CEO / Snr designer - @deesgnplus C/D - @getzapnow @e3comms co-founder - https://nitter.gq/t.co/zUd14ZIgQY Ex: EMPAWA I FRAGMYNT I POPREV
📍LAG/LDN
Joined June 2013
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ADEYINKA retweeted
Scammers are getting smarter. So should we. 🛡️
Save this, share it, and send it to the friend who clicks everything
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ADEYINKA retweeted
THROWBACK 🗽: Did you know NYC has privately owned public spaces (POPS) that are legally required to be open to the public?
I went to 780 Third Avenue in Manhattan after learning that people were allegedly being prevented from sitting in a space meant for public use.
ADEYINKA retweeted
This video came out a decade ago and till today it perfectly captures how men can tell if the woman is into them. Hope it clears things up for you.
ADEYINKA retweeted
Right before our own very eyes 😭💔
ABU ABEL: THE MAN BEHIND THE DRUMS, CHORDS AND AGOGO IN BABA ARA'S THE SACRAMENT
In the history of Yoruba gospel music, Abu Abel remains one of the instrumentalists whose contributions deserve to be remembered and celebrated.
Abu Abel played a significant musical role in Baba Ara's album, The Sacrament, where he played the drums, chords and the agogo (gong), bringing his instrumental talents to the rich sound that characterised the production.
He was popularly known and fondly called Abu Agogo, a name that reflected his association with the traditional gong instrument.
Interestingly, the renowned Divine Voices had three popular personalities bearing the name Abel: Janet Abel, Segun Abel and Abu Abel.
Each contributed to the musical identity and legacy associated with the group.
