The International Centre for Women Playwrights: a non-profit organization dedicated to supporting women playwrights globally.

Joined September 2011
what do you mean the taylor swift/unabomber play’s assigned philly fringe dates are 9/11 and 9/13 and tickets are on sale right now at this very moment
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Caro recently spoke to playwright Arlene Hutton, who returns to #edfringe this year with 'Shake Rag Hollow', on at the Assembly Rooms from 31 Jul to 24 Aug. Read the Q&A here: bit.ly/463F0RL @AssemblyFest
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#SuficWisdom 'It is simpler to find a way to heaven than to find a way on earth' Hazrat Khan Genocide has no defense Noble Israelis can still save their loved ones by deposing Bibi liar, murderer of kids, women, journalists, end war farzanamoon.blogspot.com amazon.com/Touch-Orient-Farz…
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Want to see theatre created by women in a beautiful venue for free? Check out La Femme Productions' latest: eventbrite.com/e/women-in-ag…
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no. 93 july 28th john proctor is the villain kimberly belflower “one day, maybe, the new world we were promised will actually be new.”
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Coming up at the Edinburgh Festival Fringe: a new play by Arlene Hutton #shakeraghollow
Caro recently spoke to playwright Arlene Hutton, who returns to #edfringe this year with 'Shake Rag Hollow', on at the Assembly Rooms from 31 Jul to 24 Aug. Read the Q&A here: bit.ly/463F0RL @AssemblyFest
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Even if Lorraine Hansberry's last play is easier to admire than love, seeing Black women in all these roles is glorious. On Oakland Theater Project's latest: sfchronicle.com/entertainmen…
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It would be nice if a show could announce its closing without the internet acting like Broadway as an industry is dead
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British theatre may be backsliding on diversity in artistic leadership, as recent hires and disappearing roles threaten to undo two decades of progress , says Andrzej Lukowski (@MrLukowski) 👇 thestage.co.uk/opinion/do-re…
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Congratulations Christine Foster on winning the 2025 Herman Voaden Playwriting Competition!
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Who's all doing #horror plays at @edfringe? Link me to your show!
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A fun substack on how the playwriting process works, including how to better incorporate the viewpoints of goats and more:
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