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IN NEGA GRAVITY
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Long ver
前半 : Static
後半 : Point of view
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BGM : 豊穣の腸
@dreamina_ai
#dreamina
#dreaminacpp
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Edvard Munch
The Wedding of the Bohemian, Munch Seated on the Far Left, 1925
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Yuji Watanabe, Yokai.
Realizzata a Tokyo nel 2026, la serie ha per soggetto gli yokai, le creature del folklore giapponese che occupano la soglia tra il mondo degli uomini e quello degli dèi.
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Brilliant posters for Star Wars Trilogy by @SapienzaDesigns
#StarWars
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On this day 30 years ago, STAR WARS: SHADOWS OF THE EMPIRE was released.
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LOST MEDIA: In 1993, an animated series titled ESCAPE FROM JURASSIC PARK was in development.
It was eventually cancelled before full production; however, not before a lot of work was done, including a pitch trailer.
At long last, that trailer has been unearthed.
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Darmok is the perfect ST episode. Aliens with sequined pajamas, weird foreheads (and uniquely, weird thumbs), planet that looks like socal, the worst cgi alien of all time, plastic knives, ship battle that’s just lasers & shaky screen, and it’s the greatest sci fi story ever done
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Watching all the posts fly about Patrick Stewart, I have noticed something incredibly interesting that reaches deeper into the core of humanity: everyone, across the political spectrum, loved Picard.
The original Picard, from the 1990s. It seems people from all walks of life feel a heartfelt loss, and I think there is more to it than just nostalgia or a celebrity passing.
The TNG stories spoke true to everyone, no matter their politics. It was an era where we were able to agree on fundamental things, where our shared humanity and its complexities were spoken through timeless storytelling. It makes you wonder if that balance is why the 1990s feels like such a golden age in hindsight.
I often see the argument that when the original Star Trek came out, traditionalists were offended by it, and that heavy-handed ideology and corporate pandering in the recent Star Trek series are the same thing. But I would ask: what about The Next Generation? It, too, asked deep, challenging societal questions about the human condition - yet everyone, left and right, loved it.
I realize it was just a show, just a fictional character. But I think there is more to it. It represents something we are all sorely missing today: depth and a sense of shared humanity, delivered without constant virtue signaling, and without corporations trying to monetize every last ounce of our attention.
Perhaps the true magic of Picard - and the era he represents - was that he challenged us to be better without ever making us feel talked down to. He invited us to reflect on our flaws rather than policing them. In losing Patrick Stewart, we aren't just mourning an icon; we are mourning the standard of grace, curiosity, and mutual respect he embodied so brilliantly - and which is becoming harder and harder to find.
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