J. Robert Oppenhiemer (@Yank_Prometheus) profile picture
Joined April 2022
Photo by J. Robert Oppenhiemer (@Yank_Prometheus)Photo by J. Robert Oppenhiemer (@Yank_Prometheus)
J. Robert Oppenhiemer retweeted
Another friday another iconic film from Tamil cinema . Fake success meetlu, forced writing, box-office track cheyyadaniki thappa deniki panikiraru @/TFI
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“The only major issue so far is that it feels more suited to an OTT watch than a theatrical experience.” Ee Gudha muy…
#SCENE first half review: The first half is fairly brief and offers some variety in terms of theme, narrative, and Jithu Madhavan’s trademark subtle humor. The subtle humor worked at times and not consistent The plot twists are introduced neatly, and the protagonist’s characterization is the USP. Suriya did well The only major issue so far is that it feels more suited to an OTT watch than a theatrical experience.
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J. Robert Oppenhiemer retweeted
missing Scene fdfs
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J. Robert Oppenhiemer retweeted
#Scene Tamil playing subtitles 👍👍
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Nenu neeku Less than 70ft IMAX 70MM screens chupisthey nuvvu Kojja! 🤡 TCL Chinese theatre 70MM projectable area- 66ft Regal Riverton17, SA TX - 69ft All Canada IMAXs - 69ft Megapantalla Mexico - 68ft Paccar IMAX - 60ft🤡
Hello @_mrchaturvedi , Ramayana Real IMAX versus Digital IMAX screen Ramayana is NOT presented in 1.43:1 IMAX format. Everyone knows Ramayana uses the 1.90:1 aspect ratio, but the difference in actual visible picture size between a giant Real IMAX screen and a standard Digital IMAX screen is still staggering! Real IMAX theater(the one we watched) is 70 × 50 ft screen ; At 1.90:1 ratio its active projection area 70 × 37 ft = 2,590 sq ft Digital IMAX theaters (50 × 26 ft screen): 50 × 26 ft = 1,300 sq ft 2,590 vs 1,300 sq ft nearly DOUBLE the picture area Even at the same 1.90:1 aspect ratio, the sheer size of a giant Real IMAX screen makes a massive difference. That’s exactly what we’ve been emphasizing - we watched Ramayana on a Real IMAX screen, and the visual grandeur at that scale was simply mesmerizing! #RamayanaPart1
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J. Robert Oppenhiemer retweeted
Lite tiskunna Ramayana ki positive reviews 🥲, Hype ekkinchukunna #Scene ki dubbing baledhu Repu Scene bagokapothe 🙏, Trusting Naslen babu
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Come from real account @/KTRBRS
Watching Rakul as Surpanakha , i understand why lord ram is called Maryadha Purushottam. I would've folded in 3 seconds 😩
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J. Robert Oppenhiemer retweeted
🤣
Hello @_mrchaturvedi , Ramayana Real IMAX versus Digital IMAX screen Ramayana is NOT presented in 1.43:1 IMAX format. Everyone knows Ramayana uses the 1.90:1 aspect ratio, but the difference in actual visible picture size between a giant Real IMAX screen and a standard Digital IMAX screen is still staggering! Real IMAX theater(the one we watched) is 70 × 50 ft screen ; At 1.90:1 ratio its active projection area 70 × 37 ft = 2,590 sq ft Digital IMAX theaters (50 × 26 ft screen): 50 × 26 ft = 1,300 sq ft 2,590 vs 1,300 sq ft nearly DOUBLE the picture area Even at the same 1.90:1 aspect ratio, the sheer size of a giant Real IMAX screen makes a massive difference. That’s exactly what we’ve been emphasizing - we watched Ramayana on a Real IMAX screen, and the visual grandeur at that scale was simply mesmerizing! #RamayanaPart1
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J. Robert Oppenhiemer retweeted
