Tamara Kane retweeted
If you need proof of JUST HOW MUCH Eric Bauza loved his work; look no further than this clip. When the axe fell down on 'Coyote vs Acme', Eric stood on the world stage and decried his employer in front of them, risking his career for the art form, his peers, and the fans.
Tamara Kane retweeted
Replying to @sciencegirl
Together We Can Take It
To The End Of The Line
Your Love Is Like A Shadow
On Me All Of The Time
(All Of The Time)
I Don't Know What To Do
I'm Always In The Dark
Living In A Powder Keg
And Giving Off Sparks
I Really Need You Tonight
Forever's Gonna Start Tonight
(Forever's Gonna Start Tonight)
Once Upon A Time
I Was Falling In Love
But Now I'm Only Falling Apart
Nothing I Can Do
A Total Eclipse Of The Heart
Turn Around
Tamara Kane retweeted
Our feature artist/reference for today is this SIMPLY BRILLIANT gif on ANIMATING LOOPS by the amazing
@kinucakes! The explanation of the differences here using those black line examples is pURE GENIUS! #gamedev #animation #animationdev #anime #manga #conceptart #characterdesign
Tamara Kane retweeted
Freddy Fazbear's Pizza is coming to life with a permanent location - Grand Opening 2027!
Tamara Kane retweeted
Replying to @CuteAdorableCat
Cat Senses Earthquake Seconds Before it Happens in Japan Today
Tamara Kane retweeted
My rescue cat, Ginger, is inspecting her new blanket. @Tamaramonkey
Tamara Kane retweeted
🎶 All in the golden afternoon 🌷✨
Walt Disney’s animated classic Alice in Wonderland (1951)
Tamara Kane retweeted
Christopher Nolan says younger audiences are rejecting ‘AI slop’
“I’ve never seen a more rapid wholesale dismissal of a supposedly foundational jump in technology in my lifetime”
“So much energy has been expended on bringing in AI, but if you look at that generation’s reaction, they’re utterly rejecting it.”
“[My children’s] judgment of AI slop has been immediate and harsh. They see it for what it is very quickly – and it’s much easier for them to identify it, because it grew out of an online world they know really well”
“While that doesn’t mean that every aspect of the technology is useless or meaningless, in film-making it’s hitting at exactly the wrong time. After years of driving towards heavily virtual environments, we’re seeing a renewed interest in more tactile, more real forms of storytelling”
(via @Telegraph)
































