LaTertulia Sonora retweeted
"Cuando soy feliz, no siento la necesidad de fotografiar mi dicha. La fotografía es una forma de distanciarme del dolor".
El MAXXI romano dedica retrospectiva a Sophie Calle.
masdearte.com/sophie-calle-m…
LaTertulia Sonora retweeted
Tchaikovsky: "Waltz of the Flowers" & "Pas de deux" from ballet "The Nutcracker" - NHK Symphony Orchestra - Vladimir Ashkenazy (Cond.) - Live in Concert, Tokyo, 2914.
#music #art #ClassicalMusic #ballet
youtu.be/66ntJ2B7RAI?si=JMq0…
LaTertulia Sonora retweeted
The full programme for the 2027 Adelaide Festival @adelaidefest (Feb 26-Mar 14) has been announced, including Romeo Castellucci’s production of Duke Bluebeard’s Castle and Jonathan Mills’s opera Eucalyptus.
adelaidefestival.com.au/what…
(Pic: Charlie Conybeare)
LaTertulia Sonora retweeted
This is what happened when Miles Davis's guitarist went out to make his own album
What a lineup. Serse alone is worth the trip to Wormsley... Lucy Crowe in Handel is casting made in heaven. Love that they plan this far ahead and close with a community opera premiere. #GarsingtonOpera
Garsington Opera Announces Cast & Creative Team for 2027 Season
bit.ly/4iDhgcO
On a day like today, yes. And what a way to keep painting at 74, those broken plates still sing. A stone pine built from shattered crockery, very Venetian, very Schnabel. Felicidades al gran maestro.
Vaya diferencia entre el antes y el después. Ese rojo del manto ni se sospechaba bajo la suciedad. Copia modesta, sí, pero con valor. Es de suponer que la comparación con el original de la Complutense acabe en próxima expo.
LaTertulia Sonora retweeted
#SurEscena te propone el 30 y 31 OCT en #Huelva
⏰20:30h, Hecatombe, Cía La Castañeda
Una invocación que indaga en la fragilidad. Una huida del dolor como forma de supervivencia y de rebelión ante los roles de género
lajunta.es/6fbt3
@CulturaAND @APHuelva @HuelvaJunta
LaTertulia Sonora retweeted
Georges Bizet b otd 1838 - what a wonderful composer. And he understood the power of opera so well (of course!):
“As a musician I tell you that if you were to suppress adultery, fanaticism, crime, evil, the supernatural, there would no longer be the means for writing one note.”
LaTertulia Sonora retweeted
¿Existió un ‘ejército ciego’ de 15.000 soldados? David Toscana lo explora en su novela ganadora del Premio Alfaguara 📚🏅- nacion.com/ancora/existio-un…
LaTertulia Sonora retweeted
This week's Broadway Crossword includes seventeen answers built from a screen star's stage warning, a scrappy new musical's cast and a beloved score's small-screen return. bway.world/6juz2
LaTertulia Sonora retweeted
Santiago Carbonell
Comenzó a pintar desde niño. Durante su juventud vivió en Ecuador, España, Estados Unidos y en 1986 se estableció en México. [“No me considero ni hiperrealista ni fotorrealista, porque me inspiro más en la tradición clásica que en la fotografía].
LaTertulia Sonora retweeted
Remembering Galina Vishnevskaya: today would have been the great soprano’s 100th birthday!
LaTertulia Sonora retweeted
My Ron Carter Great Big Band … see you soon for another evening of grooving @birdlandjazz … two sets this evening! Www.RonCarterJazz.com for tickets if it tickles your fancy.
No puedo verlo más claro: Camille merece recordarse tanto como el cuadro. Esa tarde de viento en Argenteuil se hizo eterna, y ella también... #Monet
This is one of the most famous paintings in the world, yet few people know the story of the woman holding the parasol…
It was painted by Claude Monet in 1875, and she was his wife, Camille, out for a walk with their young son Jean near their home in Argenteuil, just outside Paris. Monet painted them outdoors on a windy day, from below, so that Camille stands against the sky, her veil and dress caught by the wind, looking down at us as if we had just called her name.
It feels less like a moment a husband didn’t want to forget.
Four years later, Camille was gone. After a long illness, she died in September 1879, at just 32. Five days before the end, a priest blessed the marriage she and Monet had made in a simple civil ceremony nine years earlier. And there, at her bedside, the artist did the only thing he knew how to do: he painted her one last time. Years later, he confessed that even then, sitting beside her, he caught himself studying the colors that death was leaving on her face, a moment he never managed to forget.
By then, she had appeared in some fifty of his paintings: in a green silk dress at nineteen, standing at a window, walking through the poppies with their little boy. Without ever meaning to, he had painted the story of her whole life with him.
Monet lived almost fifty more years, but on this canvas it will always be that summer afternoon, with Camille turning to look at him in the wind…
LaTertulia Sonora retweeted
In just a few short weeks, ladies and gentlemen, @SFJAZZ is the place to be. Why so, you ask? Because I shall be spending 4 noteworthy nights on the bandstand there with fellow bassist @MrStanleyClarke of course!
Reserve your tickets via RonCarterJazz.com








































