Building the largest archive of color across visual culture. Art history to the movie poster, every work read for its palette. Color fl芒neur. By @Pixel0Symphony

San Francisco, CA
Joined March 2026
Introducing The Palette Studio. Upload any image, or pull a painting or movie from the archive. The Studio distills its palette into a series of chromatic studies, each a different way of seeing the colors within. Copy color values, download studies or browse palettes. 馃敆馃憞
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Red cabbage can tell you how acidic something is. Its purple pigments, called anthocyanins, turn its juice red in acid and blue or green in alkaline conditions. Tight curls, pale veins and purple edges, with its palettes.
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Johannes Itten. Tape Ball Color Space, 1919-20. Itten trying to solve a strange problem around 1919, if color has relationships, could you give those relationships a physical shape? His answer was to move beyond the color wheel and into three dimensions, eventually producing his famous 12-hue color sphere in 1921.
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Frank Lloyd Wright, Design for Liberty magazine cover. 1927.
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Master of the Burg Weiler Altarpiece, The Burg Weiler Altar Triptych. c. 1470. Oil on wood, gold ground.
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Three distilled palettes.
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Ellsworth Kelly, Colors for a Large Wall. 1951. Oil on canvas, sixty-four panels.
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Robert Ridgway, Color Standards and Color Nomenclature. 1912. Ridgway made a color dictionary for identifying birds. Each color was painted on large sheets from one mixture, then cut into small samples so copies would match.
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Mark Rothko, Harvard Mural studies. 1962. Watercolor on construction paper.
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William Merritt Chase, Portrait of Dora Wheeler. 1882-83.
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Pierre Rousseau, Decorative Panels. 1790s. Oil on canvas.
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Johann Wolfgang von Goethe, Zur Farbenlehre (Theory of Colours). 1810. Plate mapping color sequences on a grid to compare Natur and Wunsch (Nature and Desire).
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Carlos Cruz-Diez, Physichromie Panam 112. 2010. Silkscreen on aluminum and PVC
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Carlos Cruz-Diez, Induction Chromatique. 1974-1975. Silkscreen on paper
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Buckminster Fuller, 4D Tower Time Interval 1 Meter. 1928. Gouache and graphite on paper.
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Adolf W枚lfli, The Kander Valley in the Bernese Oberland. 1926. Pencil and colored pencil on paper
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Anish Kapoor, Untitled. 2025. Gouache on paper
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Adolf Fleischmann, Komposition. 1951-52. Oil on canvas
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Abu al-Rayhan al-Biruni, Phases of the Moon from Kitab al-Tafhim. c. 1029. Ink and pigment, manuscript on paper
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A. Marie, Aurora Borealis Seen at Paris, May 13, 1869. 1873. Chromolithograph, from The Atmosphere by Camille Flammarion
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