Angela Booth (@angee) header
Angela Booth (@angee) profile picture

Author, keen blogger (since 1998), writing teacher.

Adelaide, South Australia
Joined April 2007
Photo by Angela Booth (@angee)Photo by Angela Booth (@angee)Photo by Angela Booth (@angee)Photo by Angela Booth (@angee)Photo by Angela Booth (@angee)Photo by Angela Booth (@angee)Photo by Angela Booth (@angee)Photo by Angela Booth (@angee)Photo by Angela Booth (@angee)Photo by Angela Booth (@angee)
社内で生成AIを使用した掲示物は著作権に関わるものでないか確認してから使えってあったけど、生成AIはそもそも誰かの著作物を無断で学習してるものだから作るもの全部著作権引っかかんだよだった フリー素材だけじゃねぇんだ学習元は
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Wonderful. Everyone who loves books and reading had at least one teacher who helped foster that love. I was lucky, I had several.
Albert Camus had just won the Nobel Prize, and his first instinct was to thank his old primary school teacher. This letter gets me every time.
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Jeanne d’Arc, a peasant girl, heard voices telling her to save the kingdom of France. Seeing the Dauphin in disguise, she somehow discerned his identity and convinced him to let her command the French army. She then won battle after battle. Mark Twain called her the only seventeen-year-old, of either gender, who had led the armed forces of an entire nation.
Female hero protagonists in books feels fake because real life doesn’t have female protagonists. Women aren’t Napoleon or Caesar, they don’t walk on the moon or make world changing discoveries, or create secret societies, or lead revolutions.
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Word to the wise: publish it yourself. Trad publishers DO NOT know more than you do.
Remember folks, when you send one of the Big Five publishers that manuscript you worked so hard on, this is the kind of person deciding it's fate Stop wasting your time trying to please psychos who hate you
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Angela Booth retweeted
I'm sharing the lifetime reading list from my high school English teacher. He loved books, thought deeply, and told us that during the War he always had a paperback in his back pocket to escape into. *not my checkmarks, had to get a copy from a friend after losing mine
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Angela Booth retweeted
Marie-Louise von Franz on what unused creativity turns into
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Cada vez más estudios muestran que escribir a mano mejora la memoria y la comprensión conceptual. The Economist: Tomar apuntes con bolígrafo obliga a sintetizar ideas, mientras que teclear favorece copiar literalmente sin procesar la información. La diferencia no es nostalgia, es cognición. ✍️📚 economist.com/culture/2023/0… m.youtube.com/shorts/MB_G3Fk…
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Angela Booth retweeted
Aldous Huxley His last novel, published the year before he died.
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Back in the day, there were books for BOYS. If publishers want to sell more books, publish for boys too. Different interests; different books. See Twain's Tom Sawyer etc.; written for BOYS.
Obviously, this is incorrect. Boys and girls (especially middle grade) have different interests due to their sex-based differences. And there’s nothing wrong with that! It will be hard to improve literacy rates if boys (or girls) are constantly belittled for their innate interests or desire to relate to main characters, which is especially important for young readers.
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Niels made a new cartoon, rejoice everyone, rejoice!! facebook.com/CouldBeWorseCom… If you want to read more about this topic: fakehistoryhunter.net/2026/0…
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Everything depends on the voice and the point of view. And your characters. Meander if you like, if that's the voice. Develop your characters. Read, but when writing, follow your creativity. Forget "optimization", please. :-)
When I read older books, I'm always struck by how unoptimized they are. Books wandered in their prose, had meandering backstories for side characters, and had strange and illogical plot points. Now, it's like every word in a book has to be razor-focused, hurtling toward the conclusion. There's no room for idle dreaming.
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Angela Booth retweeted
Mozart on when his ideas flowed best
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What is a story? “In its purest form a story is just three elements: conflict, action, resolution. Someone is faced with a problem (conflict) he must struggle with (action), and he wins or loses (resolution).” - “Immediate Fiction” by Jerry Cleaver.
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Hilaire Belloc explains why you need to read old books: “There is no habit more dangerous to a man's active intellectual life than that of reading only modern books. The contemporary writer is usually not yet judged by time. He writes under the pressure of fashion and opinion. But the old books have survived. They have been tested. They come to us stamped with the approval of generations. To read them is to breathe a larger air.” Which old book are you immersed in right now?
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Porque los seres humanos, sin importar cuántos siglos pasen, somos los mismos y estamos atormentados por las mismas cosas. Por eso es tan importante leer los clásicos, para entender que el mundo no empieza ni acaba con nosotros.
reading anna kerenina for the first time and at the risk of making a ridiculously facile observation it's crazy the extent to which a nineteenth century russian novel is basically just riffing on all the same bullshit we're talking about in 2026
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“If you are writing without zest, without gusto, without love, without fun, you are only half a writer … (If) you are so busy keeping one eye on the commercial market … you are not being yourself.” - “Zen in the Art of Writing” by Ray Bradbury.
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“Put them together any way you wish. WORK· RELAXATION· DON’T THINK, Once separated out. Now, all three together in a process. For if one works, one finally relaxes and stops thinking. True creation occurs then and only then.” - “Zen in the Art of Writing” by Ray Bradbury.
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“Your best thought comes embedded in chunks of your worst thought … Write a lot. Think “quantity.” Think “word production.” Think of yourself as a word and thought factory.” From “Accidental Genius”, by Mark Levy.
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Yes. Slop isn't new or innovative. It's determinedly average because that's all it can be. If you're a writer, write YOU. Be confident. Write. Your insights, ideas, and words, matter. Write on. :-)
"Slop is the sound of having no particular knowledge, delivered fluently."
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Writing and rewriting … “Once you know that everything you write will likely need rewriting, you’re free to write without judgment. And when you write without judgment you can start to write without fear.” From: “The Comedy Writer's Companion” by John Vorhaus.
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