๐”ข๐”ฉ๐”ข๐” ๐”ฑ๐”ฏ๐”ฌ๐”ช๐”ฆ๐”ฉ๐”จ (@electromilc) header
๐”ข๐”ฉ๐”ข๐” ๐”ฑ๐”ฏ๐”ฌ๐”ช๐”ฆ๐”ฉ๐”จ (@electromilc) profile picture

i make comics & other drawings ๐Ÿƒ๐ŸŒธ currently working on {๐’œ๐”ซ๐”ค ๐”๐”ž๐”ซ๐”ž๐”ซ๐”ž๐”ซ๐”ค๐”ค๐”ž๐”ฉ} and others!!! ๐Ÿ‘๐Ÿฆ‡๐Ÿ‘ read โฌ‡๏ธ

Joined December 2016
Photo by ๐”ข๐”ฉ๐”ข๐” ๐”ฑ๐”ฏ๐”ฌ๐”ช๐”ฆ๐”ฉ๐”จ (@electromilc)Photo by ๐”ข๐”ฉ๐”ข๐” ๐”ฑ๐”ฏ๐”ฌ๐”ช๐”ฆ๐”ฉ๐”จ (@electromilc)Photo by ๐”ข๐”ฉ๐”ข๐” ๐”ฑ๐”ฏ๐”ฌ๐”ช๐”ฆ๐”ฉ๐”จ (@electromilc)Photo by ๐”ข๐”ฉ๐”ข๐” ๐”ฑ๐”ฏ๐”ฌ๐”ช๐”ฆ๐”ฉ๐”จ (@electromilc)Photo by ๐”ข๐”ฉ๐”ข๐” ๐”ฑ๐”ฏ๐”ฌ๐”ช๐”ฆ๐”ฉ๐”จ (@electromilc)Photo by ๐”ข๐”ฉ๐”ข๐” ๐”ฑ๐”ฏ๐”ฌ๐”ช๐”ฆ๐”ฉ๐”จ (@electromilc)Photo by ๐”ข๐”ฉ๐”ข๐” ๐”ฑ๐”ฏ๐”ฌ๐”ช๐”ฆ๐”ฉ๐”จ (@electromilc)Photo by ๐”ข๐”ฉ๐”ข๐” ๐”ฑ๐”ฏ๐”ฌ๐”ช๐”ฆ๐”ฉ๐”จ (@electromilc)Photo by ๐”ข๐”ฉ๐”ข๐” ๐”ฑ๐”ฏ๐”ฌ๐”ช๐”ฆ๐”ฉ๐”จ (@electromilc)Photo by ๐”ข๐”ฉ๐”ข๐” ๐”ฑ๐”ฏ๐”ฌ๐”ช๐”ฆ๐”ฉ๐”จ (@electromilc)
can't stand what streaming services did to music fans like why are we worried about sales and listener counts like just listen and enjoy the music. we are NOT stockholders to their companies whats going on ๐Ÿ˜ญ
