Lifelong Star Trek fan • USMC Veteran • Creator of The Sheut Chronicles 🚀 • Linux & AI • Sci-Fi • Cat guy

The Asteroid Belt
Joined November 2019
Second Mission: The Delivery (Part 1.6) – Point of No Return #Amalgaverse Jack considers the robot for a moment, then jerks his head towards the jumper: “Come on.” Everyone piles aboard, and the jumper eases out of the cruiser’s bay.  But as soon as it does, the black hole takes hold.  Jack pushes the thrusters to full, but the jumper can’t gain ground.  Slowly but surely, it starts sliding back towards the event horizon. Data, at the co-pilot’s station, notes: “Colonel, we are currently losing approximately four point three seven meters per second.” “I must insist we jettison all nonessential mass!”shouts Robespierre, eyeing Dunsel. “Thanks for volunteering,”says Jack, “but we’re not there.”  He throws Robespierre a look back over his shoulder.  Pointed: “Yet.” That shuts up the Federation official. Back on the Enterprise, Pilot reports from his cradle: “Captain…the jumper’s engines are at maximum, yet it continues to lose ground.  At this rate, it will be past the point of no return in a matter of microts.” “Tractor beam,”orders Kirk.  “Lock on and bring them home.” The tractor beam engages, takes hold of the jumper, and a tug of war begins.  The Enterprise strains against the black hole’s pull, but slowly, meter by meter, she starts winning, drawing the jumper back toward her. At tactical, Carter looks up from her console: “Sir, the mercenary shuttle is almost at the event horizon.  I’m reading two life signs aboard.  I can get a transporter lock, but not for long.” Over the comm, Harven Zax wastes no time: “Leave them!  Let’s the black hole have those gormless scoundrels!  They came to drag me off, and I’ll not weep to see them dragged off instead!” G’Kar is inclined to agree: “No one becomes a mercenary expecting to die in bed, Captain.  This is the end they chose.  It would be impolite to interrupt.” Garak sees it differently: “Dead men tell no tales, Captain, and I suspect that these two have a rather interesting one.” What’s your call? A) Beam them aboard.  Find out who hired them, at the cost of bringing two armed hired guns onto your ship. B) Let them fall.  Keep the Enterprise free of hostile strangers, but whatever they know goes with them. Choose! TURN ON NOTIFICATIONS so that you don't miss a step on this mission! See below for our Previously On recap - or check out the glorious Amalagaverse website: amalgaverse.link/index.html by @ugorur
Second Mission: The Delivery (Part 1.5) - "Dunsel" #Amalgaverse Over Robespierre's protests, Jack orders everyone to fall back to the bay.  You're abandoning ship. Once there, you're, about to board the puddle jumper, when you hear something from out in the corridor.  You throw a look to the open airlock. The ship’s battered utility robot peeks in, ducks out, then quickly clanks into the bay and stands there, making his presence known. “Hey, Dunsel!”says Milo, lighting up for the first time.  “Want to come with us?” “Out of the question,”snaps Robespierre.  “That rust bucket must weigh upwards of 60 kilograms!  An unacceptable risk.” “There is no need to mass shame,”says Data, coming to the little droid’s defense.  Then, he swings a look to Jack. What’s the call? A) Leave him behind.  Factor the cold equations: the extra weight makes the flight back all that much more difficult and dangerous. B) All aboard!  Give the little guy a lift and save him from going down with the ship Choose! TURN ON NOTIFICATIONS so that you don't miss a step on this mission! See below for our Previously On recap - or check out the glorious Amalagaverse website: amalgaverse.link/index.html by @ugorur
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🚨BREAKING: EA just shut down BioWare after 30 years. I really wonder why...
🤖 Made with AI
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We need a name for the Luddites who hate AI simply because it's AI and not human. These people whine about how something created by AI is somehow "slop" because they did not hire some struggling artist or dev to make it at a much higher cost and a lot more time. I am all for artists and devs, but not all of them are good or a better choice than AI. I have paid designers $500 for a logo and brand identity in the past, but now I can just use a free AI like ChatGPT or Grok or Gemini to do it in a minute, and then have it make any tweaks I want in just another couple of minutes. What the hell is wrong with doing that?
