持续折腾中，用 AI 解决实际问题，管用的、翻车的都记下来。不教课，只分享我正在学的东西 Homepage： https://nitter.gq/t.co/LBxofFBqqE
Joined April 2020
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用 ComfyUI 一步一步捏出的角色，迭代了 20 多个版本，生图还是喜欢固定角色，不太喜欢随机生成，所以隆重介绍一下我的新角色，Nova
借用鱼哥@MrGafish 的礼服闪亮登场
🤖 Made with AI
GPT Image 生成极具未来感的高级定制礼服
Prompt:
生成一件极具未来感的高级定制礼服，采用独立悬浮式三维服装产品展示。
服装结构： 礼服完全独立存在，不穿在任何人体上。领口、袖口及裙身内部均为空心结构，依靠服装自身的立体剪裁和内部支撑保持自然廓形。不得出现人体填充物或人体形状。
设计风格： 每次随机设计独特的未来主义高级定制礼服，随机搭配鲜艳高级配色、金属缎面、透明薄纱、立体欧根纱、水晶、珍珠、宝石刺绣、不对称肩部、雕塑感胸衣、立体花朵、层叠裙摆及华丽披肩。
构图： 单件礼服正面完整展示，从领口到裙摆全部入镜，不裁切。服装独立悬浮于明亮简洁的高级摄影棚，画面中没有其他物体。
画质： 顶级奢侈品牌高级定制广告风格，超写实3D产品渲染，精细面料纹理，电影级柔和布光，鲜艳饱满的色彩，华丽、梦幻、优雅、前卫。
学习了一个新的俚语，Read the room，不是阅读这个房间，而是让马斯克感受一下大家的心情、情绪和氛围，因为大家都觉得 grok bot 不仅降智，而且额度也不够了，而他却轻描淡写地说了一句，增加额度不就是点一下的事吗
今天刷到这篇文章，突然和前几天看到的 @Jackywine 分享的 Grok Bot + Obsidian 数字花园联系起来了。
之前也提过，我一直在用 Grok Bot 把自己的项目、经验和各种想法整理进 Obsidian，但基本上只管记录，很少回头看。
受 Jack 的启发，昨天开始让 Grok Bot 定期随机翻找以前的笔记，重新梳理，看看能不能和现在做的事情产生一些新的联系。
结果发现还挺有意思的。
有些笔记连我自己都快忘了，突然被 Bot 翻出来，一下又想起了当时为什么会有那个想法。再结合现在的经历去看，有时候还真能发现一些以前没注意到的联系。
原本设置的是每周回顾一次，现在甚至觉得有点少了，准备改成两三天一次。
而今天这篇文章，又让我对 Karpathy 的 LLM Wiki 和“第二大脑”有了更清晰的理解。
以前更多是在收集和保存信息，现在开始尝试让这些信息不断被重新发现、连接和整理。
虽然距离文章里说的“编译”还有一段距离，但至少已经开始往这个方向走了。
这不就是在慢慢建立自己的知识网络吗？
I've never actually used Claude directly.
But looking back, I think Grok Bot may have given me my first real taste of how good Claude Opus can be.
When I first started using Grok Bot, it felt incredibly smart, fast, and capable. I assumed it was just Grok Bot being that good.
Lately, though, the experience hasn't felt quite the same.
I can't say for sure what changed behind the scenes, but it's made me wonder how much of that early experience came from Opus.
Funny enough, Grok Bot might have been what made me appreciate Claude in the first place.
看完这条就让 Grok Bot 帮我做起来了，今天翻出一篇旧笔记，里面存了 7 条让 AI 写得像人话的提示词，和 bot 重新看了一遍，整理出了上面这个意思
比如不要公司腔、虚假热情、华丽词藻，也别为了通顺把我原来的口吻全换掉，允许有点停顿，不那么工整
Prompt：
帮我整理下面这段话，保留原意和我原来的口吻，像平时和朋友聊天一样，轻松、直接。不要加我没说过的判断，不要套话、华丽词藻和刻意的热情，也不要为了通顺把我的表达全换掉，有点停顿、不那么工整都可以
Everyone is waiting for the next big AI model.
And somehow, we keep going through the same cycle.
Hype. Excitement. Disappointment. Complaints.
Even when a model is genuinely good, the conversation quickly shifts to usage limits, how fast the quota runs out, and whether it's worth paying for.
People get frustrated, complain, and then start waiting for the next model to save the day.
Rinse and repeat.
