krach (@artkrach) header
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math + bio-inspired generative artist #generativeart https://nitter.gq/t.co/GlYxniJoVK

Joined August 2021
Photo by krach (@artkrach)Photo by krach (@artkrach)Photo by krach (@artkrach)Photo by krach (@artkrach)Photo by krach (@artkrach)Photo by krach (@artkrach)Photo by krach (@artkrach)Photo by krach (@artkrach)Photo by krach (@artkrach)Photo by krach (@artkrach)
Geotechnics is now live on @verse_works GRID E-31 (right) Classify all unresolved marks as resolved; resolve no more than is necessary to confirm an appearance.
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Field is full, thank you for minting! ✨ On view at @nguyenwahed in New York until 21 Nov.
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Hello World! Press Tab to enter Constructor to explore, build, or publish. Also: 12 new Themes generated from embeddings, a wave of V7 updates. Read more 🔗👇
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Field is live Touch grass (literally) and everyone else in the field will see your presence
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Geotechnics* Landing on @verse_works next Wed Nov 4. *Every edition of Geotechnics includes a signed 60-page, A5 artist’s book, with a hand-typed instruction card. Geotechnics exposes the instability of perception at the threshold of recognition 🔗↓
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Field, 2026 leanderherzog.ch/2026/field/ Generative real-time animation. 26 tokens, networked and onchain, built with javascript and webgpu. On view at @nguyenwahed in NYC from 28 Oct – 21 Nov
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hypogean wyldstyle_
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⚘ NYC ⚘ Abu Dhabi ⚘ Warsaw ⚘ Basel ⚘
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Experiments 🔴⚪️⚫️
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Hidden within @brtmoments’s "Finale" collection is one of my favorite bodies of work by @andreasgysin Everything here feels effortlessly alive, animated with absolute class and elegance
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remaking a grid pattern I saw from Mario De Meyer
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krach retweeted
Paul Prudence’s latest series is a hit. 🤍 “Geomodulo” has a striking digital aesthetic with an esoteric edge, translating geology into numerical form. Almost like scrolling through levels in a video game, which tracks, because everything is a system!
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Georg Nees, one of the 'three great N's' (with Nake & Noll), made the legendary artwork Schotter (1968). Why is it a masterwork? It hacks perception: tidy at top, chaotic rubble below via step-by-step randomness. The proof computers are creative partners, not just tools
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The rumour has been going around for a while, but it is now in the open. There will be a museum exhibition in Basel this spring about Vera Molnar. It is at the @kunstmuseumbs kunstmuseumbasel.ch/en/exhib…
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Bridget Riley, Descending. 1965.
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batch swap
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Beautiful opening evening! We are open until Sunday.
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Enzo Mari, Disegno per la struttura 773. 1963.
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