Rob Toulson

@BrechtDeMan in my experience the professional plugin industry relies significantly on Matlab, Python and C/C++. There are easier languages to teach and learn, but if you want to work for Waves or someone similar these are deal breakers - this job looks pretty fun :)

Amazing moment - Mandy Parnell takes over as interviewer and invites friend, mentor and mastering legend Sean Davis on stage to share his wisdom! @AudioEngSocUK @AESorg @blacksaloon @UniWestminster #AESmastering2018

Grammy Winning Mastering Engineer Mandy Parnell in conversation with Katie Tavini at AES Mastering Conference 2018. #AESmastering2018 @AESorg @AudioEngSocUK @blacksaloon @KatieTavini @UniWestminster

Approaches, benefits and pitfalls of stem mastering by Mike Cave @mikecavemixer of Loft Mastering @UniWestminster @AESorg @AudioEngSocUK #AESmastering2018

Mike Wells of @MWMastering presents the SWAN streaming platform for sharing listener copies with music artists and producers. Takes the stress out of transfers, zipping, and accessibility on all devices. @AESorg @AudioEngSocUK @UniWestminster #AESmastering2018

Crispin Herrod-Taylor broaches the discussion of ‘elephants in the mastering room’! #AESmastering2018 @AESorg @AudioEngSocUK @UniWestminster

Fabulous to see three of the world’s most successful and inspiring mastering engineers catching up at the AES Mastering Conference! @hebakadryy Darcy Proper (of @Wisseloord) and Mandy Parnell (@blacksaloon) #AESmastering2018 @AESorg @AudioEngSocUK @UniWestminster

Dr Andrew Bourbon discusses ‘how should we teach music mastering in higher education?’ #AESmastering2018 @AudioEngSocUK @AESorg @UniWestminster

Magdalena Piotrowska - results.... listeners preferred the mastering engineer versions to the online algorithms. But also listeners preferred the non-mastered version to the online algorithms too (except for dance music). Fascinating!

Magdalena Piotrowska presents research of automated online mastering #AESmastering2018 @UniWestminster @AudioEngSocUK @AESorg