
Writer of comics, dreamer of dreams. One of the 48%, one time Ghost City Comics Finalist and co-founder of @Write_In_Time
London, England
Joined January 2016
- Tweets1.3K
- Following698
- Followers255
- Likes1.3K
Ed Mottram Breeze retweeted
I painted a Moonknight variant cover. Thanks for the opportunity @UltimateComics
I just backed The Hoards of Surrey - Part Two on @Kickstarter kickstarter.com/projects/824…
1
Sometimes you read an article and there's a line in there that's crying out to be a whole story - theguardian.com/us-news/2021…
Ed Mottram Breeze retweeted
Hey! Support the wedding of two non-binary queers by buying a commission from me! I’m trying to raise funds for our wedding this year, so if you’d like to help and get some cool art for it, click the ko-fi link provided below! Please RT!
Defining silhouettes is the first step in good monster design, he said. “Then you start playing with movement. The next element of design is color. And then finally—finally—comes detail. A lot of people go the other way, and just pile up a lot of detail.”
Ray Harryhausen, ‘Whenever you think of a creature, think of a lion—how a lion can be absolutely malignant or benign, majestic, depending on what it’s doing. If your creature cannot be in repose, then it’s a bad design.’
It's raining. Not as relaxing as this rain from @illustration315 , but close: facebook.com/illustration315…
Ed Mottram Breeze retweeted
“It's creative, unique and fun which is what comics is supposed to be about.” @lianakangas said that about God-Puncher, and you should listen to her because she’s only the best! kickstarter.com/projects/lan…
Ed Mottram Breeze retweeted
I coloured all them pinks good so pledge today!
Here’s a page from my HALF PAST DANGER story for the Christmas Special Kickstarter, now with stunning colours by @Treestumped! Delighted with how my story has turned out. You can get it for just €10 or more with some great rewards, just 6 days left!
kck.st/33qZeEK
Some early-50s Bill Gaines covers for Weird Science and more. Lurid. I love 'em. theguardian.com/artanddesign…
1

















