The leading source for in-depth interviews with below-the-line filmmakers, first looks at new movies and series, and more — courtesy of @motionpictures.
Joined July 2012
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The Credits retweeted
Face-to-Face: Mikey Madison & Jeremy Allen White on Finding the Human Story in “The Social Reckoning” (via @thecredits) motionpictures.org/2026/10/f… #TheSocialReckoning #NowShowing
The Credits retweeted
For “Lanterns” costume designer Cynthia Ann Summers, crafting the looks for superheroes started with the people behind the scenes. She tells The Credits about filming in Los Angeles, working with local crews, and why “everybody’s happy to be working.”
Read more: motionpictures.org/2026/09/n… @hbomax @TheCredits
The Credits retweeted
Aaron Sorkin on His Chilling Return to Facebook in “The Social Reckoning” and the Fight to Keep Production in America (via @TheCredits) motionpictures.org/2026/10/a… #TheSocialReckoning #Movies #AaronSorkin
The Credits retweeted
Read the full interview with the "Widow's Bay" Emmy Winner David Fleming on @TheCredits: motionpictures.org/2026/08/f…
The Credits retweeted
"Paradise" director Hanelle Culpepper is no stranger to the challenges of epic genre TV. @TheCredits talked with the Emmy-nominated director about building a layered show with her collaborators, getting close to the production’s cast and crew, and discovering the joys of filming in and around L.A.
@paradiseonhulu
motionpictures.org/2026/08/h…
The Credits retweeted
In Steven Spielberg’s “Disclosure Day,” Courtney Grace had a big job: anchoring the film’s emotional finale and telling the entire world about a long-kept alien secret. No pressure.
Grace talked about how David Koepp’s script resonated with her as a former journalist and allowed her to connect to the story through her own experiences – and what it was like becoming the human face of the disclosure at the heart of Spielberg’s long-awaited return to sci-fi.
motionpictures.org/2026/06/c…
The Credits retweeted
What looked like routine cargo theft on a truck near Barcelona bound for @CineEuropeBCN became a story about content protection, creative work, and people whose livelihoods depend on a secure entertainment ecosystem.
@TheCredits @ACE_antipiracy @mossos
motionpictures.org/2026/07/o…
The Credits retweeted
Loved having this chat. Thanks to @curleecronin for making the time.
Director Lee Cronin on Resurrecting a Very Different Kind of Mummy (via @TheCredits) motionpictures.org/2026/04/d… #LeeCroninsTheMummy
The Credits retweeted
“Michael” Director Antoine Fuqua on Jaafar Jackson’s Brilliance, Los Angeles, and Bringing “Thriller” Back to Life (via @TheCredits) motionpictures.org/2026/04/d… #MichaelMovie
The Credits retweeted
The Motion Picture Association presented Steven Spielberg with the MPA America250 Award at CinemaCon, honoring a filmmaker whose work permanently shaped the theatrical experience—from “Jaws” onward.
The Credits retweeted
The Credits recaps 2025 with in-depth interviews with some of the leading lights in entertainment, including below-the-line filmmakers, TV creators, and a whole lot more – all giving you a sneak peek behind-the-scenes of how your favorite movies and shows come to life. All brought to you by the Motion Picture Association. Cheers to a New Year filled with many more stories to tell at thecredits.org!
The Credits retweeted
A story fueled by the love of the people telling it and powered by the passion of the people watching it – that is a recipe for great filmmaking.
Listen to visionary director Ryan Coogler talk about his masterpiece, @SinnersMovie with @TheCredits and how it surprised him, what it says about the link between artists and audiences, and why it helped him renew his vows to cinema.
The Credits retweeted
Unlike most @blackmirror episodes, "Eulogy" offers hope instead of horror, and Oscar nominee Paul Giamatti was up for the challenge. Read more about how he prepared for his role in this bittersweet human tale in the @netflix anthology series:
motionpictures.org/2025/05/p…
The Credits retweeted
Dive into “The Pitt” on with their production designer, Nina Ruscio, and learn how many hardworking people it takes to create their immersive and seamless 360-degree medical world. Check out #ThePitt on @StreamOnMax
The Credits retweeted
Step inside the meticulous design of TV's most realistic ER. Our exclusive interview with production designer Nina Ruscio reveals how she studied ergonomically efficient hospital design to create #ThePitt's immersive, 360-degree world.
motionpictures.org/2025/04/e…
The Credits retweeted
We’re excited to see you at #SXSW today! Check out MPASXSW.COM for more!
The Credits retweeted
How can filming on location can elevate storytelling, foster community engagement, and positively affect local economies?
Join our "Location, Location, Location" panel at #SXSW for a spotlight on filmmaking in Texas.
schedule.sxsw.com/2025/event…
@jlatcham
The Credits retweeted
Costume Designers. Hairstylists. Makeup Artists. Production Designers. VFX Supervisors. Composers. And so many more.
These are the stories of the incredible people behind tonight’s Oscar-nominated films: motionpictures.org/tag/oscar…
@TheCredits | #Oscars2025
The Credits retweeted
Thanks for letting me dive in to some scenes!!
“I love that she is surrendering to who she is and that the hat isn't a dunce cap for her,” says #WickedMovie director @jonmchu about one of the most crucial moments in his astonishing adaptation. motionpictures.org/2024/12/w…
The Credits retweeted
"#Barbie co-casting directors Allison Jones and Lucy Bevan revealed to the MPA's @TheCredits that several wannabe Ken actors took off their shirts during the audition process thinking showing off their bodies was a total Ken move."
More in @Variety... 😂 variety.com/2023/film/news/b…
