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FROM DUSK TO SHAUN (Edgar Wright, 2018)
A downtrodden London salesman (Simon Pegg) and his zombie BFF (Nick Frost) must protect their loved ones during a completely unexpected vampire apocalypse. Co-starring Kate Ashfield, Jessica Hynes, and Charles Dance as Count Dracula.
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We had a great screening at @AFIFEST last night, and my dear friend, the very talented Edgar Wright loved it! ❤️
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Lovely support for The Face of Horror from my friend, the very talented filmmaker Sean Baker! ❤️
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I was just reading about how the extras' costumes got ruined by rain in THE TOWER OF LONDON. I made a huge stink about pre-washing the fabric for THE FACE OF HORROR, so when the extras got caught in the rain, there was no harm done!
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Watching THE TOWER OF LONDON reminds me that my grandma being to the Richard III Society. She would corner people at parties after a few martinis and exclaim, "Richard didn't really lock those princes in that tower, you know!"
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Clip from THE FACE OF HORROR! youtube.com/watch?v=K0RSqAxb…
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The fact that Edward *doesn't know he's the villain* also leads to some devastating humor (at his expense).
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I love watching Jonah Hauer-King's work as Edward. By playing the character entirely straight and from a place of deep personal truth, he honors the straight narrative while letting the irony of the situation shine through naturally. Superb craft. #thefaceofhorror
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Also when people say it's too long I regret not releasing the three-hour version, which was rad
When I was a film student, all everyone talked about was my production values, complaining that they weren't good enough. So I worked. Really. Hard. On my product values. And now still all anyone wants to talk about is my production values. (???) #thefaceofhorror
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eu to em choque eu achei que era um filme antigo até ver o príncipe eric de a pequena sereia. então quer dizer que eles podem sim fazer filme colorido eles só não querem
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Ten years after 'The Love Witch,' Anna Biller's ability to recreate not just the aesthetic and performance styles but also deliberate pacing of 1950s and ’60s genre cinema remains unparalleled.
Read @ethanves' #TIFF review of 'The Face of Horror': thefilmstage.com/tiff-review…
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When I was a film student, all everyone talked about was my production values, complaining that they weren't good enough. So I worked. Really. Hard. On my product values. And now still all anyone wants to talk about is my production values. (???) #thefaceofhorror
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Altered States (1980) and The Lair of the White Worm (1988) are both very fine examples of the sheer cinematic audacity and borderline lunacy of the late, great Ken Russell.
Altered States is by far the most compelling, and it stays with you long after it's finished. But Worm is so very, very entertaining and probably the better movie 'in the moment'.
Thoughts?
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Yes. And I love Lynn Bari! Have you seen her in "Shock," with Vincent Price? Another good psychological noir.
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We need more Psychic 🔮 Noir!! It did feel like every frame was sparkling. What a unique and special film. 🥰























