tall, the giant represents the Apennine Mountains, the range that stretches the length of Italy. More than a statue, it was an engineering marvel that blended sculpture, architecture, and hydraulics. The Colossus was hollow, containing several rooms and mechanical features. A chamber inside the head included a fireplace, and when lit, smoke escaped through the giant's nostrils, creating the illusion that the mountain itself was breathing. Water also flowed through the structure to power fountains and animate hidden water features throughout the surrounding gardens, which were among the most spectacular in Renaissance Europe. Although much of the original Villa di Pratolino was demolished in the 19th century, the Apennine Colossus survived and remains one of Giambologna's largest and most extraordinary works, attracting visitors more than 440 years after it was built. #archaeohistories
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Having fun with Suno. It’s incredibly powerful, witchcraft. I found that using original lyrics makes all the difference in getting away from the AI sound. It’s still doesn’t produce songs that could be released as is but I’m having a blast with it #aimusic #suno #newmusic suno.com/@sadjones
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David LaChance, Jr. retweeted
Watch on @FilmsAicom ORDIИARY New Ai Film 🔗first comment
ORDIИARY I wanted to make a film that behaves more like a song than a screenplay. Every shot is a lyric. The sound design is the melody. The audience writes the story in the space between them. Instead of photographing the plot, the camera photographs the emotional residue it leaves behind. I've started calling the approach Emotional Displacement Cinematography, and this film was my first experiment with it. #AI #ArtificialIntelligence #GenerativeAI #AIVideo #AIFilmmaking #AIFilm #AICinema #AIArt #AIAnimation #GenAI #MachineLearning #CreativeAI #DigitalArt #CGI #VFX #Filmmaking #Cinematography #ShortFilm #Storytelling #SoundDesign #ExperimentalFilm #IndieFilm #FutureOfFilm #Technology #Innovation
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