Emotional Violence! Subhuman sex! Spiritual ecstasy! SO much to unpack in POSSESSION on this week’s episode of @1fuckinghour youtu.be/fmvQ4cLzHVY
Rémy Bennett retweeted
Our latest episode gets under the skin of the truly disturbing PIN: A PLASTIC NIGHTMARE — both the film and the even more twisted novel by Andrew Neiderman.
Watch the full fucking hour here: youtu.be/PJFlS4_eBhY
So happy to have the opportunity to spotlight the force of nature that is Theresa Russell on this weeks @1fuckinghour episode on the psycho sexual 1980 film BAD TIMING! 💔
youtu.be/SL2jsyR-oiw
Rémy Bennett retweeted
New episode 💊
@Remy_Bennett joins us for one fucking hour on the grim mosaic that is Nicolas Roeg’s BAD TIMING — a film so controversial it was disowned by its production company as “a sick film made by sick people for sick people.”
Watch it here youtu.be/SL2jsyR-oiw
On @1fuckinghour we talk the terror of having children & trauma in David Cronenberg’s divorce allegory—
THE BROOD
youtu.be/EhS994X7n1Q
Rémy Bennett retweeted
New episode with special guest
@Remy_Bennett — all of us children of divorce — get heavy and personal going one fucking hour on David Cronenberg's 1979 body horror/divorce allegory THE BROOD.
Watch our new episode here youtu.be/EhS994X7n1Q
On @1fuckinghour we go inside the groundbreaking world of 1970s female athletes testing their limits while vying for Olympic glory in the 1982 gem PERSONAL BEST!
youtube.com/watch?v=Kl5jQGZ5…
Rémy Bennett retweeted
New episode 🚨
We go one fucking hour on PERSONAL BEST (1982), the athletic drama by Robert Towne, which follows an aspiring young track & field star (Mariel Hemingway) on her journey to becoming an Olympian in the late 70s.
Watch the new episode here youtube.com/watch?v=Kl5jQGZ5…
Took a deep dive with @1fuckinghour on STREETWISE, maybe the most human and heartbreaking film about teenage life of all time 💔
m.youtube.com/watch?v=jDWVnj…
Rémy Bennett retweeted
New episode…
With guest @Remy_Bennett, we go one fucking hour on landmark documentary STREETWISE (1984), which follows runaway street kids in Seattle with heartbreaking intimacy and startling rawness.
📺 Watch it here: youtube.com/watch?v=jDWVnjJa…
Discussing my grimmest Valentine’s Day film pic, STAR 80 💖⭐️
on the wonderful @1fuckinghour
youtu.be/OpR3yIz_FZU
Rémy Bennett retweeted
on “Psycho” (1998): Tom, Evan and Marcus parse Gus Van Sant’s (alleged) shot-for-shot remake of Alfred Hitchcock’s masterpiece. Perhaps the most misguided horror film of all time.
Watch the one fucking hour here: youtu.be/xGCenlNcToM
Rémy Bennett retweeted
The Georgia victory belongs to the people. @BlackVotersMtr worked w/40+ amazing grassroots groups in the state. The ProGeorgia table and national partners. This is our collective victory. However, the race was was WON by the folks on the ground that often get overlooked. Thank U!
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Tomorrow 10/19! @MiskatonicIHS NYC presents an illustrated career talk w director Karen Arthur (THE MAFU CAGE) moderated by @Remy_Bennett at @BrooklynHorror
Rémy Bennett retweeted
In collab w/ @BrooklynHorror Miskatonic is proud to present a conversation w/ pioneering director Karen Arthur (THE MAFU CAGE) who paved the way for women in genre filmmaking with her transgressive and socially challenging body of work. Sat Oct 19 at noon miskatonicinstitute.com/even…
Oct. 19th I’ll been in conversation with the trailblazing director of THE MAFU CAGE, Karen Arthur 🖤@BrooklynHorror @MiskatonicIHS
miskatonicinstitute.com/even…
Made a witchy film for @samanthapleet
Starring our favorite Victorian ghost girl, @maggiesgdunlap 🖤
samanthapleet.com/blogs/stor…
Created a photo homage to Bob Clark’s early fetish flick She-Man: A Story of Fixation for @byNWR_official & @bigsmashkierla
Rémy Bennett retweeted
Behind the brightness of her eyes I see the floor of the world falling. This is a kid who does not like change; who, in a beautiful biopic by Kelsey + @Remy_Bennett, explains as a teen she obsessively started taking photos in an effort not to lose anything bit.ly/2QwbX07
Part 4 of Evan Louison’s tribute to Abel Ferrara @FilmmakerMag
filmmakermagazine.com/107520…























