˚₊‧꒰ა ☆ ໒꒱ ‧₊˚ retweeted
No one will ever be a bigger fan of any of the straw hats than Luffy himself
˚₊‧꒰ა ☆ ໒꒱ ‧₊˚ retweeted
not knowing exactly what was going on in lan wangji's mind when he went against 33 sect elders, who raised him and appreciated him since he was a blabbering baby, keeps me up at night.
˚₊‧꒰ა ☆ ໒꒱ ‧₊˚ retweeted
One Piece es tan buen anime que puedes estar llorando a lágrima viva y, a continuación, riéndote a carcajadas. Esa es la esencia de One Piece
˚₊‧꒰ა ☆ ໒꒱ ‧₊˚ retweeted
My critique of Chloe has always been the same. Why about the other women? Pick me over them, keep this a secret, better than she can like I want her to center herself more. She’s so cool she has talent she’s actually creative but she’s too male centered in her music 4 me
˚₊‧꒰ა ☆ ໒꒱ ‧₊˚ retweeted
“aang faced no lasting consequences”…..series titled “avatar: the last airbender”
˚₊‧꒰ა ☆ ໒꒱ ‧₊˚ retweeted
and that’s what’s blowing me. no, i’m not reaching when there are multiple versions of this character and yet chloe specifically chose the one that’s a real child star’s actual face. taylor has publicly spoken about experiencing CSA as a child star (including GG). be entirely fr
Replying to @evenmoredan
The gaslighting is wild why are people pretending this isn't what she's dressed up as?? its RIGHT THERE
˚₊‧꒰ა ☆ ໒꒱ ‧₊˚ retweeted
Was asked if I liked One Piece and I had to act so normal about it…baby, it CONSUMES me
˚₊‧꒰ა ☆ ໒꒱ ‧₊˚ retweeted
those first few pages of a new fantasy book where you don’t know wtf is going on
˚₊‧꒰ა ☆ ໒꒱ ‧₊˚ retweeted
"Odeio repetição em histórias"
Eu quando o Luffy salva um povo oprimido pelo seu governo e sua ditadura – at Guarulhos, Brasil
˚₊‧꒰ა ☆ ໒꒱ ‧₊˚ retweeted
I really hate when y’all do this because this is NOT the same thing. And while I believe Chlöe is far more talented than Sabrina, that doesn't mean every criticism of her artistry is rooted in a double standard.
Chlöe isn't presenting herself as some quirky black girl in the music she's trying to sell to the masses. She's been unsuccessfully marketing sex appeal, and the criticism goes beyond simply being sexually expressive.
Sabrina's song is about getting naughty with her man through playful Christmas innuendos. Chlöe's song is about being Santa's side bitch, whos fucking him behind Mrs. Claus back, while also dressed in a childlike Christmas costume and playing with TOYS. Those are two very different creative choices.
You can defend Chlöe without forcing comparisons that don't hold up. This isn't helping her or the conversation surrounding her artistry.











































