rhythm & poetry · rhythm & blues · MC/rapper | vocalist/singer | songwriter ✍ · nothing less than authentic & artistic.
Joined May 2011
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"like tornadoes when forces of nature collision coursed.
horrors roar hellish inclement weather conditions, formed
from fury of women scorned, feelings of resentment towards,
Us men but amidst the storms, I reminisce of warmth"
"HER[ricane]" - bryce ayy
instagram.com/p/BeQ9tl5FzDF/
This in Little Garden
•Alabasta - outsmarting Crocodile & jailbreaking the SHs & Smoker
•Water 7 - shadow trailing CP9, commandeering & gauntleting CP ops in the Sea Train
•Enies Lobby - whirlpooling the Warships
Sanjis persona always been 007 "suave spy in a suit" esq.
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bryce.genre retweeted
killer vs hawkins is genuinely one of the most underrated fights in one piece. the choreography, killer's moveset and the way he overcame hawkins' ability were insane. why does nobody talk about this fight more? ⚔️🔥
😭..... all he had to do was take his L with integrity, drop the battle, let people talk about it for a month, move on & none of this would've occurred. Yikes.
this lesson is biblical kids:
"pride growth before destruction and an haughty spirit before a fall" - Proverbs 16:18
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Crocodiles strength in Alabasta is the same in Impel Down/Summit War, Luffys raw strength is naturally insane so the gap between his defeat & reappearance can misconstrue retrospective scaling.
Ex: Fishmen have 10x strength of normal humans & Luffy was putting beats on Arlong 🤷🏿♂️
Je trouve qu'il y a tellement de trucs dans One Piece qui auraient pu être expliqués avec une simple phrase ou une petite case, mais Oda passe complètement à côté.
Prends Crocodile : il se fait battre par un Luffy sans Haki, et genre quelques mois plus tard, après être passé par la case prison, le mec est cinq fois plus fort et tient 3tête à Doflamingo. Normal
Il aurait juste suffi d'une mini-scène où Luffy remarque qu'il est beaucoup plus fort qu'avant, et où Crocodile lui répond : « À l'époque, j'étais à un tiers de ma puissance. Je devais constamment utiliser mes pouvoirs pour bloquer la pluie à Alabasta. » Bam, cohérence instantanée
Pareil pour Imu qui ne fait rien pendant dix ans après la mort de Harald. Une petite case dans le flashback pour expliquer qu'il avait été gravement blessé et qu'il lui avait fallu une décennie pour s'en remettre, et c'était réglé
Même chose pour le Gouvernement mondial qui ne calcule pas le fruit du Gum Gum, tombe des nues à Impel Down et Marineford, puis se met à paniquer dès que Luffy revient après deux ans d'ellipse. Il suffisait d'expliquer qu'ils venaient seulement de comprendre qu'il s'agissait du fruit de Nika
Bref, à chaque fois, il manque juste un micro-détail pour relier les événements de manière logique. Au lieu de ça, on doit se taper des headcanons pour boucher les trous de l'histoire
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bryce.genre retweeted
Well, this is going to make some James Gunn fans VERY uncomfortable.
The Hollywood Reporter has published a detailed breakdown of Gunn and Peter Safran's removal from DC Studios, and it confirms something I've been arguing for a while. SUPERMAN (2025), despite being profitable, apparently DID NOT meet Skydance's financial expectations.
Remember that reported $100 million profit everyone kept throwing around as proof the DCU was doing great? Well, according to THR, David Ellison's team wasn't particularly impressed. The movie earned $618 million worldwide, less than MAN OF STEEL did back in 2013, and reportedly failed to deliver the financial return or pop culture impact Skydance expected.
And then you have SUPERGIRL, which was an outright disaster, followed by CLAYFACE, which THR describes as a modest success. So we're three movies into the DCU, and the new owners apparently aren't happy with the results.
What's particularly interesting is that Ted Sarandos raised a similar concern during his Senate testimony back in February. He pointed to SUPERMAN's shortened theatrical window while discussing how underperforming movies often move to digital earlier. People pushed back HARD on that interpretation at the time, but this new reporting certainly makes his comments worth revisiting.
And here's what's funny. This is essentially the same criticism MAN OF STEEL and BATMAN V SUPERMAN faced years ago. They made money, but didn't meet the expectations Warner Bros. had for them. Now we're hearing something remarkably similar about Gunn's SUPERMAN.
I enjoyed SUPERMAN, but I've never believed that profitability alone proved the DCU was succeeding. Now Gunn and Safran are out, Skydance is bringing in new leadership, and the entire direction of the franchise is once again up in the air.
DC is in a much more complicated position than some fans have been willing to acknowledge.
bryce.genre retweeted
law and kid really pulled off the impossible. two awakenings, insane teamwork and a battle against one of the four emperors. big mom was pushed to her absolute limits. what a fucking fight
