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“Sleeping Beauty” (1959) - Live action done by Helene Stanley (who also was the live action model for Cinderella)
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A beautifully staged specialty dance to Cole Porter’s “I’ve Got You Under My Skin” in Night and Day (1946)!
✨ Sung by Ginny Simms, the number features the professional dance duo Jane and Adam Di Gatano, whose ethereal and graceful performance is a real highlight. I never thought I’d say this, but I may have found a dancer with even better legs than Cyd Charisse! What a shame the duo apparently made no other film appearances.
The film’s heavily fictionalised portrait of Porter, played by Cary Grant, may take liberties with the composer’s life unfortunately, but this number is a visual treat! 🎶
#NightAndDay #ColePorter #HollywoodMusical #Dance
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\見逃し配信中!/
📣バレエダンサー #熊川哲也 さんが指導
📣バレエ初心者・一般男性たちの初舞台✨
その名も「Men’s 堂々」
平均年齢は50歳‼️
「こんなに すてきな体験はできない」
初舞台までの4か月に密着🎥
スタジオでお話も伺いました
👇見逃し配信はこちら
one.nhk/www.web.nhk/tv/an/ne…
Robot Ballerina 🤖 retweeted
Judy Garland & Margaret O'Brien - “Under The Bamboo Tree” from MEET ME IN ST. LOUIS (‘44)🎶
#judygarland#margaretobrien#meetmeinstlouis
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#TheTokyoBallet revives #JohnCranko’s masterpiece #Onegin at the New National Theatre, Tokyo from Friday 6 November. Don’t miss out!
For tickets thetokyoballet.com/en/perfor…
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Step back in time to 1941 to enjoy the elegant, sophisticated, and timeless dance moves of icons Fred Astaire and Rita Hayworth in 'Boogie Barcarolle.'
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Liza Minnelli has outlived Flávio Bolsonaro’s revenge bid for President of Brazil. He lost to Lula, the man who defeated his father in ‘22. 🇧🇷
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In the studio with Doris Day audio (1950s)🎙
Song: “Ready, Willing and Able”
#dorisday#oldhollywood
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Rita dances with pure joy, and Fred can’t help but respond! Their chemistry is irresistible. ✨💃
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Vera-Ellen's incredible tap dancing routine in Wonder Man (1945) which was her film debut.
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🍎 A wartime hit for the Andrews Sisters, “Don't Sit Under the Apple Tree” gets a terrific dance treatment in Private Buckaroo (1942)!
The very young dancers of Universal's Jivin' Jacks and Jills with the lineup of Donald O'Connor, Peggy Ryan, Dorothy Babb, Roland Dupree, Joe Geil, Jane and Jean McNab, Dolores Mitchell, Robert Sheerer and the 13- year-old Tommy Rall, bring infectious swing and tap energy!
Watch Rall's spectacular leaps, turns and somersaults!
#PrivateBuckaroo #JivinJacksandJills #DonaldOConnor #TommyRall #HollywoodMusical
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Liza Minnelli has outlived the horse-drawn carriages that have dangerously clopped through Central Park for over 150 years. The New York City Council voted today to banish them.
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Fred saves Rita Hayworth
In 1940, Rita Hayworth was miserable at Columbia, and unhappy with the roles she was cast in; vamps with freon in their veins, or bores who did nothing but simper. Hayworth, who was born Margarita Cansino, had been a dancer since the age of 11, but no one made use of her greatest talent, Then, one day, she received a phone call from Fred Astaire, who had ended his phenomenally popular partnership with Ginger Rogers. Hayworth said, “He knew what those fools at Columbia didn’t - that I was a dancer.” Astaire was looking for someone to co-star in his next film, “You’ll Never Get Rich”, and had done his research. He arranged a meeting with Hayworth and the two tried out a short routine. Fred, who was the perfectionists’ perfectionist, was amazed. He told his wife, Phyllis, that he had found someone with “extraordinary talent” who was “able to learn steps faster than anyone I’ve ever known.” It was the beginning of an electrifying partnership. Though the couple made only two films together, they are pure magic. Hayworth was not only a beauty, but had the fluidity Astaire needed, as well as charm on screen. “You'll Never Get Rich” (1941) with music by Cole Porter, was a major box-office hit and gave Hayworth her much needed career boost, proving that she was not just a pin up girl. Fred said you could “show a number to Rita before lunch” and she would return and perform it perfectly after eating. Their second film, “You were never Lovelier” (1942) was an even bigger success. Rita said, “Those two movies gave me enormous confidence. I was no longer the dumb redhead. They saved my career.” From then on, Hayworth was cast in a succession of hit musicals, and even when her films were noirs, like “Gilda” (1946), numbers were specially written for her to perform.
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A football has never been this acrobatic! 🏈🤸
In I Love Melvin (1953), Debbie Reynolds’ Judy stars in the fictional Broadway show Quarterback Kelly, featuring the wonderfully inventive “Saturday Afternoon Before the Game.”
Playing an inflated, light-brown pigskin football (yes, you read that right!) Reynolds launches into a series of astonishing acrobatic stunts.
A truly creative, delightfully unexpected musical extravaganza! 🎬
#ILoveMelvin #DebbieReynolds #HollywoodMusical #Football

















