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Sin olvidar que el cuerpo de los ya-vacunados también puede contagiarse, infectarse, o sea desarrollar la enfermedad y morir de covid-19. Eso significa que en el cuerpo de los ya-vacunados también se producen variantes y mutaciones del virus.
Si los anglosajones (y sus sirvientes) dicen algo, sea lo que sea, bueno o malo, falso o verdadero, el resto de occidentales lo suscribe.
🔴 ÚLTIMA HORA | El Tribunal Supremo del Reino Unido limita la definición legal de mujer al sexo biológico elpais.com/sociedad/2025-04-…
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Holly Hendrix performed in front of hundreds of strangers who bought tickets to watch, and her very first scene, on her 18th birthday, was a staged brutal one. Then a Valentine's Day shoot turned real: she says her co-star slammed her head into a wall, beat her and stood on her face until her jaw locked. When she bled, the director didn't cut. He moved the camera closer.
In the video below, she sits down and lays out what the cameras never show you.
She grew up in a trailer in Savannah, Georgia. Walmart clothes, big glasses, curly hair. Nobody ever called her pretty. She graduated high school two years early, at 15, and was studying to become a pharmacist.
Then she followed a guy to Miami. Everything he told her was a lie. His friends stole the laptop her grandma gave her for graduation. She ended up sneaking into empty rooms at the hotel where she worked just to have somewhere to sleep.
A "modeling agent" called. Nude modeling. Then video. She hung up. Then she called back.
She shot her first scene on her 18th birthday. She had never done anything like it. Everyone on set told her she was phenomenal, better than women who'd been in the business for decades. For a girl who'd never been called sexy, she says that feeling became an addiction.
New girls, she says, often make around $2,500 a scene or less. Most don't last six months.
At Kink.com's old San Francisco studio, she performed in front of a paying audience. Hundreds of people watching her face, wondering how such a tiny girl could do it. She loved it.
Then the dark side. She says drug use on set has become normal. Directors feed new girls drugs and alcohol. Pressure them into the bathroom. And girls go along because saying no might mean never getting booked again. She admits she's been that girl.
"I guess technically it is rape," she says, "when a girl has not given you consent."
And then she tells the Valentine's Day story. Her agent called it a present. The co-star was someone she had a crush on. There were safe words. She gave signs. His eyes went black. Her ears were ringing. She was slapped and ordered to talk when she couldn't. Blood on set should have stopped everything. It didn't.
She needed treatment for her jaw afterward. She finished the scene.
Today, at 27, she says she feels forgotten by the industry that once flooded her phone. And she still says she loves it.
They taught her to never say no. The day she said stop, nobody listened.
Some lessons are written in other people's mistakes. Watch it once. Remember it forever.
La librería ELEMENTOS retweeted
El sábado 1 de noviembre de 1958, Celia Cruz ingresó a los estudios de Radio Progreso, en La Habana, para grabar junto a la Sonora Matancera esta canción: ‘Ven Bernabé’, un son montuno de Santiago Ortega que incorporó fragmentos de ‘Lamento Jarocho’, composición que Agustín Lara escribió especialmente para la cantante Toña la Negra, inspirado por su voz y sus raíces veracruzanas. Para entonces, la cantante ya había estrenado esta obra en el Teatro Esperanza Iris de México, en 1932.
Finalmente, la grabación de Celia con La Sonora Matancera quedó registrada bajo la matriz SR-9481 y ocupó la cara B del sencillo Seeco 7871. La pieza fue incluida posteriormente en el álbum ‘Cuba's Foremost Rhythm Singer’, publicado en Estados Unidos en 1959.
Trujillo sin luz
Un evento en el Sistema Eléctrico Interconectado Nacional (SEIN) generó un corte de energía en Tumbes, Piura, Lambayeque y La Libertad. El servicio se restableció en Talara y Trujillo, mientras sectores de Piura y Tumbes continúan sin luz ► canaln.pe/
Halloween
Replying to @punchbagstudios
I mean, this is NO LIE - even BBC made a documentary about it.
Having said that, who feels remotely sad about those good-for-nothing-other-than-being-peed-on whores?
🤷♂️🤷♂️🤷♂️
youtube.com/watch?v=OboT09uR…
Borracha
Jethro Tull performing “Bourée” for French Television in 1969 “Bourée” is an instrumental and a flute-based adaptation of Johann Sebastian Bach’s “Bourrée”. The Bach version was written for lute, and is his fifth movement of the Suite in E minor for Lute. Also known as “Aufs Lautenwercke” (works for the Lute), Bach wrote the piece in the early 1700s. In an interview, Ian Anderson explained why he decided to adapt the Bach composition. He said: “I got to the point where I was playing the flute every night on stage in the early part of ‘68, and so by the end of the year, I was casting around for an instrumental piece as a successor to the Roland Kirk piece, ‘Serenade to a Cuckoo,’ which I’d been playing most of 1968. I wanted something that had a syncopated jazzy feel, but a melody that wasn’t associated with the jazz world or the blues world. And ‘Bourée’ was a little bit of music that came to me through the floorboards of my bedsitter in London, because there was a media student in the room below who kept playing over and over again this refrain of the Bach tune “Bourée.” He played it on classical guitar, but he only ever got the one bit, he never progressed beyond that basic thing. So I kept hearing that over and over and over and over again, and decided that I would try to use that little tune some way as a starting point for an instrumental piece. And Martin Barre, who literally at that point in January ‘69 was just kind of auditioning to join the band, said, ‘Oh, I know that. I think I’ve got the sheet music somewhere for Bach’s ‘Bourée.’’ So it was something we could fairly readily embark upon as a variation on a classical piece of music.”
¿El Partido Socialista Unido de Venezuela privatizará y devolverá lo estatizado por ellos mismos?
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¿Quiénes crearon a la Hermandad Musulmana? ¿En general a quiénes beneficia el radicalismo islamista? Aquí la traducción de un informe aparecido originalmente en inglés “Muslim Brotherhood: London Schocktroops for the New Dark Age”.
payhip.com/b/4dLBH
Las putas van a pedir subsidio estatal para abrir la concha. Y los políticos iniciarán con ellas la entrega del salario universal. Es la estatización generalizada de las mujeres. Todas estarán a favor, putas o conservadoras.
En Francia, a las mujeres que se acostaron con blancos nazis las golpearon en público y les raparon la cabeza. Pero ahora a las mujeres que se aparean con negros invasores las consideran un símbolo de "progreso".
El sistema es de izquierda.































