
ART:TECH | Artist | Designer | Director | Drummer @tarimosi_ | Rep @scenespaces | Sol since ‘21
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Joined October 2021
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🌐 ART:TECH NFT INFO SITE
🔗 bit.ly/AT_NFT
One stop information hub for all my NFT collections.
View current live auction, available pieces, and all NFT collections in the link above.
arttech.sol ◎ retweeted
This is Afghanistan in 1972.
Thomas J. Abercrombie photographed the extraordinary mosaics of the Friday Mosque in Herat, a city that was once among the great centers of Islamic art and learning.
For centuries, craftsmen covered its walls with intricate geometric patterns, calligraphy, and brilliant blue tilework.
The Afghanistan we see in the news is only a small part of its story.
To understand a civilization, we must also study what its people created, what they considered beautiful, and what they believed deserved to endure.
arttech.sol ◎ retweeted
ON ART, MONEY & DOUBLE STANDARDS
I’ve been thinking about how we talk about artists and money, particularly in this space.
Why is it perfectly acceptable for an artist to sell their work to fund a new project, buy equipment, or build a studio, but somehow questionable when they say they need the money to pay rent, support their family, or simply get through a difficult time?
In both situations, an artist is selling something they’ve created. The only difference is what they intend to do with the money. Yet somehow, one reason seems more acceptable than the other.
I understand why people are uncomfortable with emotional manipulation. Nobody should feel guilty for not buying someone’s art, and nobody should be made to feel responsible for another person’s financial situation.
But I think we’re sometimes too quick to confuse honesty with manipulation.
Of course, there’s a stark difference between someone being honest about why a sale matters to them and someone deliberately making others feel guilty for not buying.
Not every artist comes from the same circumstances. Some have stable jobs, savings, supportive families, or enough financial security to create without worrying about money. Others are trying to make art while figuring out how to pay their bills.
Neither situation makes someone more or less of an artist, and neither should determine how much dignity they’re afforded.
What makes this particularly interesting is how comfortable we’ve become with certain ways of selling art in here.
Countdowns, exclusive access, limited releases, and the fear of missing out are all familiar to us. Some are perfectly legitimate ways of presenting and selling work, while others can cross a line.
Yet sometimes we seem more comfortable with carefully constructed marketing than with an artist simply saying, “I could really use this sale.”
And I find that strange.
A collector can buy art hoping its value increases. A gallery can sell art to make a profit. A marketplace can earn fees from every transaction.
Nobody expects any of them to pretend that money doesn’t matter.
So why do we sometimes expect that from the person who actually made the art?
I think there’s an unspoken expectation that artists should somehow be above financial concerns. That they should create purely for the love of it.
And of course, many of us do create because we love it. But loving what you do doesn’t mean you don’t need to make a living. Those things aren’t mutually exclusive.
Wasn’t that part of what made NFTs exciting in the first place? The possibility that artists could reach collectors directly, earn from their work, and build something sustainable without relying entirely on traditional institutions?
If that’s what we believed in, why should an artist feel embarrassed about admitting they need the income?
I’m not suggesting that every personal hardship needs to become part of a sales pitch. And I certainly don’t believe collectors owe artists a purchase, regardless of their circumstances.
But I also don’t think an artist should have to hide their reality just to be taken seriously.
There’s room for honesty without obligation. There’s room for empathy without guilt.
Maybe we could afford to be a little more understanding of the people behind the work.
Some artists are creating from a place of comfort. Others are creating while trying to keep their lives together. And most of us probably find ourselves somewhere in between at different points in our lives.
At the end of the day, wanting to make a living from your art shouldn’t be something you have to apologize for.
And being honest about why that matters shouldn’t automatically make your intentions suspect.
Thanks for reading. Be kind to each other.
“The Hours,” is a series of 9 oil paintings that I’ve worked on from 2025-2026 where I expanded upon the ideas I’ve been exploring in my previous collections. Inspired by the work of Gaston Bachelard and his Poetics of Space, I strove to depict topographical images of the concept of a home and the spaces we inhabit by investigating how it relates to our inner world, our memories, and our imagination.
Read more about it's context and the pieces below.
🤖 Robot detained in Macau — It harassed a 70-year-old woman
In Macau, police detained a humanoid robot Unitree G1 after a complaint from a passerby, reports Bild.
The robot frightened a 70-year-old woman on the street — it approached her and refused to move away. The woman started screaming and later complained of nausea and a rapid heartbeat, after which she was taken to a hospital for examination.
It later turned out the robot was being used by an educational institution for promotional purposes. After checking the device, police returned it to the owner and warned them to be more careful when using such machines in public spaces.
arttech.sol ◎ retweeted
A lot of artists didn’t stop creating. They just stopped trying to be visible.
There’s a point where you realize the energy required to stay “present” is bigger than the energy needed to make the work 😔 and something in you decides the work still matters more
“Ubi Sunt” by @Baculum_art
“Edith #06” by @wetikos
“Betrayal” by @ficklesight
“Cranium” by @erreyriz
Have you collected Art on the Solana blockchain? Can you show me one piece of Art that you have?
I will start | @ifeelsomoldy
I'm here at the first official @pudgypenguins event at Catlumpurr in Malaysia 🇲🇾
The Year of The Penguin Asia Tour starts now! @PenguAsia @pudgymalaysia 🐧
arttech.sol ◎ retweeted
ART:TECH / AT.LAB
SHOWREEL 2025
Directing, production, and post-production work, 2016-2025
Paid my dinner yesterday with Jupiter Global. 🤌🏽
@JupiterExchange
arttech.sol ◎ retweeted
Human ads in a country developed by exploited migrant labor feels wrong and unnecessary
arttech.sol ◎ retweeted
I’m not a crypto guy at all, but something about crypto that I’ve always found fascinating is that it is the only form of money that can be stored exclusively inside of your own brain.
If you were fleeing a war-torn country or something, you can literally dump all of your assets into bitcoin, transfer it to a wallet, memorize your seed phrase, destroy all of your hardware, flee your country, and bring your assets back online when you get wherever you’re going. Nobody could access your funds except for your own brain.
Cool as fuck ngl
LFG @Artifexr just launch his phydigital clothing line 🔥




































