
Painter / Sculptor / Photographer / Sailor / DMs for art inquiries only / #BLM #Resist #ProgressivePolitics
Daphne, AL
Joined January 2020
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Devlin Wilson Fine Arts retweeted
The Alabama Governor race is now within the margin of error. If you've got friends or family in the state, call & encourage them to vote for the guy who knows what the three branches of government are.
Devlin Wilson Fine Arts retweeted
Calling out to the Golden State today ✨
In October 1970, Joni performed “California” on the Johnny Cash Show, eight months before the release of ‘Blue.’
Devlin Wilson Fine Arts retweeted
This is the Waffle House Index as of 2:45PM (EST). Please stay safe and follow federal, state and local guidance.
Devlin Wilson Fine Arts retweeted
The pictures are unbelievable! These were taken by the hostess at The Back Porch restaurant in Destin FL
Devlin Wilson Fine Arts retweeted
Trigger MacGuffin sat for me for a little bit today, so I did a bit more of his portrait. Oil on paper (16” x 12”).
Trigger MacGuffin, Studio Kitty.
Devlin Wilson Fine Arts retweeted
Amazing sunset earlier and I was really happy to experience similar conditions that Inspired this landscape.Hopefully you'll see the town in the way that inspires me .Now on display at Vellichor Books in Hanley
Devlin Wilson Fine Arts retweeted
A women from Newfoundland and Labrador asked for permission to use my Dolly Parton cartoon to make a quilt. It turned out amazing.
Devlin Wilson Fine Arts retweeted
Cool, clear water on canvas 🌊
Some of Joni’s water landscapes completed in the 1990s and 2000s.
Devlin Wilson Fine Arts retweeted
Taking a look through Joni's eyes in this rendition of "Favorite Color."
At 21 years old, Joni performed this tune, along with a few others, on the Canadian folk series 'Let's Sing Out,' October 1965.
Devlin Wilson Fine Arts retweeted
"Send me some pictures then
And I'll paint pyrotechnic
Explosions of your autumn till we meet again”
“Untitled” landscape by Joni Mitchell, 1997.
Devlin Wilson Fine Arts retweeted
In this era of artificial intelligence, it is becoming urgent to distinguish human art from what machines produce. There is an ontological difference, even before an aesthetic one, between art and what a machine can generate through statistical calculation based on millions of images created by others. Algorithms lack the spark of humanity. For this reason, the Church wishes to renew an alliance with artists and cultural institutions to safeguard our humanity.






































