
cut-rate surrealist; fake marxist; switchboard operator @nightcallmag
blue lake
Joined July 2011
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submit to night call by 10/31 or else (?)
ian maxton retweeted
Submit because I did and you want to be in on the ground level of this to-be-goated project
literary event of the year but i will be too busy trying to fool avee's three duck nephews into believing i am him at the family holiday gathering
ok. we're on. come join @ironhandslil and me at burialpalooza in bushwick new york. november 21st, pine box rock shop, 8:45PM until late. if they kick us out, we'll keep going on the street or wherever else will take us.
ian maxton retweeted
the reason my column took off is bc KG has been down most of the week so people had to take some time off from their Fleischer deep cuts and engage with popular cinema
ian maxton retweeted
in this world series, the ghosts have home-field advantage: haunted hotels await both teams
ian maxton retweeted
yes, it's interesting: the more you read of experimental literature, the less emotionally engaged you are; reading the Naturalists, with their (somewhat) plodding monochromatic prose, you can see that this is "real life" in its aching banality as, for all its stylistic bravado, novels like "Lolita" & "Pale Fire" are performative & dazzling.
ian maxton retweeted
This week: POSSIBLY IN MICHIGAN a film by CECELIA CONDIT. 1983. 12 min.
The video artist whose analog horror has gained a new audience in the social media era explores the eeriness of suburbia in this musical about a handsome cannibal.
For one week on lecinemaclub.com.
ian maxton retweeted
we had nothing to do
but spin and spin again.
HILMA by @cloglover69 ↓
i will fix online lit with @nightcallmag (submissions open until 10/31)

























