Moscow, Russia
Joined April 2014
Please follow me on Mastodon or Bluesky: mas.to/@max_batsyn bsky.app/profile/maxbatsyn.b…
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Jardines del PedregaI, Ciudad de México, 2018 • Pablo López Luz •
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04/05/2024 @MaxBatsyn
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October in Berlin, 1989. Last moments of the wall. At the time it was like going to visit the pyramids. Something that will be there forever. Seven unpublished (but unpredictably disseminated) pictures. 1. Twilight with Brandenburg Gate. 2. Wall with illuminated kill zone. 3. Aircraft light trail approaching Tegel. 4. You are Leaving the American Sector.
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We made a book! RURAL INDEXING: A COLLECTION OF AMERICAN BUILDINGS, SIGNS, AND SYMBOLS arrives from Rizzoli in March 2027. Our favorite themes & subjects from the 1000s of places we've visited since 2010—450+ pics, many never published before. Preorder: linktr.ee/ruralindexingproje…
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Stephen Shore • Wikieup, Arizona, December 14, 1976
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A man and his old Mercedes Benz under a carob tree. Asira ash-Shamaliya, Nablus, Palestine. Photo by Ala Hammouz
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✦ OPEN CALL ✦ ACTZ November Edition: Voice / Echo @spike_0124 & guest curators @DDO__xyz, @fabriziobrarez & @no_faith_left of @rivoca_gallery will select 20 artists and place the opening bids. This month, there’s something extra for two of the selected artists 👀 More ↓
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Alexander Gronsky instagram.com/gronsky/
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Today is October 8th. As I worry about the rise of fascism in my own country, I send my love, once again, to Palestine. 3 years of Genocide. Or 78 years.
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Juarez #1, 2008 • Alejandro Cartagena •
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This week, we studied TREE. Across these photographs, we looked closer at something so familiar that perhaps we sometimes forget how extraordinary it is. Wood is made by life. Every tree is evidence of that quiet miracle. This was an especially meaningful week as our study extended into my guest curation with the Teia community. My sincere thanks to @TeiaArt for inviting me and giving me the space to explore TREE through the work of its artists. Thank you to every photographer who joined the study, and to everyone who collected, supported and followed along. Sound on 🔊
This week, the Sunday Photography Salon is taking a little journey. 🌳 Beginning September 29, I’ll be guest curating the Teia Community account @TeiaArt for five days. I’ve chosen TREE as our photographic study. Have a TREE photograph minted on Teia? Drop the Teia link below. I’d love to explore. Come with me. We’re going exploring.
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OBJKT#873006 Experimental Fields - #PerspecTez @MaxBatsyn
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Collected Botanical Garden #2 by @MaxBatsyn for this week’s TREE Sunday Photography Salon. A tree does not hide what has happened to it. It grows around injury, disturbance and time, folding its history into the shape of its body.
This week, the Sunday Photography Salon is taking a little journey. 🌳 Beginning September 29, I’ll be guest curating the Teia Community account @TeiaArt for five days. I’ve chosen TREE as our photographic study. Have a TREE photograph minted on Teia? Drop the Teia link below. I’d love to explore. Come with me. We’re going exploring.
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OBJKT#846893 Botanical Garden #2 @MaxBatsyn
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Max retweeted
Jeff Brouws Quanah, Texas, 1996 .
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✦ Exhibition Reminder ✦ Ends October 25 📍 NYC “Terms of Agreement 🐳” by @jonas_lund × @yoshi_sodeoka at @MovingImageNYC explores labor, markets & collective behavior through blockchain data and simulation. Free process image mint ↓
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LIVE NOW ⭑ @exonemo's The Last Acres of the Internet, part of WEBSITES WEBSITES WEBSITES! (WWW!), is live on our platform ⭑ Ends today at 12 PM ET ⭑ Proceeds directly support @rhizome's work as a memory institution for digital art 🔗 fellowship.xyz/artwork/exone… The work offers the web's least desirable real estate for sale. While short domain names sell for colossal amounts, like land in Manhattan, exonemo trades in the opposite: the duo registers meaningless domain names of 63 characters, the maximum length permitted, and grows an HTML wilderness generated from random strings on each one. Whoever buys a website owns both the domain and its wilderness, free to build there as they wish. Bidding opens at $24, the sum Dutch colonial director Peter Minuit is said to have paid the Lenape for Manhattan Island in 1626. In contrast to artists raised within today's platform economy, exonemo reflect on what was lost as the web became centralized, asking who holds its territory and what remains for those arriving next. To explore the full project, visit → the-last-acres-of-the-intern…
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