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DON'T MESS WITH SGT SLAUGHTER! 😤 The commercial for my original #GIJoe Triple "T" Tank from 40 years ago in 1986! YO JOE! ⭐🫡
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BioWare, Ubisoft, Star Wars, D&D... Everything these identity obsessed, opression porn, Transtifa activists touch tursn to fucking 💩 1. How do these assholes still get work? 2. Who holds them accountable for failure? 3. What value do they bring to game industry? #Bioware #MassEffect
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Second Mission: The Delivery (Part 1.3) - "The Crossing" #Amalgaverse The jumper leaves the shuttlebay and swings toward the cruiser.  The black hole’s pull keeps dragging it off its line, and O’Neill has to keep correcting to hold course. Data informs Jack: “Colonel, I am detecting fourteen fragments of debris from the cruiser’s damaged thrusters on an intercept course.” “Shields gonna hold?” asks Jack. “Without a doubt,” responds Data.  “Provided we do not hit anything.” Jack considers this, then shoots Data a look: “Was that a joke?” “More of a wry observation,” answers Data.  A beat.  “Colonel Carter says my timing is improving.” “Here’s a tip for you,”says Jack.  "Never take comedy advice from someone who tells physics jokes.” Data, deadpan: “I am reading a book about anti-gravity.  It is impossible to put down.” Jack sighs. “Gonna have a talk with Carter when we get back." How to proceed? A) Punch through.  Ride the shields and take the hits to save time, but at the risk of damaging the jumper. B) Thread it slow.  Plot a course around the debris while the cruiser drifts ever closer to the event horizon. C) Clear a path. Launch drones to blast the wreckage, but every drone you spend now is one fewer you’ll have later. Choose! Check below for our Previously On recap - or click through the quote tweets for every stage of our adventure to date. And TURN ON NOTIFICATIONS so that you don't miss a step on this mission!
Second Mission: The Delivery (Part 1.2) - "Sending the Puddle Jumper" #Amalgaverse You’re sending the puddle jumper.  You’ll need a pilot and someone who can bypass and shut down the cruiser’s anti-abduction shroud so that everyone can beam back and spare the jumper a fully loaded return trip. Who are you sending? A) Sheppard and McKay B) O’Neill and Carter C) Sheppard and Thor D) O’Neill and Data Choose! Check below for our Previously On recap - or click through the quote tweets for every stage of our adventure to date. And TURN ON NOTIFICATIONS so that you don't miss a step on this mission!
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ATTEN-HUT, MAGGOTS❗️ It's time to upgrade your #GIJoe collection my new Triple "T" Tank! Place your order now with @HasbroPulse...AND THAT'S AN ORDER!! 🫡
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The hunt begins again
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Damm look at this... GIMMI WANT ONE!
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Good ByeoWare. Fallen to the Woke Mind Virus. 😔🫰🏳️‍🌈🏳️‍🌈🏳️‍🌈🌈🌈🌈 The nostalgia of the Golden era of Gaming has long been dead, buried and sodomized in some weird necromantic ritual. We are in the Rennaiscance era now. Time for a return to what's good, true, honest and beautiful.
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Oh my, poor Bioware! EA is shutting them down. This closure marks the end of a studio that has been influential in the gaming industry for over 30 years. Anybody have a wild guess as to what pushed them over the edge? 🤔
🤖 Made with AI
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Happy TOSS Birthday to the great Michael Dunn! I can't even put into words what these actors and actresses mean to me. So many great characters and performances. #TOSSatNight
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That little girl deserves an award for this scene
