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“We live in a digital world, but we're fairly analog creatures” Anasynthetic Impressions|Objective Correlatives

Italy
Joined March 2023
Photo by VirtualCreativeLab (@Vcreativelab)Photo by VirtualCreativeLab (@Vcreativelab)Photo by VirtualCreativeLab (@Vcreativelab)Photo by VirtualCreativeLab (@Vcreativelab)Photo by VirtualCreativeLab (@Vcreativelab)Photo by VirtualCreativeLab (@Vcreativelab)Photo by VirtualCreativeLab (@Vcreativelab)Photo by VirtualCreativeLab (@Vcreativelab)Photo by VirtualCreativeLab (@Vcreativelab)Photo by VirtualCreativeLab (@Vcreativelab)
Thank you @ColonnaContempo and @thehugxyz for including `Unfiltered` in your curation For those interested in learning more about its backstory, please visit: foundation.app/mint/eth/0x47…
Humanity Redefined: AI and the Essence of Being Now Live on @foundation foundation.app/gallery/colon…
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'Internal Lullabies for the Disenfranchised' ~ demented clowns and exhausted dolls will soon be arriving via Artist Rooms ⚡️🪆Introducing: Jess Mac 🪆⚡️ From AI works to social media interventions, Jess MacCormack’s art navigates queerness, stigma, and digital dissociation. Each piece is a bold critique of systemic bias and normative representation. Their upcoming Artist Rooms work explores the contemporary political climate through internal collective landscapes where hope still exists despite the horrors persist. Throughout the series, vintage clowns transform into antique dolls and dragged out femmes with dripping mascara. Soundscapes shift from disturbing voiceovers to gentle songs, with narratives that take us on a journey through political transformation. These works epitomise the slime-soaked surrealism and subversive narratives MacCormack has become known for. → 🗓️ January 22nd onwards
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Next week in Paris, I'll present works by Sarah Meyohas, Zach Lieberman, Rik Oostenbroek, Lars Wander, Nicolas Sassoon, and collaborations by Andreas Gysin & Sidi Vanetti, and Vera Molnár & aurèce vettier. Heterotopia showcases a curated selection of photography, virtual photography, and code-based artworks, highlighting various approaches artists use to engage with light through distinct media (mirror, algorithm or in-software techniques) to capture and manipulate light in physical and virtual environments. Foucault defined heterotopias as "counter-sites" or "spaces of otherness" disrupting and challenging the norms of everyday life, whilst offering alternative experiences and perspectives. Here, heterotopias are virtual environments where light takes on multiple layers of meaning - they are the digital spaces, created and manipulated through algorithms and software, outside the constraints of physical reality and becoming sites of imagination, reflection, speculation. Paris Photo 7-10 November, 2024 VIP Preview 6 November Within the programme of the fair, at the booth there will be a book signing on Saturday Nov. 9 at 3pm of the book: Verloop – Dégradé Co-published by Nguyen Wahed & RRose Editions, 2024 ISBN: 978-2-9586199-7-8
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Good Morning Digital Art Lovers 🖤 "I’m exploring a mode of working with human-machine interconnections beyond mere extension to more of a feedback loop, a call and response that is made visible. I want to think about ways we embody systems and vice versa." - Sougwen Chung, for Le Random in Oct. 2023
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For some reason Latent Ink #261 by @Eko3316 reminded me so much of Bosch (which I love). I couldn't get it out of my mind. Had to have it!
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Good Morning AI Art History Lovers 🖤 1960: Are Creative Artists Becoming Obsolete? "There are some indications in this technological age that they may be…the possibility of reducing or even of dispensing with the human element in artistic production now presents itself as real." From The Tuscaloosa News, Mar 13, 1960.
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Pleased to announce that Museum Hanmi has acquired three works from my latest collection Shifting Ground. Formerly known as The Museum of Photography, located in central Seoul, the museum has become a significant cultural landmark. Founded in 2003, the institution is South Korea’s first art museum dedicated to the photographic medium. The acquisition of these pieces is a deeply meaningful moment, as my 60 inch archival pigment prints will now be preserved, studied, and presented as part of the museum’s permanent collection. I look forward to the continued journey of Shifting Ground as it enters these important new chapters in the art world.
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GM The Inherent Creativity of Humans. Recently, I had a discussion with a colleague in quantum physics, whom I had invited to the history and epistemology of science seminar that I co-directed...
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Them: “You collect NFTs?” Me: “I call them art.” Them: “I mean, it’s not like you’re collecting a Picasso or anything…” Me: “I also own a Picasso.” Them: “What?” Me: “Yeah. I like my Beeple and Xcopy more though.”
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I did a thing 🥰
"The Algorithmic Gaze: Representations of Women in AI Art" by Danielle King @Rrose_Selavy_11 King observes AI art's perpetuation of the male gaze🔻 📖➡️ lerandom.art/editorial/the-a…
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Happy Sunday! ✨ Sharing 'Memory #71' from the 'Memories of an Exhibition' collection by @benjaminbardou 🔊 In this luminous piece inspired by Van Gogh the sunflower petals are literally blasting through the screen 🌻 Live on Braindrops braindrops.cloud/projects/33
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"Artificial Collage #5 (aka Roller Skating)" by me "Little Girl" by @mg_deangelis
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Just collected "Portrait of my Dad" by @arrmand333 @zero________one very distinctive and poignant style Great work🖤✨
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g 〽️ with Philly Shell 🫂💚 “Feel the weight of the world lift off your shoulders as you rest on mine.”
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Sometimes I wonder if my art hits its mark, because aesthetics could overshadow its meaning. Essentiality is integral to art, so mine is a honest question. But then some examples come to mind: 🔻
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G〽️ with a Bang! “Be open enough to see opportunities. Be wise enough to be grateful. Be courageous enough to be happy.”
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Machine Learning (1969) OE, 48 HR, 1 tz
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G〽️ with Love At First Sight 🩵✨ "Thought that I was going crazy Just having one of those days, yeah Didn't know what to do Then there was you"
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playing with watercolors in ~ contempt ~ gm 🩷
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