Typefaces from Bohemia

Prague, Czech Republic
Joined June 2009
SuitcaseTypeFoundry retweeted
💅🏻 BC Novatica 🤌🏻 New Typeface 🖐🏻10 styles + Variable fonts Novatica TXT is a new extension of the original BC Novatica family. Design: Radek Sidun and Ilya Bazhanov Text: Briefcase team and BARD Photos: Adobe Fire Fly briefcasetype.com/fonts/bc-n… #newfont #typedesign #grotesque – at Prague, Czech Republic
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SuitcaseTypeFoundry retweeted
BC BARELL. 🔥 New font 🔥 Five styles + variable font. ➡️ Ask for trials. #typography #czechtype #font #variablefonts #typedesign briefcasetype.com/fonts/bc-b…
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SuitcaseTypeFoundry retweeted
⚠️ BC Ludva! Our brand new variable typeface ⚠️ ➖ 15 styles, 1,294 glyphs per each style! 😧 ➖BC Ludva is playful combination of geometry and eggy shapes! 🥚#czechtype #czechtypography #typography #font #typeface #variablefont ➡️ briefcasetype.com/fonts/bc-l… – at Prague, Czech Republic
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SuitcaseTypeFoundry retweeted
The specific thing about digitizing historical typefaces is that as much attention as creating the right curves needs to be paid to research, to finding the right original background and context. Often chance or luck plays a significant role, but it is detective work every time.
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SuitcaseTypeFoundry retweeted
The Figural in VR stone. We love this graphic design experiment by @ilya___bazhanov There are not many typefaces that look divine cut in stone. Menhart’s fonts are born for it. Explore the endless malleability of his timeless fonts. oldrichmenhart.com
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SuitcaseTypeFoundry retweeted
Antiquarian book shopping has its charm in the occasional subtle surprises. Such as this 75-year-old New Year's card by Oldřich Menhart, set in Manuscript Romana. Labore & Constantia - Hard work and constancy. A successful new year to you all.
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SuitcaseTypeFoundry retweeted
These are three editions of Menhart's fiction Večerní hovory knihomila Rubricia a starotiskaře Tympána (Evening Conversations of the booklover Rubricius and the printer Tympanus).
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SuitcaseTypeFoundry retweeted
Handwritten lettering in Cyrillic for the title of the book Karel Plicka: Prague.
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SuitcaseTypeFoundry retweeted
Menhart’s graphic design of bookbinding monogram „NZ“ for manual gilding and embossing from engravings.
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SuitcaseTypeFoundry retweeted
Menhart’s graphic design of bookbinding monogram „MK“ for manual gilding and embossing from engravings.
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SuitcaseTypeFoundry retweeted
Menhart’s graphic design of bookbinding monogram „AZ“ for manual gilding and embossing from engravings.
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SuitcaseTypeFoundry retweeted
Menhart’s graphic design of bookbinding monogram „HB“ for manual gilding and embossing from engravings.
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SuitcaseTypeFoundry retweeted
Menhart’s graphic design of bookbinding monogram „GK“ for manual gilding and embossing from engravings.
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SuitcaseTypeFoundry retweeted
Menhart’s graphic design of bookbinding monogram „LJ“ for manual gilding and embossing from engravings.
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SuitcaseTypeFoundry retweeted
Menhart’s personalised hand-lettered monogram „OB“ for stamps, seals and printing.
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SuitcaseTypeFoundry retweeted
Menhart’s beautiful hand-lettered publisher’s wordmark for Artia.
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SuitcaseTypeFoundry retweeted
Menhart’s “KZLF” monogram beatifully intertwines strokes into swashes.
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SuitcaseTypeFoundry retweeted
Lettering “Karlův Most” [Charles Bridge] shows Menhart’s typical design of Uring. The ring accent is connected to a stem, and its stroke is usually open.
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SuitcaseTypeFoundry retweeted
Menhart’s lettering for the title Jihočeská Gotika [South Bohemian Gothic] combines historical upper & lower case forms with fancy swashes.
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My collected issues of Typografia from the 1950s-1970s. Featuring some fantastic uses of typography and layout. #typography I will upload further details here soon: designreviewed.com/archive/
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