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Today, I’m recommending four essential works by Charles Eric Maine, a British author known for his psychologically tense, noir-tinged SF. The Mind of Mr Soames (1961): John Soames awakens from a 30-year coma with the mind of an infant in the body of a grown man.  His doctors attempt to educate and  prepare him for life in society. The Tide Went Out (1958): A journalist investigating government censorship of nuclear testing uncover a cover-up, just as the world’s oceans begin to disappear. The Darkest of Nights (1962): A deadly virus originating in China causes a global pandemic, as governments and elites prioritize their own survival while leaving much of the population to fend for themselves. Timeliner (1955): A scientist’s mind is propelled into the bodies of a succession of future men, crossing eras as he attempts to return home. Check out the quoted thread for the recommended works of Theodore Sturgeon, Alfred Bester, Bob Shaw, Clifford D. Simak, Algis Budrys, A.E. van Vogt, C.L. Moore, Cordwainer Smith, C.M. Kornbluth, D.G. Compton, Thomas M. Disch, Alice Bradley Sheldon (James Tiptree, Jr.), John Brunner, Judith Merril, Hal Clement, James Blish, Jack Williamson, Katherine MacLean, Fred Saberhagen, Jack Vance, Leigh Brackett, Edgar Pangborn, R.A. Lafferty, William Tenn, Kate Wilhelm, Avram Davidson, James H. Schmitz, Eric Frank Russell, Brian W. Aldiss, Carol Emshwiller, Wilson Tucker, Chad Oliver, Zenna Henderson, Pauline Ashwell, Frederik Pohl, Henry Kuttner, Barrington J. Bayley, James P. Hogan, C.J. Cherryh, Margaret St. Clair, Keith Laumer, Charles L. Harness, Howard Waldrop, Rosel George Brown, Gordon R. Dickson, Robert Sheckley, Fredric Brown, Kit Reed, Joanna Russ, H. Beam Piper, Daniel F. Galouye, Sydney J. Van Scyoc, Tom Godwin, Andre Norton, Harry Harrison, Vonda McIntyre, John Christopher, John Wyndham, Michael Bishop, Doris Piserchia, Bob Buckley, George Alec Effinger, Olaf Stapledon, John Varley, Miriam Allen deFord, Raymond F. Jones, Suzette Haden Elgin, Richard Cowper, Bruce Sterling, Josephine Saxton, Mack Reynolds, Phyllis Gotlieb, E.E. “Doc” Smith, Sterling E. Lanier, L. Sprague de Camp, Fritz Leiber, George Turner, Octavia E. Butler, Philip José Farmer, Somtow Sucharitkul, Charles Sheffield, Sonya Dorman, Clark Ashton Smith, Norman Spinrad, Naomi Mitchison, Suzy Mckee Charnas, Barry N. Malzberg, Paul Preuss, Lloyd Biggle Jr., George S. Schuyler, Damon Knight, Nancy Kress, E.C. Tubb, John Sladek, Joan D. Vinge, Ward Moore, Marta Randall, Robert L. Forward, Ian Watson, Brian Stabelford, Keith Roberts, David R. Bunch, Michael G. Coney, Frank M. Robinson, Christopher Priest, Vernor Vinge, Lee Hoffman, Wilmar H. Shiras, Lucius Shepard, David I. Masson, Mildred Clingerman, Leigh Kennedy, Ernest Hogan, Jack Womack, Kenneth Bulmer, Mark Clifton, Kage Baker, Murray Leinster, Evelyn E. Smith, Kris Neville, Edmond Hamilton, James White, Wyman Guin, Emil Petaja, John Boyd, Christopher Anvil, Alan E. Nourse, T.J. Bass, Colin Kapp, Edmund Cooper, Rog Phillips, Mark S. Geston, James E. Gunn, Walter Tevis, Maureen F. McHugh, John Crowley, George O. Smith, Cherry Wilder, F.L. Wallace, G.C. Edmondson, Stanley G. Weinbaum, Pamela Sargent, Robert F. Young, Fred Hoyle, Eleanor Arnason, and Bertram A. Chandler.
Today, I’m recommending four essential works by A. Bertram Chandler, a merchant-marine officer whose science fiction was grounded in the realities of shipboard life. Giant Killer (1945): This ingenious story follows a colony of intelligent, mutated creatures living in the hidden spaces of a spaceship, locked in a war for survival against the mysterious Giants. "The Cage” (1957): After their spaceship crash-lands on an alien world, its human survivors are captured by an advanced alien species and placed in a zoo.  This thought-provoking short story explores the challenge of proving one’s intelligence to a species with radical different ideas of what constitutes real thought. The Big Black Mark (1975): John Grimes,takes command of a starship crewed by misfits, only to face mutiny and a desperate struggle for survival.  