Meanwhile, every new model launch creates endless content for people posting news, running benchmarks, making comparisons, and arguing about which model is better.
But how many people are actually using these models to build something useful or improve their daily work?
Probably far fewer than all the noise online would suggest.
I'm starting to think the real advantage isn't getting access to the latest model first.
It's learning to think for yourself, ignoring some of the noise, and having the patience to turn the tools you already have into real productivity.
Maybe we should spend less time waiting for the next model and more time actually using the ones we've got.
Grok, when do you think GPT-6.2 Astra will be released? @grok You’ve got to give me a date.
我怎么看都在吹 Deepseek Harness 的插件相关的工具，以及官方要建立官方的插件库了，但大家真的有使用 Deepseek Harness
因为 grok bot 和 codex 的额度开始收紧，确实有一些项目不太够用，所以我本来想转向 Deepseek Harness，但在我今天开展任务的时候，发现了一个重大的问题
我在制作一个可交互式的 3D 工件的网页的时候，Deepseek Harness 会在后台打开 Microsoft Edge，而且不仅是一个，我在任务管理器查看的时候，估计有十几个进程
其中有一个进程会把 CPU 满载，通过任务管理器结束这个进程之后，又会在另外一个 Edge 的进程上开始满载
通过不断的测试，我就锁定了是当前的这个网页交互的工件的项目导致的
但是我通过 Codex 进行检查的时候，并没有任何的日志，而且这个问题也不能复现，一旦复现 CPU 满载电脑就卡死了，其他的 Agent 就做不到检查的效果了
所以我有两点疑问，一个是，这个问题有人遇到过吗？是我自己没有使用的技巧吗
第二个问题是，那些疯狂宣传 Deepseek Harness 的好用以及插件库的人，到底是有没有真正的使用 Deepseek Harness
Nova 的气质没话说，不过还是子丹的提示词写得好
Somewhere between the Mediterranean Sea and a forgotten fantasy world, a silver-haired girl sits in silence, lost in memories she cannot escape.
I wanted to capture that delicate balance between beauty and melancholy, blending classical European fantasy painting with cinematic realism. Muted mineral colours, antique silver jewellery, and the quiet sadness in her eyes.
Created with ChatGPT. ❤️
Prompt in the comments.
这个风格更适合亚洲面孔吗
Nano Banana Pro on Gemini.
Prompt.
Edit this subject image:
Y2K Streetwear editorial photography, extreme fish-eye distortion. A stylish Japanese woman in a high-energy, off-balance pose, balancing on one foot on a street bench. Her face is closed toward the camera lens in a medium close-up, creating an intense foreshortened perspective where her head is prominent while her arched body and flailing arms stretch back into the distance.
Expression: A cheeky, rebellious gaze, sticking her tongue out slightly, eyes locked onto the viewer with playful energy.
Setting: Captured from an extreme low-angle ground level view under a semi-transparent bus stop canopy. The sun overhead is diffused into milky, hazy highlights. Background is filled with urban clutter: tangled utility wires (tiang listrik), yellow Japanese caution signs, and the metallic structure of the bus stop.
Technical & Aesthetic: Harsh, direct "paparazzi" front flash that overexposes her face slightly for a 2000s magazine look. High-contrast CCD sensor bloom, punchy highlights, and a sky that gradients from a blinding white zenith to deep saturated cobalt blue. The overall visual is a gritty, high-fashion 2000s Japanese street aesthetic.
チャイナサムライ娘⚔️
さあ、週末にリーチ🀄
#木チャイナ曜日
ALT 銀白色の長い髪と赤い瞳を持つ女性キャラクターが、赤い円形の格子窓を背景に立っている。髪は左右のお団子にまとめられ、赤い房飾りが揺れている。赤い花柄の刺繍が施された白いチャイナ風の衣装に、黒い腰帯と黒いボトムスを合わせている。片手を顔の横に上げて細長い赤い小道具を持ち、もう片方の手で腰の日本刀の柄を握っている。長い髪と衣装の裾がなびき、こちらに向かって微笑んでいる。 A female samurai character with long silver-white hair and vivid red eyes stands before a circular red lattice window. Her hair is styled into two buns with flowing strands and red tassel ornaments. She wears a white Chinese-inspired outfit decorated with intricate red floral embroidery, paired with a dark waist sash and black bottoms. One hand is raised near her face holding a slender red object, while the other grips the hilt of a katana at her waist. Her hair and flowing garments flutter as she smiles toward the viewer.
