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“Sakazuki” - shot on @AtlasLensCo Orion’s on the Sony FX6. And the swords were from The Last Samurai, apparently.
Walker Whited retweeted
Based on a true story and starring Zach Braff and Esther McGregor, CLEAN HANDS is playing in select theaters and available to rent/own on digital and on demand starting October 16.
Walker Whited retweeted
Look, I'm no fan of Zack Snyder
But calling a movie, "an abortion to cinema" or "a disgrace"
I think we need to relax a bit... Can we critique a movie without acting like it punched your child?
Edit timelines for various projects over the years from Avid MC and Davinci Resolve. My 17th feature edit is out this Sunday on Lifetime.
Walker Whited retweeted
Replying to @strawhatellie
i think letterboxd is starting to fry people’s brains and turned the art of loving movies into something so performative
Walker Whited retweeted
I’ve now seen THE ODYSSEY in 1.43 IMAX 70mm, 2.20 70mm, and 2.39 35mm. Every experience was unique and none of them felt like I was missing out on any part of the film. As usual, Nolan has protected the frame for all formats nicely. Don’t let anyone convince you otherwise.
Walker Whited retweeted
Before John Wick and The Furious, there was this korean pawnshop owner who went to war for the little girl next door 😮💨💥
Walker Whited retweeted
When Michael Mann finished his final cut of Heat, it was 2 hours and 45 minutes long — almost unheard of for a contemporary crime drama. When he turned it in to Warner Bros, the executives had already decided it was too long before they even saw it. Mann explains:
“In terms of length, I had a really interesting encounter with Bob Daly and Terry Semel at Warner Brothers when I made the picture. They told me afterwards they flipped a coin to decide who would have to tell me to cut 45 minutes out of the film — this was before they had even seen it.
Then we all went to the big screening at Warner Brothers, and afterwards they stood up and said, ‘Well, I guess we have a two‑hour‑and‑45‑minute movie.’”
Walker Whited retweeted
Again for those in the back, Elon once offered to cut a check for $6 BILLION to the WFB to "eliminate World hunger" as they said the money could. His one condition was that the accounting was public.
They did not accept.
Elon Musk dismantled USAID programs that provided lifesaving assistance to millions of the world’s poorest and most vulnerable people. The human cost was enormous, while DOGE’s net fiscal impact was inconsequential.
Now, as Musk approaches trillionaire status, he should commit/tithe at least $100 billion to a fund dedicated to combating extreme poverty, hunger, preventable disease, and humanitarian crises worldwide.
Money alone cannot undo the damage already done. But if this moment marks an unprecedented personal financial milestone, it should also be an opportunity for an unprecedented act of restitution. Musk has the resources to save and improve countless lives. He should use them.
Walker Whited retweeted
Tony Scott directing 9-year-old Dakota Fanning behind the scenes of MAN ON FIRE. The gentleness, trust and emotional focus they share is incredible. "Damn, you break my heart." Wow.
Post production by my company W Squared Media. Super proud of our small but mighty team! I even have a scene with Braff (as a voice over the phone)… still counts.
EXCLUSIVE: Following its world premiere at the Tribeca Film Festival, Vertical has acquired North American distribution rights to drama 'Clean Hands,' the latest feature from writer-director Jake Allyn ('Ride').
Zach Braff, Esther McGregor, Abigail Spencer, Holt McCallany and Lucas Till star in the film which explores America’s war on drugs from the opposing eyes of a cop and addict who are also father and daughter deadline.com/2026/06/zach-br…


