Inspired by the infamous mutiny aboard the Bounty, this novel showcases Chandler’s talent for blending nautical adventure with space opera. The Rim of Space (1961): Chandler’s debut Rimworlds novel follows washed-up spacer Derek Calver, who joins the crew of the Lorn Lady to explore the remote worlds of the galactic frontier. Check out the quoted thread for the recommended works of Theodore Sturgeon, Alfred Bester, Bob Shaw, Clifford D. Simak, Algis Budrys, A.E. van Vogt, C.L. Moore, Cordwainer Smith, C.M. Kornbluth, D.G. Compton, Thomas M. Disch, Alice Bradley Sheldon (James Tiptree, Jr.), John Brunner, Judith Merril, Hal Clement, James Blish, Jack Williamson, Katherine MacLean, Fred Saberhagen, Jack Vance, Leigh Brackett, Edgar Pangborn, R.A. Lafferty, William Tenn, Kate Wilhelm, Avram Davidson, James H. Schmitz, Eric Frank Russell, Brian W. Aldiss, Carol Emshwiller, Wilson Tucker, Chad Oliver, Zenna Henderson, Pauline Ashwell, Frederik Pohl, Henry Kuttner, Barrington J. Bayley, James P. Hogan, C.J. Cherryh, Margaret St. Clair, Keith Laumer, Charles L. Harness, Howard Waldrop, Rosel George Brown, Gordon R. Dickson, Robert Sheckley, Fredric Brown, Kit Reed, Joanna Russ, H. Beam Piper, Daniel F. Galouye, Sydney J. Van Scyoc, Tom Godwin, Andre Norton, Harry Harrison, Vonda McIntyre, John Christopher, John Wyndham, Michael Bishop, Doris Piserchia, Bob Buckley, George Alec Effinger, Olaf Stapledon, John Varley, Miriam Allen deFord, Raymond F. Jones, Suzette Haden Elgin, Richard Cowper, Bruce Sterling, Josephine Saxton, Mack Reynolds, Phyllis Gotlieb, E.E. “Doc” Smith, Sterling E. Lanier, L. Sprague de Camp, Fritz Leiber, George Turner, Octavia E. Butler, Philip José Farmer, Somtow Sucharitkul, Charles Sheffield, Sonya Dorman, Clark Ashton Smith, Norman Spinrad, Naomi Mitchison, Suzy Mckee Charnas, Barry N. Malzberg, Paul Preuss, Lloyd Biggle Jr., George S. Schuyler, Damon Knight, Nancy Kress, E.C. Tubb, John Sladek, Joan D. Vinge, Ward Moore, Marta Randall, Robert L. Forward, Ian Watson, Brian Stabelford, Keith Roberts, David R. Bunch, Michael G. Coney, Frank M. Robinson, Christopher Priest, Vernor Vinge, Lee Hoffman, Wilmar H. Shiras, Lucius Shepard, David I. Masson, Mildred Clingerman, Leigh Kennedy, Ernest Hogan, Jack Womack, Kenneth Bulmer, Mark Clifton, Kage Baker, Murray Leinster, Evelyn E. Smith, Kris Neville, Edmond Hamilton, James White, Wyman Guin, Emil Petaja, John Boyd, Christopher Anvil, Alan E. Nourse, T.J. Bass, Colin Kapp, Edmund Cooper, Rog Phillips, Mark S. Geston, James E. Gunn, Walter Tevis, Maureen F. McHugh, John Crowley, George O. Smith, Cherry Wilder, F.L. Wallace, G.C. Edmondson, Stanley G. Weinbaum, Pamela Sargent, Robert F. Young, Fred Hoyle, and Eleanor Arnason.
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猫語を話す人間にビビりまくる猫🐱
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TDS asshole Robert Picardo: “Starfleet Academy” failed because “We see diversity under attack, and therefore Star Trek is under attack because that’s what Star Trek’s always been about.” WRONG. Star Trek has spent decades introducing hundreds of alien species, cultures, and civilizations - and by the franchise’s own 32nd-century count, Starfleet had encountered 4,633 sentient species. But representation was never the ultimate point. Star Trek used those characters to tell stories about courage, sacrifice, loyalty, moral conviction, and the strength of individuals who put duty above themselves. And those are precisely the values “Starfleet Academy” failed to deliver. Instead, SFA gave us GAY KLINGONS, LESBIAN & female empowerment, the diminishment of men, and open disdain for the franchise’s core audience. THAT’S why it failed. Star Trek isn’t under attack because representation is under attack. It’s under attack because its creators chose to dishonor what made it worth watching. It’s not rocket science, Bob. Oh, but I guess in this case, maybe it is🤷‍♂️
🤖 Made with AI
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"soulless" and "clean homages" is a straight up paradox that doesn't mix. Again, you can add new elements and break new ground..while STILL respecting and BUILDING on what came BEFORE George Lucas Star Wars will forever be Star Wars The Last Jedi is not George Lucas Star Wars.
Rian Johnson continues fundamentally misunderstanding Star Wars. The original films are "still alive" BECAUSE they are GL. George Lucas Star Wars is what made SW. You can add new, fresh layers while still respecting the foundations—of which RJ did not whatsoever in The Last Jedi.
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AI is exposing an uncomfortable truth about the creative industry: a surprising amount of what we called talent was simply access.
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