Trying things...🏴🇦🇺 Things tried: @Raisonne_io @NiftySlabs

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Joined June 2021
I made an NFT fashion-show music video with AI: lyrics, song, beat map, storyboard, plates, clips, edit. "Walk the Floor." 1:46 of industrial hip-hop about the state of NFTs. Here's the whole process, start to finish 👇
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Slabber retweeted
I made an NFT fashion-show music video with AI: lyrics, song, beat map, storyboard, plates, clips, edit. "Walk the Floor." 1:46 of industrial hip-hop about the state of NFTs. Here's the whole process, start to finish 👇
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Bitcoin explained in 10 sentences. 1. To understand Bitcoin, you first have to understand the problem it solves: money controlled by people. 2. There is a money-power paradox: if someone has the power to control the money, someone has the power to corrupt it. 3. Every form of money before Bitcoin had a central seat where someone could control the money, and because of that, every form of money became corrupted, including today's money, which is controlled by governments and central banks, which enables them to create money out of thin air and destroy the purchasing power of your money. 4. Bitcoin is a new monetary system designed to remove that central seat of power and stop monetary corruption once and for all. 5. Satoshi Nakamoto, the creator of Bitcoin, saw the corruption of money as a *trust* problem; we must trust central banks and governments not to manipulate the money, but the history of their system is filled with breaches of that trust. 6. Satoshi's solution was simple: instead of relying on trust to run the money system, use proof. 7. Instead of trusting one central authority, like a bank or government, to make sure the system is running properly, Bitcoin spreads that job across thousands and thousands of computers around the world: participants use proof to demonstrate that they are following the rules, and each computer independently verifies that proof, only accepting activity that follows Bitcoin's rules and rejecting anything that doesn't. 8. The result is a monetary system where no single person, government, or institution can control and manipulate the money, because the power to enforce the rules is spread across the entire network rather than concentrated into one authority, and because nobody can get away with breaking the rules -- nobody can just appear at a press conference and claim that what they're doing is legitimate -- rather, they must provide proof that their work is legitimate, and the entire global network is always checking that their proof-of-work follows the rules. 9. Think about what this means: for thousands of years, humanity has lived in a world where the people controlling the money could change the rules of the game to benefit themselves, while everyone else had to deal with the consequences. 10. Imagine what would happen if we had a money system where everyone played by the same rules, where everyone HAD to be honest in order to participate, and where that reality could not be manipulated. That's Bitcoin.
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PROVENANCE · Collection 001 · October 2026. Made with AI: Claude (concept, prompts, edit, graphics), Suno (song), Midjourney (stills), Seedance 2.5 in Dreamina (motion). Lyrics by @SlabberDan and Claude. Creative director: @SlabberDan. All paintings are public domain.
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Main aim of the project was to use some new tools and have some fun. Both achieved. If you got this far in the post, congrats. Hope you enjoyed. 🫡
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The last image of the show is Caravaggio's Calling of Saint Matthew, subtly restaged with our seven looks. Mirrored, so the light falls from the left like our set.
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There's no editing app. The whole film is built in code: Python, OpenCV and ffmpeg, cut to the measured beat grid. Every note is a change to a script, then a re-render. Ten rough cuts. Each round of notes went in the same day.
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The biggest rethink: the paintings. Version one put each painting on a giant screen behind the runway. In the rough cut it was clutter, too small to read and always half-hidden. So each look now walks out of its painting. The painting fills the set for two beats, retreats into the shaft of light, then clears.
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Casting: one locked face per model before any runway shot. Each got one fixed description and one mark that stops the face drifting: a septum ring, round wire spectacles, a forehead scar, a zigzag shaved into the hair.
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Checks passed first try. The face, the freckles, the badge and the knit grid all held for 5 seconds. That's when we knew the method worked.
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Every shot started as a still. Midjourney made the plates (set, model, light), I selected the best, then into Seedance 2.5 in Dreamina to animate each one from its first frame. 5 seconds at 720p. About 30 clips in all, on one A$31 month of Dreamina (Seedance 2.5).
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The film opens on a candle and one line: ROME, 1604. THEY SAID HIS SAINTS HAD DIRTY FEET. Around then Caravaggio painted the Madonna di Loreto. Two poor pilgrims kneel before the Virgin, the filthy soles of their bare feet facing you. Rome made a scandal of it. What looked like dirt to the establishment is now the canon. So our Squiggle walks barefoot, soles dirty from the marble.
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So every lot carries a provenance line that runs from the painting to the collection: "Milan, 1606 · CHECKS, 2023." The old masters were the degens of their day. The degens of ours are building the next canon. We'd like to be standing next to them when it's written.
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Then the thesis arrived, and the whole project clicked: every era's degenerates become its old masters. Caravaggio was a brawler. He painted sex workers and labourers as saints, killed a man in 1606, and died on the run. For about 300 years he was mostly forgotten. Now he's the canon. NFT people get called degens. Same story, different century.
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Thirteen looks became seven, so each walk gets 7–11 seconds instead of 5. Then "make it extreme, for a youth market", so every look went avant-garde, instead of retail market. The Squiggle took four rounds.
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The collection. Seven looks, each one readable as an NFT at a glance: @0xQuit as a the 'white hat' saint, Fidenza deconstructed, the Black Check as a verified veil, Checks, Adam's laser ape, threadguy's emoji mask, Squiggle. Every garment was designed flat first, before any model wore it.
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One device carries every shot: the lot card. A museum wall label crossed with token metadata. Lot number, garment, a provenance line running from a Renaissance city to a wallet, a slashed price. At the end every lot flips: BURNED → REDEEMED.
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Every masterpiece was once a transaction. Caravaggio, da Vinci and Michelangelo all worked to commission. So the old masters build the set: Caravaggio's single hard light, da Vinci's perspective lines in the floor, the Sistine ceiling on the screen, and a finale frozen as Caravaggio's Calling of Saint Matthew. The garments built on NFT culture.
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Then the beat grid was measured from the audio itself: 94.5 BPM (Suno was asked for 95), 38 bars, two built-in stops, the beat cutting at 1:29, a hard end at 1:45. Checked with a click track laid over the song. Locked first try. The song is the track for a runway: the first NFT fashion show, staged as an Old Masters auction. Seven looks, seven lots. The show is called PROVENANCE.
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Timing without a pipeline: a tap-along page. Open the WAV, tap on each line as it starts, check it back by ear. 25 taps. The verse lines landed one bar apart, the hooks two bars apart.
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The sound took five style rewrites in Suno: electroclash, then beat-led, then heavy dark rap, then male-vocal runway (didn't land), and finally: industrial hip-hop, distorted acid synths, blown-out 808s, harsh noise, 95 BPM. Male verses, a female verse, mixed hooks.
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