
Fani® *✌🏾9️⃣FRVR* for all inquiries email: [email protected]
Earth
Joined July 2009
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Fani Ⓕ retweeted
Ear drummers signed CW and Two9 and they continued to release music that I wasn’t apart of. I think the rest of the two9 story is not in my hands after that. Would have to be told by them. Thanks for listening TWO9 FRVR
Fani Ⓕ retweeted
After aligning with dtp, I decided to be fully solo and I’d just be around. While two9 was being shopped we caught the attention of QC and Mike will. They ended up wanting to sign CW and two9, not me. I wasn’t going lol. This started my all out leaving which wasn’t horrible.
Fani Ⓕ retweeted
“Guess who” was created and I’d like to think that’s when I was solidified and ready to expand to more than the underground. All the while two9 was still thriving I just had issues with losing control to the managers and the labels were coming in too fast. Dj fu intro is to DTP
Fani Ⓕ retweeted
I remember doing a show for interscope, and me and CW got into a fight on stage before we could perform. I lost it then I wanted to venture out because I saw where this was going. I didn’t want anyone messing up my opportunity. I branched out and met Snubnose and started OTG
Fani Ⓕ retweeted
Press runs and 10deep meetings. We thought we made it! We also got invited to do our first sxsw. That’s when we linked Nvrch. A creative company from Cleveland and they shot “s2h” for us there. We also got to showcase for labels. This is the beginning of the haziness.
Fani Ⓕ retweeted
After the success of Two9 Forever, we started meeting collectives from all over the country. I remember Asap Rocky’s first single released. We were invited to that one festival that was throughout NYC. We packed up in Dave’s suburban 12 deep. The first place we visited was Harlem
Fani Ⓕ retweeted
“Why Is It Okay for White People and Not Black People to Grow Old in Music?” —Skepta challenges racial double standards in aging for Black rappers
In a new interview with British GQ promoting his first full-length album in seven years, ‘The Fork and Knife’, Skepta, now 44, addressed the long-running debate about rappers continuing past 40—sparked years earlier by André 3000’s comments that he found rapping at that age “weird” and inauthentic
Skepta rejected the idea of an age limit on the art form. He admitted briefly questioning whether he should still rap but ultimately decided he is “still making the best music.” As long as he is saying things appropriate for this stage of his life, he sees “no age on rap.”
He then zeroed in on what he views as a deeper problem projected onto artists like André 3000: the notion that rap is somehow juvenile. “Someone’s put in his head that it’s juvenile to rap,” Skepta said. “Why can Iggy Pop grow old and still be on stage with his top off doing rock music, but we can’t? All of them, all the rock bands. [But] Black rappers get to 35, 38 and start panicking. So why is it okay for white people and not Black people to grow old in music?”
Calling it a self-imposed limitation, he urged Black artists to stop buying into the narrative. “This is something Black artists need to stop doing to themselves. The stuff we’ve got is a blessing, and the kids need more people who are speaking up for the culture, to stay in the culture and carry the work on.”
Fani Ⓕ retweeted
Shit crazy cause everything did come from Two9 … I don’t talk about it much anymore but it’s tatted on my 4L