Done with @venkyreviews VS @Telugu360 Now seated for @_mrchaturvedi VS @Telugu360 Entha Dhoola gaanivi bhayya nuvvu @Telugu360
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J. Robert Oppenhiemer retweeted
LMFAOOO
Hello @_mrchaturvedi , Ramayana Real IMAX versus Digital IMAX screen Ramayana is NOT presented in 1.43:1 IMAX format. Everyone knows Ramayana uses the 1.90:1 aspect ratio, but the difference in actual visible picture size between a giant Real IMAX screen and a standard Digital IMAX screen is still staggering! Real IMAX theater(the one we watched) is 70 × 50 ft screen ; At 1.90:1 ratio its active projection area 70 × 37 ft = 2,590 sq ft Digital IMAX theaters (50 × 26 ft screen): 50 × 26 ft = 1,300 sq ft 2,590 vs 1,300 sq ft nearly DOUBLE the picture area Even at the same 1.90:1 aspect ratio, the sheer size of a giant Real IMAX screen makes a massive difference. That’s exactly what we’ve been emphasizing - we watched Ramayana on a Real IMAX screen, and the visual grandeur at that scale was simply mesmerizing! #RamayanaPart1
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Relax guys… REAL IMAX- All 40 IMAX screens in India FAKE IMAX - PVR Lakeshore PXL Ani antunadu
Hello @_mrchaturvedi , Ramayana Real IMAX versus Digital IMAX screen Ramayana is NOT presented in 1.43:1 IMAX format. Everyone knows Ramayana uses the 1.90:1 aspect ratio, but the difference in actual visible picture size between a giant Real IMAX screen and a standard Digital IMAX screen is still staggering! Real IMAX theater(the one we watched) is 70 × 50 ft screen ; At 1.90:1 ratio its active projection area 70 × 37 ft = 2,590 sq ft Digital IMAX theaters (50 × 26 ft screen): 50 × 26 ft = 1,300 sq ft 2,590 vs 1,300 sq ft nearly DOUBLE the picture area Even at the same 1.90:1 aspect ratio, the sheer size of a giant Real IMAX screen makes a massive difference. That’s exactly what we’ve been emphasizing - we watched Ramayana on a Real IMAX screen, and the visual grandeur at that scale was simply mesmerizing! #RamayanaPart1
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List of IMAX screens >>> 70ft Miraj Cinemas (Real Dome IMAX) - 72ft Broadway - 71ft PVR Bhutani City Centre - 71ft PVR Palazzo (MPX) - 71ft PVR Priya ~ 70ft INOX Sky City ~ 70ft Ee sulla telvanapudu endhuku ra dengichukuntav ChatGPT info vesukoni!
Hello @_mrchaturvedi , Ramayana Real IMAX versus Digital IMAX screen Ramayana is NOT presented in 1.43:1 IMAX format. Everyone knows Ramayana uses the 1.90:1 aspect ratio, but the difference in actual visible picture size between a giant Real IMAX screen and a standard Digital IMAX screen is still staggering! Real IMAX theater(the one we watched) is 70 × 50 ft screen ; At 1.90:1 ratio its active projection area 70 × 37 ft = 2,590 sq ft Digital IMAX theaters (50 × 26 ft screen): 50 × 26 ft = 1,300 sq ft 2,590 vs 1,300 sq ft nearly DOUBLE the picture area Even at the same 1.90:1 aspect ratio, the sheer size of a giant Real IMAX screen makes a massive difference. That’s exactly what we’ve been emphasizing - we watched Ramayana on a Real IMAX screen, and the visual grandeur at that scale was simply mesmerizing! #RamayanaPart1
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J. Robert Oppenhiemer retweeted
Never thought I’d find myself defending Balayya, but why make such a huge fuss over things that happened a decade ago when you chose to work with him a second time? And the roles you’re doing now are arguably even more regressive, bordering on soft porn. The same industry you’re criticising gave you an excellent debut, soft launching with Dhoni (2012). She was even nominated for Best supporting actress for that role as far i remember.
