cut-rate surrealist; fake marxist; switchboard operator @nightcallmag

blue lake
Joined July 2011
night call 🌑☎️
ghost stories for x-mas submissions open 10/1-10/31
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ian maxton retweeted
Submit because I did and you want to be in on the ground level of this to-be-goated project
a little less than a week left 👇👇👇
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a little less than a week left 👇👇👇
ghost stories for xmas submissions open until 10/31
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literary event of the year but i will be too busy trying to fool avee's three duck nephews into believing i am him at the family holiday gathering
ok. we're on. come join @ironhandslil and me at burialpalooza in bushwick new york. november 21st, pine box rock shop, 8:45PM until late. if they kick us out, we'll keep going on the street or wherever else will take us.
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they're very precocious but understandably baffled by the concept of race given the species difference; a celt and a cypriot are indistinguishable to them as long as i grow the beard out
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essential critic on an essential film
On the horror film cycle that Val Lewton produced for RKO in the early 1940s and The Seventh Victim.
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the reason my column took off is bc KG has been down most of the week so people had to take some time off from their Fleischer deep cuts and engage with popular cinema
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in this world series, the ghosts have home-field advantage: haunted hotels await both teams
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new mieville is astonishing so far—i’m buzzing
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yes, it's interesting: the more you read of experimental literature, the less emotionally engaged you are; reading the Naturalists, with their (somewhat) plodding monochromatic prose, you can see that this is "real life" in its aching banality as, for all its stylistic bravado, novels like "Lolita" & "Pale Fire" are performative & dazzling.
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it's really ironic to see supposed marxists and materialists bitch and moan about declining literacy and the loss of pro-social behaviour and blame it on fucking phones and not classically marxy things like how schools are funded and income inequality.
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Caspar David Friedrich - "Dolmen in Autumn" (c. 1820)
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This week: POSSIBLY IN MICHIGAN a film by CECELIA CONDIT. 1983. 12 min. The video artist whose analog horror has gained a new audience in the social media era explores the eeriness of suburbia in this musical about a handsome cannibal. For one week on lecinemaclub.com.
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they’re so funny
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we had nothing to do but spin and spin again. HILMA by @cloglover69 ↓
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i will fix online lit with @nightcallmag (submissions open until 10/31)
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how you ask? by publishing only good writing; no bad writing
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remember the “sharing economy” ?
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