Literary scribbler | poet | writer | Creative Writing PhD candidate (poetry) @unilincoln | Editor-in-Chief: @lincoln_review | Editor: The Big Walk, JAM/LIAS
Joined December 2019
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Alison Smith retweeted
The Red Dress Project conceived by artist Kirstie Macleod. Between 2009 and 2023, 380 embroiderers from 51 countries, many of whom were vulnerable, told their personal stories through embroidery on burgundy silk dupion
#WomensArt #DressesWeek 👗
Alison Smith retweeted
Submissions for the next issue of The Lincoln Review open in September!
Writers, poets, and creatives! Get your work ready. More details coming soon.
Alison Smith retweeted
“son, we’re only foreign volunteers
dreaming of victory and bed –”
Anna Bowles’ “foreign volunteers at the night checkpoint” finds the details within the uncertainty of war: a radio, a cup of tea, an exchange between strangers.
Read the full poem at lincolnreview.org.
Alison Smith retweeted
Who gets to speak for a child?
In "Dear Simone", Sed Miles reflects on fatherhood, autism, race, and the struggle to be heard within systems of care. A meditation on trust, and belonging.
Read the full piece in Issue 7 at lincolnreview.org
Alison Smith retweeted
Ambiguous forms emerge from black backgrounds in Edoardo De Falchi's Tape Sketches, created through the process of décollage.
Each composition invites a different interpretation.
Explore the complete series in The Lincoln Review Issue 7 at lincolnreview.org.
Alison Smith retweeted
A book of poetry from Franz Wright’s final days: collected from scraps recorded on tape, and found in scribbles all over his apartment.
newyorker.com/magazine/2026/…
Alison Smith retweeted
"Like you are lifting light."
Ben Verinder's "How to hold a fern" is a quiet meditation on touch, attention, and the natural world.
Read the full poem in The Lincoln Review Issue 7 at lincolnreview.org.
Alison Smith retweeted
David Hockney legacy shines through art spring landscapes and bold reinvention telegraphindia.com/india/dav…
Alison Smith retweeted
A Conversation with Xiao Hai
"When I was working at factories, poetry was perhaps my most convenient way to express myself—I only needed a few lines to find myself a dose of healing on the production floor."
Read here:
thebaffler.com/latest/poetry…
Alison Smith retweeted
We at the Review mourn the loss of David Hockney, who died this week at the age of eighty-eight. In memory of his life and work, we’ve unlocked his early “Notes for Illustrations: Grimm’s Fairy Tales” from the archive. buff.ly/MRMUGUl
Alison Smith retweeted
The painter and New Yorker contributor David Hockney has passed away, at the age of 88. To celebrate his life and work, here are some of his covers.
Alison Smith retweeted
I’ve been fearing this day for a long time. Few have understood color the way he did. About two weeks ago I took this photo of someone enthralled by one of his masterful pieces hanging at LACMA. RIP David Hockney (1937-2026).
Alison Smith retweeted
“How can a system that has exceeded human performance on advanced math problems sometimes fail at simple elementary-school-level problems?” —Melanie Mitchell
yalereview.org/article/melan…
Alison Smith retweeted
Maps. Ruins. Memory. Transformation.
Jena Schmitt’s artwork in The Lincoln Review Issue 7 blends history, architecture, mythology, and nature into richly layered visual narratives.
Explore her complete collection in Issue 7 on our website.
lincolnreview.org
Alison Smith retweeted
Issue 7 of The Lincoln Review is now live.
Poetry, prose, essays, photography, and art.
Read now at lincolnreview.org
Alison Smith retweeted
📢📢A very important update from Arc, we would be incredibly grateful for your support, please read📖thank you! mailchi.mp/c356c7984167/may-…