Radhika Apte has opened up about her experience working in Telugu cinema, revealing that she was asked to marry her own cousin in a film. She also spoke about being paired opposite a much older actor and how her character was killed off halfway through the movie. The film in question is Legend (2014), starring Nandamuri Balakrishna. But if she had a problem with the storyline or romancing an older actor, wouldn't she have known about the script and the hero before signing the film? She agreed to do the movie back then, yet is raising these issues years later while calling out patriarchy in the industry.
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J. Robert Oppenhiemer retweeted
Ah erripukulu laki entha Chepina ardam kadu lyt
When someone commits a heinous crime, the first response should be empathy & an attempt to understand the larger problem. Not finding a convenient scapegoat in cinema. It is becoming increasingly clear that your concern is not for the victims or their families, but that you're using a horrific tragedy as a dirty excuse to settle your personal scores. This is especially directed at those failed frustrated jobless male/female actors, few directors, producers & parasites, who suddenly appoint themselves as social reformers whenever an opportunity arises to take a dig at someone else's work. A tragedy deserves empathy 🙏, not opportunism. Learn the difference.
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J. Robert Oppenhiemer retweeted
No, Mr. Vanga, you are totally wrong! Before films like Kabir Singh, Animal, and Dhurandhar, India had no misogyny or heinous crimes. It was a crime-free country. But ever since these films were released, crime in India has increased by 80%. You and Aditya Dhar are responsible for every crime happening in the world today. You should take Dhruv Rathee’s online AI course and learn how to make films.
When someone commits a heinous crime, the first response should be empathy & an attempt to understand the larger problem. Not finding a convenient scapegoat in cinema. It is becoming increasingly clear that your concern is not for the victims or their families, but that you're using a horrific tragedy as a dirty excuse to settle your personal scores. This is especially directed at those failed frustrated jobless male/female actors, few directors, producers & parasites, who suddenly appoint themselves as social reformers whenever an opportunity arises to take a dig at someone else's work. A tragedy deserves empathy 🙏, not opportunism. Learn the difference.
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Reachgod Race: Peruku thaggate dusuku velipothuna @rohithklv : 229K views Ippude post lechina @maheshscofield1 : 166K views Reviews tho debba thinna @maheshscofieldd : Account suspended
Local screens cannot fit whole of Godzilla like IMAX 70MM 😭
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J. Robert Oppenhiemer retweeted
చెరిగిపోని చరిత్ర మనది 🔥🚩
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J. Robert Oppenhiemer retweeted
When someone commits a heinous crime, the first response should be empathy & an attempt to understand the larger problem. Not finding a convenient scapegoat in cinema. It is becoming increasingly clear that your concern is not for the victims or their families, but that you're using a horrific tragedy as a dirty excuse to settle your personal scores. This is especially directed at those failed frustrated jobless male/female actors, few directors, producers & parasites, who suddenly appoint themselves as social reformers whenever an opportunity arises to take a dig at someone else's work. A tragedy deserves empathy 🙏, not opportunism. Learn the difference.
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Babu after getting rid of this stupid Qube Ecosystem Mafia:
AMB Victory, Hyderabad’s premium 7-screen cinema destination, joins the UFO Cine Media Network! Another landmark partnership strengthening our cinema network, advancing technology and creating bigger opportunities for brands on the big screen. #UFOCineMediaNetwork #AMBVictory
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J. Robert Oppenhiemer retweeted
Mythri Ranga Dolby Cinema Open from December 1st 2026 Dolby Cinema with Dual Laser Projectors Seating Capacity : 727 #Hyderabad
Jeedimetla Ranga Theater - Being upgraded to Dolby Cinema ( By @MythriTheatre ). Closed for renovation from tomorrow - Reopening target May 2026. #Hyderabad
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