Club Music Otaku, Founder @IsntThatRecords, 765PRO IoriP 💖~ IIDX 中伝 ~ Contact ✉️ [email protected] or DM

MI, USA
Joined April 2016
11月04日から11月16日まで東京に行きます! 友達とライブや飲みに行ったりしたいので、連絡ください! DJのリクエストにも応えます。
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NTG / ColeP @ 🇯🇵 東京 11/04-11/16 retweeted
M3にて販売させてもらいましたMusicarusのアルバム"ALTERATION"のDLカード+ステッカーパックにつきまして今回はDiverseDirect様にて委託販売します。 数に限りがありますのでお早めにお買い求め下さい。 diverse.direct/disco-fantasm…
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On a more appreciative note, I really want to thank all the artists who provided songs for STRIKERZ 2nd Inning, everyone put their all into it and you can really tell! I was especially honored to work with 3R2 & RiraN. I think there is a nice connection since they both have(1/2)
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A long history of running doujin labels from overseas. Both were incredibly passionate to work with, in a way, I feel they can relate to our position as an overseas label trying to break into the Japanese scene. I felt a lot of care from them and was incredibly honored. (2/2)
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This has killed a lot of the passion I have for M3… we were overdue for a poor performance…. but we have to fight so hard tot rt and exist in the doujin music space from all the way around the world… and I just don’t know if it’s worth it anymore
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So when we look at our cost and where we can cut back to lose less money, I like to prioritize the music over the CD’s itself. It makes it teally hard to justify the extra $750 spent on CD’s and shipping…..
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If we only start doing CD’s again when we find more success, I don’t think people will be interested in buying a FlashBang 4 CD when FlashBang 1 and 3 weren’t available as a disc. It makes our label is awful for collectors because of the inconsistent CD releases
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I really appreciate everyones kind words, but it’s crazy to have a vent tweet blow up so much I promise I’m usually a lot happier lmao
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As both a creater and close friend of that crew, I will always feels like I’m operating in their shadows. This week just made that hit home in a lot more ways than most people would be able to realize
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Life was so much easier when I was just a fan of this stuff, i’m not cut out to make it as a creative in anyway
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Time to take a long break from projects, I need a couple months for sure. Worked really hard this year and our albums reflect that, but it’s hard not to be super disappointed in our performance
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M3 so soon…. Even though i’m just watching from the US, i’m still nervous haha. Hoping STRIKERZ 2 can sell out!
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I’m confident this is the best album we’ve ever produced, so it’s frustrating…. I’m incredibly conflicted. I understand M3 is sooooo large that it’s hard to stand out, but I can’t find any way to truly rationalize an underperformance like this….
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If anyone wants to see us keep making physical releases in the future, really all I can ask is go buy our cd on bandcamp or tano*c store 🙏🙏
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NTG / ColeP @ 🇯🇵 東京 11/04-11/16 retweeted
【2026年秋M3】 It’s the 2nd inning! The NTR “STRIKERZ” are up to bat, how hard can they hit this one? IT'S A HOME RUN! THE BALL’S OUT OF THE PARK! ⚾️🏟️ 『STRIKERZ: 2nd Inning』 🏟️⚾️ Release: 2026.10.25 Space: い-07b (STICKLOVERZ) Price: 2500円 #M3秋 #M3秋2026
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I really want to listen to the new Musicarus album
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NTG / ColeP @ 🇯🇵 東京 11/04-11/16 retweeted
《🔔#M3秋2026 MENU🔔》 明日のM3のSTICKLOVERZのお品書きです! NotThatRecords(@isntthatrecords )様と、 ChillMe(@ChillMeMusic )様の委託販売もあります! 【い-07b】にてお待ちしております🙏
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