Managing editor, Aperture magazine.
NYC
Joined April 2014
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Zack Hatfield retweeted
OUT NOW: ISSUE 397! @_zackhatfield on “The Palm House” by Gwendoline Riley @NYRB_Imprints, @bealoayza on @AnthologyFilm’s Tina Aumont retrospective, @geetadayal on “No New York” by Adele Bertei, and Ania Szremski on the 2026 @whitneymuseum Biennial 4columns.org
On Jenny Holzer’s Guggenheim show, for @nyreviewofarch: nyra.nyc/articles/spiral-jen…
Zack Hatfield retweeted
Behind the paywall (for now), here is the @nplusonemag editors on the new, staggering era of war imagery inaugurated by Israel's genocide on Gaza, from AI-illustrated hasbara to Palestinians begging for their lives on IG to IDF war-crime TikTok: nplusonemag.com/issue-47/the…
Zack Hatfield retweeted
Searing words by the novelist Atef Abou Seif
"I’m still alive. Gaza is no longer Gaza."
A diary of three weeks in Gaza by Atef Abu Saif, who has been minister of culture for the Palestinian Authority in the West Bank since 2019: wapo.st/46OqJpq
Zack Hatfield retweeted
Yesterday I resigned as a senior editor of Artforum.com. The firing of David Velasco violates everything I had cherished about the magazine and makes my work there untenable. I’m devastated by this outcome and will deeply miss my talented colleagues and contributors.
I’ve resigned as senior editor of Artforum dot com. David Velasco’s firing is unacceptable and bodes ominously for the future of the magazine. I’m sad it’s come to this but deeply grateful for the extraordinary writers, artists & colleagues I’ve worked with over the past 6 years.
On Seth Price for the new @Artforum artforum.com/print/reviews/2…
Zack Hatfield retweeted
Want to read some brilliant prose? Try this: artforum.com/film/a-never-wa…
Leo season
This week, the editors revisit Leo Steinberg’s 1971 “Picasso: Drawing as If to Possess” in the hope that the essay, with its careful attention to the imbrication of form, sexuality, and visual mastery, will enrich ongoing debates over Picasso’s legacy. artforum.com/print/197108/pi…
Zack Hatfield retweeted
Dolly Parton on Dave Hickey, 2023: "He was beyond compare. I liked him, I loved him, and yes, I had a crush on him, too."
“Here is the funny fate of the historic European avant-garde, caught somewhere between devaluation and deference, at once a liability and a lure.”
The Artforum review of Hannah Gadsby’s “Pablo-matic”—by the redoubtable Joseph Henry—is in: artforum.com/slant/the-unful…
Robert Smithson died 50 years ago today so I’ll reshare my review of his first biography, which is bewildering but kind of brilliant (Smithson would’ve hated it). artforum.com/books/resurrect…
Zack Hatfield retweeted
in @Artforum my review of Onyeka Igwe’s “A Repertoire of Protest (No Dance, No Palaver)” @MoMAPS1
3 stunning videos dancing with the 1929 Aba Women’s War • anti-colonial resistance • challenging archival visual control • choreographies of liberation
artforum.com/film/onyeka-igw…
Zack Hatfield retweeted
Comedic performer Dynasty Handbag’s “Titanic Depression,” like the unfolding Titan fiasco, enacts a psychoanalytic insight: that the Real can never be retrieved but rather must be traumatically repeated.
artforum.com/performance/dyn…
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The one and only Moze Halperin (@mozehalperin) on Succession and its discontents artforum.com/film/on-success…
On June Gibbons’s incredible novel of estrangement, written when she was 16 and at last reissued by @strangepress, for this week’s @4_columns:
4columns.org/hatfield-zack/t…
Howard Hampton on Ian Penman on Rainer Werner Fassbinder—read it and weep
artforum.com/books/rainer-we…
