American Modern Opera Company (@RunningAMOC) header
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AMOC* | 17 singers, dancers, and instrumentalists. Leading voices of the rising generation. | https://nitter.gq/t.co/5FqyEnvrpB

Joined August 2020
Don't miss the New York premiere of #BobbiJeneSmith's BROKEN THEATER, opening April 20 at @lamamaetc! Tickets available now at runningamoc.org/calendar.
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"“…a wry, sometimes uproarious and poignant metatheatrical riff on the process of creation” (@nytimes). Bobbi Jene Smith’s BROKEN THEATER opens April 20 at @lamamaetc. Visit the link in bio for tickets!
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Join us on March 27 for space(s) in the Resnick Education Wing at Carnegie Hall! #wandelweisercollective #ensembleconnect #carnegiehall #silence #nyc
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I PASSED UNDER THE ROOF OF THE HEAVENS
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In honor of Luigi Nono’s 99th birthday, we are thrilled to offer a limited release of the concert film NONO. AMOC*’s production of Luigi Nono’s “La lontananza nostalgica utopica futura,” premiered at the Clark Art Institute in August 2020.
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🎻🔥🪩 #HowToFallApart makes its New York debut in two weeks at Baryshnikov Arts Center - join us by visiting runningamoc.org/calendar! Photo by Josh S. Rose #newwork #commission #dance #process #poetry
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THREE TURTLES WERE TROTTING ON A VERY NARROW SIDEWALK When writing HOW TO FALL APART, composer and poet Carolyn Chen sourced inspiration from myriad myths from Hindi, Chinese, and Native American traditions, all centering on tales of a giant turtle that supports the world.
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Join AMOC*ers Emi Ferguson, Keir GoGwilt, Doug Balliett, and guest artist Jordon Dodson for AMOC* Away from Home at The Clark Art Institute this Saturday at 3pm! runningamoc.org/calendar/202…
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The @newyorkermag agrees, EL NIÑO: NATIVITY RECONSIDERED is the piece to see this holiday season! Choose-what-you-pay tickets are still available and start at just $5, on sale at the link in bio. Thanks to @oussamazahr for the shout-out! – at Manhattan, NY
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Join us on December 21 at 7:30pm for this rarely-performed work by @HellTweet in a special chamber music arrangement that @nytimes described as “intimate, affecting and quietly rich with activism.” – at Manhattan, NY
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