Dr Tom Morcom (@ThomasMorcom) header
Dr Tom Morcom (@ThomasMorcom) profile picture

Associate Lecturer in Old Norse, UCL. Saga literature and narratology for the most part

Joined April 2018
Photo by Dr Tom Morcom (@ThomasMorcom)Photo by Dr Tom Morcom (@ThomasMorcom)Photo by Dr Tom Morcom (@ThomasMorcom)Photo by Dr Tom Morcom (@ThomasMorcom)Photo by Dr Tom Morcom (@ThomasMorcom)Photo by Dr Tom Morcom (@ThomasMorcom)Photo by Dr Tom Morcom (@ThomasMorcom)Photo by Dr Tom Morcom (@ThomasMorcom)Photo by Dr Tom Morcom (@ThomasMorcom)Photo by Dr Tom Morcom (@ThomasMorcom)
My article on Njáls saga, Skarpheðinn, and the utility of insults is out! I hugely enjoyed writing this and would love to know what you all think of it. brepolsonline.net/doi/abs/10…
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Please consider submitting an abstract for the workshop I’m participating in this autumn in Oslo!
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Dr Tom Morcom retweeted
My article in Gripla dropped just in time for Christmas! Here's my take on the sources, dating & composition of Íslendingabók, the oldest surviving history of Iceland. gripla.arnastofnun.is/index.… Many thanks to the Gripla team, they do an incredible job! #medieval
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UCL’s Medieval Scandinavia Seminar is running this term - all welcome!
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Dr Tom Morcom retweeted
The first CSVA seminar of the year is fast approaching! Join us to hear Dr Alexander Wilson from University of Leicester's @bodypoliticsERC talk about ‘Marks of non-personhood: violence against unfree bodies in the Viking world’. #Vikings 18 November @ 5pm | Trent B40
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Prepping a Comparative Literature class tomorrow and I’m blown away by Lorna Goodison’s poem about the translation of Cuthbert to Durham. While it’s not constrained to imitation you can still hear echoes of old English alliterative metre and kenning, a faint sense of elegy
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It’s been lovely to read more widely again in my new post and its prompted me to write creatively again for the first time in ages
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It’s the start of term and I’m gearing up for a year as Associate Lecturer in Old Norse at UCL. After a couple of years of pure research, I’m genuinely excited to be back teaching: a heady blend of old Norse, Nordic history, history of the book, and comparative literature!
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Old English will only ever be Kennings for Beginners. Old Norse skalds will casually drop rausnarsamr Gripnis ríðviggs gnapsólar gnýstœrandi — ‘the magnificent increaser of the noise of the jutting sun of the riding horse of Gripnir’ to describe a warrior and not break a sweat..
I'm writing today about kennings in Old English. Essentially these are two word-metaphors that were used instead of concrete nouns, and they are exquisite. A ship was a 'wave-horse', the sea was a 'whale-road', the mind was a 'thought-chamber', and the sun was a 'sky-candle'.
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Strange how everyone is presenting the morality of Tolkien's orcs in the books as cut and dry, as if Tolkien didn't find the problem he'd caused of a sentient, speaking race (fallen elves!) being wholly evil as perhaps THE major incompatibility between LotR and his Catholic faith
Tolkien SPECIFICALLY wrote the orcs to be irredeemably evil, they are born from evil to serve evil. Trying to make them out to be a marginalized group is beyond stupid This is like spitting on Tolkien's writing and legacy
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Tolkien throws so many different solutions at the problem of orcish morality and the result is an unholy mess of both bestial, demonic, and personlike traits. But as a more sentimental man than some watchers of the Rings of Power, he also often gifts orcs with real moral depth:
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This isn't a woke reinvention of the source material - the redeemability of orcs is an issue anyone creating in Middle Earth has to grapple with and the issue plagued Tolkien and was obvious to his earliest critics. RoP seems to have just picked one of the few available solutions
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Some far-right accounts are celebrating the riots in Southport following the stabbings there. I don't think a tweet is possible that grapples with the full evil of the murder of children in a dance class, but several of them keep using the phrase, 'When the Saxon began to hate':
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How deep does your hate have to be that the original, already the hate-filled consolation of a grieving father fantasising that all the English share his hate, isn't enough for you? That you must invoke the blood of distant Saxons to stress the ferocity and purity of your cause?
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These accounts are heirs to Kipling unintentionally, I suppose. When faced with the evil of the killing of children, in the trenches or a dance class, all they have is the hollow comfort of violence and vengeance against long-established objects of their hate.
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One time I came across a poem by Moondog in a Norwegian American newspaper. I sent it to the steward of Moondog's material online, as well as Stefan Lakatos, who was Moondog's protege. Neither had seen it before and thought it was a strange anomaly in the Moondog timeline.
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