Emily Cockayne (@Rummage_work) header
Emily Cockayne (@Rummage_work) profile picture

I don’t post here now. …Cultural/social/materials historian: anonymous letters. Hubbub /Cheek by Jowl /Rummage / Penning Poison. UEA Associate Prof

Joined November 2018
Photo by Emily Cockayne (@Rummage_work)Photo by Emily Cockayne (@Rummage_work)Photo by Emily Cockayne (@Rummage_work)Photo by Emily Cockayne (@Rummage_work)Photo by Emily Cockayne (@Rummage_work)Photo by Emily Cockayne (@Rummage_work)Photo by Emily Cockayne (@Rummage_work)Photo by Emily Cockayne (@Rummage_work)Photo by Emily Cockayne (@Rummage_work)Photo by Emily Cockayne (@Rummage_work)
Emily Cockayne retweeted
I’ll be leading a guided 2-hour walk of Soho on Weds 20 May for @citylit at 11am We'll explore the area as a site of radical politics, the policing of vice and the working lives of those who made the gorgeous clobber in the department store windows Deets: tinyurl.com/5x4zaarw
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The face of poverty ~ a child’s “shoe doll”, found in a London slum in 1905, made from fabric scraps, the heel of a man’s shoe and a black sock (Museum of Childhood, Edinburgh)
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Emily Cockayne retweeted
It’s very difficult (as you’ll see) to get a good pic of ⁦@Fortnums⁩ window displays. They’re always imaginative but these creatures, made of recycled materials, are absolutely magnificent. I’m bagging the hyena for my living room.
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Penning Poison will be out in paperback next week!
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Is this the same person a few years apart. Is he even wearing the same suit? Both photos were taken in the same photography studio
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Objects of Poverty edited by @JoeHarley1988 & Vicky Holmes is out in just over a month, including a chapter by me about cobbled-together whistles. The cover features my bonkers barometer & one of the button whistles I write about. Pre-order your copy! bloomsbury.com/uk/objects-of…
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Emily Cockayne retweeted
I am Maria Noori, former university lecturer in Afghanistan. Since August 15, I’ve been banned from teaching, education, and freedom. August 15 is a black day for Afghan women. Stand with us. #FreeAfghanWomen #AfghanistanBlackDay #MariaNoori
Maria Noori, women’s rights activist and university lecturer: “August 15 is a black day in the history of Afghanistan. I am an Afghan woman, banned from education, work, and freedom. The world must stand with Afghan women.” #FreeAfghanWomen #AfghanistanBlackDay
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When I was writing In Her Nature, The Salt Path’s spectre hung over me. IHN is partly about how physically unwell and isolated I felt after losing numerous family members in 2019 – and how I tried to make myself feel better by running long-distances across North Yorkshire.
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I last had time to sew in November. I'm trying to get back into it. I'm bad at faces, so apologies @Arifa_Akbar for my version of the cover of your amazing book (which I loved so much). Rules : I reuse materials I already have / I can't spend longer sewing than I did reading
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Get your preorder in now!
It’s here! Objects of Poverty: Material Culture in Britain from 1700 bloomsbury.com/uk/objects-of…
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Emily Cockayne retweeted
I’ll be doing my first-ever London walks for @CityLit next month and would be delighted if you’d care to stroll with me. First up, a 2-hour exploration of Whitechapel/Spitalfields and life there in the late-19th-century – on Tuesday 8 July, 11am shorturl.at/pfG0Q 1...
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Emily Cockayne retweeted
Please join me on Thursday 5 June at the William Morris Gallery, London E17 for an illustrated talk on the Old Nichol district of late-Victorian London. £10, 7.30pm williammorrisgallery.co.uk/e…
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One of my favourite finds and still something of a mystery. A small hammer or anvil attached to a repurposed file. It’s been suggested it may have been used in gold or silversmithing . #mudlarking #mudlarkingfinds
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Emily Cockayne retweeted
Joan Eardley (1921- 1963) "Flowers by the Wayside", UK painter who was based in Scotland #WomensArt
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Can anyone help me with these three signatures from 1882, please!
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A wonderful start to today’s study day, ‘Multiple Identities: Telling Life Stories Through Objects’ as @DrKKennedy challenges is us to ‘find the whispers’ of past lives behind objects.
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Emily Cockayne (@uniofeastanglia) discusses the lives of garments and shines a light on the lives of menders, whose sheer skill (hiding their material interventions) has made their art and lives invisible to us today.
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