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261107 KGMA #๋ฆฌ์„ผ๋А - ๋ฐฑํ™”์š”๋ž€ + With
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ๅฐ่ชฌใ€Žใƒ‘ใƒใƒณใ‚ณใ€ใฎไฝœ่€…ใƒŸใƒณใƒปใ‚ธใƒณใƒปใƒชใƒผใธใฎใ‚คใƒณใ‚ฟใƒ“ใƒฅใƒผใ€‚ใŸใฃใŸ2ๅˆ†ใงใ€Œใชใœใ€ŽใƒŠใƒกใ‚‹ใชใ€ใ€Žใชใ‚ใ‚‰ใ‚ŒใŸใ‚‰็ต‚ใ‚ใ‚Šใ€ใจใ„ใ†ไพกๅ€ค่ฆณใŒ็”Ÿใพใ‚Œใ‚‹ใฎใ‹ใ€ใ€Œใชใœ้ซ˜็ดšใƒ–ใƒฉใƒณใƒ‰ใง่บซใ‚’ๅ›บใ‚ใ‚‹ใฎใ‹ใ€ใ€Œใชใœๆ•ฌ่ชžใ‚’ไฝฟใ‚ใ‚ŒใŸใ‹ๅฆใ‹ใซ็•ฐๆง˜ใซๆฐ—ใ‚’ไฝฟใ†ไบบ้”ใŒใ„ใ‚‹ใฎใ‹ใ€ใ‚’่ชฌๆ˜Žใ—ใฆใ„ใ‚‹ใ€‚ไปŠๅนด่ฆ‹ใŸไธญใง1็•ชใ€่ฆ‹ใ‚‹ๅ‰ใจ่ฆ‹ใŸๅพŒใจใงๆ„่ญ˜ใŒๅค‰ใ‚ใฃใŸใ€‚ โ€ฆโ€ฆโ€ฆโ€ฆโ€ฆโ€ฆโ€ฆโ€ฆโ€ฆโ€ฆ ใ€Œ็งใฎไธก่ฆชใฏไป•ไบ‹ใฎ็พๅ ดใงใ„ใคใ‚‚ไพฎ่พฑใ•ใ‚ŒใฆใŠใ‚Šใ€ๅนผใ„้ ƒใฎ็งใซใ‚‚ใฏใฃใใ‚Šใจใ‚ใ‹ใ‚Šใพใ—ใŸใ€‚โ”€โ”€ใ“ใฎไธ–็•Œใฏ็งใฎ่ฆชใ‚’ใƒชใ‚นใƒšใ‚ฏใƒˆใ—ใฆใใ‚Œใฆใ„ใชใ„ใ€ใจใ€‚ๅฐใ•ใชๅญไพ›ใซใจใฃใฆใ€่‡ชๅˆ†ใฎ่ฆชใŒ่ปฝใ‚“ใ˜ใ‚‰ใ‚Œใ€่”‘ใพใ‚Œใฆใ„ใ‚‹ใฎใ‚’่ฆ‹ใ‚‹ใฎใฏๆœฌๅฝ“ใซใคใ‚‰ใ„ใ€‚ ่ฒงใ—ใ„็’ฐๅขƒใง่‚ฒใฃใŸไบบใฏใ‚ใ‹ใฃใฆใใ‚Œใ‚‹ใจๆ€ใ†ใฎใงใ™ใ‘ใ‚Œใฉใ€่ฒงๅ›ฐใจๅ‘ผใฐใ‚Œใ‚‹ใ‚ณใƒŸใƒฅใƒ‹ใƒ†ใ‚ฃใฎไธญใง่‚ฒใคไบบ้–“ใซใจใฃใฆใ€ไฝ•ใ‚ˆใ‚Šใ‚‚ๅˆ‡ๅฎŸใซๆฑ‚ใ‚ใ‚‹ใฎใŒใ€Žใƒชใ‚นใƒšใ‚ฏใƒˆใ€ใชใฎใงใ™ใ€‚ไป–ใซๆŒใฃใฆใ„ใ‚‹ไฝ•ใ‹ใŒใชใ„ใ‹ใ‚‰ใ€้€š่ฒจใฎใ‚ˆใ†ใซใ€Žใƒชใ‚นใƒšใ‚ฏใƒˆใ€ใ‚’ๆ‰ฑใ†ใ€‚้Žๅ‰ฐใชใพใงใซๅฐŠๆ•ฌใ‚’ๆฑ‚ใ‚ใ‚‹ใ€‚ใ ใ‹ใ‚‰ใ“ใใ‚ฎใƒฃใƒณใ‚ฐใฎๆŠ—ไบ‰ใŒใ€Žใชใ‚ใ‚„ใŒใฃใŸใ€ใจใ„ใ†ใ ใ‘ใฎ็†็”ฑใงๅง‹ใพใฃใŸใ‚Šใ™ใ‚‹ใ€‚ ๆˆ้•ทใ—ใ€ๆตใพใ‚ŒใŸ็’ฐๅขƒใ‚’ๅพ—ใŸไปŠใฎ็งใงใ™ใ‚‰ใ€ใ€Žใƒชใ‚นใƒšใ‚ฏใƒˆใ•ใ‚Œใฆใ„ใชใ„ใ€ใจๆ„Ÿใ˜ใ‚‹ใ€ๅคฑ็คผใชๆ‰ฑใ„ใ‚’ๅ—ใ‘ใ‚‹ใจๅฟƒใฎไธญใฎใ‚ใ‚‹้ƒจๅˆ†ใŒ็ƒˆใ—ใๅๅฟœใ—ใ€Žใฏใ„ใ€ใƒฉใ‚คใƒณ่ถŠใˆใ€ใจๆ€ใฃใฆใ—ใพใ†ใ€‚ใŠ้‡‘ใ‚’้จ™ใ—ๅ–ใ‚‰ใ‚Œใ‚‹ใ“ใจใ‚ˆใ‚Šใ‚‚โ”€โ”€ๆ™ฎ้€šใฎไบบใชใ‚‰ใ€ใŠ้‡‘ใ‚’ใจใ‚‰ใ‚Œใ‚‹ใปใ†ใŒๅคงๅ•้กŒใ ใจๆ‰ใˆใ‚‹ใฎใงใ—ใ‚‡ใ†ใ‘ใ‚Œใฉใ‚‚โ”€โ”€ใšใฃใจใ€่จฑใ›ใชใ„ใ€ใจๆ„Ÿใ˜ใ‚‹ใฎใงใ™ใ€‚ ๏ผˆใƒŸใƒณใƒปใ‚ธใƒณใƒปใƒชใƒผใ•ใ‚“ใŒๆœ€ๅพŒใซใใ‚“ใชๆ‰ฑใ„ใ‚’ๅ—ใ‘ใŸใฎใฏใ„ใคใชใ‚“ใงใ—ใ‚‡ใ†ใ€ใจ่žใ‹ใ‚Œใฆ๏ผ‰ ใ€Œๅคงๅ‹ขใฎไบบใŒใ€็งใŒ่‹ฑ่ชžใ‚’่ฉฑใ›ใชใ„ใจๆ€ใ„่พผใ‚“ใงใ„ใพใ™ใ€‚ใงใ™ใ‹ใ‚‰ใƒ‘ใƒ–ใƒชใƒƒใ‚ฏใชๅ ดใซๅ‡บใ‹ใ‘ใ‚‹ใจใใฏใ€ใ„ใคใ‚‚ๆœ่ฃ…ใซๆฐ—ใ‚’ไฝฟใฃใฆใ„ใพใ™ใ€‚็”Ÿๆดปใซไฝ™่ฃ•ใŒใชใ•ใใ†ใซ่ฆ‹ใˆใŸใ‚Šใ€่บซใ ใ—ใชใฟใŒๆ•ดใฃใฆใ„ใชใ‹ใฃใŸใ‚Šใ™ใ‚Œใฐใ‚ใ‹ใ‚‰ใ•ใพใซๅฏพๅฟœใ‚’ๅค‰ใˆใ‚‰ใ‚Œใพใ™ใ‹ใ‚‰ใญใ€‚ๅฎŸ้š›ใ€ไฝ•ๅบฆใ‹๏ผˆๆœ่ฃ…ใ‚’ๅค‰ใˆใฆ๏ผ‰่ฉฆใ—ใฆใฟใŸใ‚“ใงใ™ใ€‚โ€ฆโ€ฆใ‚ใ‚ใ€ใ“ใ‚Œใ˜ใ‚ƒใ‚ๅฟƒใŒๆ“ฆใ‚Šๆธ›ใฃใกใ‚ƒใ†ใ€ใจๆ€ใ„ใพใ—ใŸใ€‚ ใ‚ˆใไบบใ‹ใ‚‰ใ€Œใฉใ†ใ—ใฆใ‚ขใ‚ธใ‚ขใƒณใƒปใ‚ขใƒกใƒชใ‚ซใƒณใฏ้ซ˜็ดšๅ“ใ‚’ใ‚นใƒ†ใ‚คใ‚ฟใ‚นใƒปใ‚ขใ‚คใƒ†ใƒ ใจใ—ใฆ่บซใซใคใ‘ใŸใŒใ‚‹ใฎใ‹๏ผŸใ€ใจ่žใ‹ใ‚Œใพใ™ใ€‚็งใฏใ“ใ†็ญ”ใˆใพใ™ใ€‚ใ€Œ็›ฎใซ่ฆ‹ใˆใ‚‹้ซ˜็ดšใ‚ขใ‚คใƒ†ใƒ ใ‚’่บซใซใคใ‘ใฆใ„ใŸใ‚‰ใ€ไธ‡ๅ›ฝๅ…ฑ้€šๅ•†ๆฅญไธป็พฉใฎใŠใ‹ใ’ใงใ€ใ€Žใ“ใฎไบบใฏใŠ้‡‘ใ‚’ๆŒใฃใฆใ‚‹ใ€‚ใƒชใ‚นใƒšใ‚ฏใƒˆใ—ใชใ‹ใฃใŸใ‚‰ใ—ใฃใบ่ฟ”ใ—ใŒใ‚ใ‚‹ใ‹ใ‚‚ใ ใžใ€ใจๆ€ใฃใฆใ‚‚ใ‚‰ใˆใ‚‹ใงใ—ใ‚‡ใ€ใจใ€‚ ใƒžใƒ†ใƒชใ‚ขใƒชใ‚บใƒ ๏ผˆ็‰ฉ่ณชไธป็พฉ๏ผ‰ใชใ‚“ใฆใ€ใปใจใ‚“ใฉใฎไบบใซใจใฃใฆใฏ่‹ฆใ—ใใฆ็—›ใ„ใ‚“ใงใ™ใ‹ใ‚‰ใ€ใ“ใ‚“ใชใฎใ€ๆœฌๅฝ“ใซๆ‚ฒใ—ใ„็Šถๆณใงใ™ใ€‚ใงใ‚‚็งใฏใ€ใŠ้‡‘ใŒใชใ„่‹ฅใ„ไบบใŒ็„ก็†ใ‚’ใ—ใฆ้ซ˜ไพกใชใ‚นใƒ‹ใƒผใ‚ซใƒผใ‚’่ฒทใ„ๆฑ‚ใ‚ใ‚‹ๆฐ—ๆŒใกใŒ็—›ใ„ใปใฉใ‚ใ‹ใ‚Šใพใ™ใ€‚ใใ†ใ„ใ†่‹ฅ่€…ใŸใกใ‚’่ฒฌใ‚ใ‚‹ใฎใฏใ€ใใฎไบบ้”ใŒใƒžใƒ†ใƒชใ‚ขใƒชใ‚บใƒ ใ‚’้ตๅฎˆใ—ใชใใ‚ƒใ„ใ‘ใชใ„่ƒŒๆ™ฏใ€ๆ–‡่„ˆใ‚’็„ก่ฆ–ใ—ใฆใ‚‹ใจๆ€ใ†ใ‚“ใงใ™ใ€ โ€ฆโ€ฆโ€ฆโ€ฆโ€ฆโ€ฆโ€ฆโ€ฆโ€ฆ ใพใ‚‹ใงใ€็Ÿฅใฃใฆใ„ใŸใ“ใจใ‚’ๅˆฅใฎ่ง’ๅบฆใ‹ใ‚‰่ชฌใ„ใฆใ‚‚ใ‚‰ใฃใŸใ‚ˆใ†ใชๆฐ—ๆŒใกใซใชใฃใŸใ€‚ใชใœใ„ใคใ‚‚้Žๅ‰ฐใซใ€Œๆ•ฌ่ชžใ€ใŒๅ•้กŒใซใชใ‚‹ใฎใ‹ใ€‚้ ญใ‚’ไธ‹ใ’ใ‚‹่ง’ๅบฆใŒๅ•้กŒใซใชใ‚‹ใฎใ‹ใ€‚ไปฅๅ‰ไธๅ‹•็”ฃไปฒไป‹ๆฅญใฎๆ–นใŒใผใใฃใจ่จ€ใฃใฆใ„ใŸใ€ใ€Œไฟกใ˜ใ‚‰ใ‚Œใชใ„ใปใฉใฎ้‡‘ๆŒใกใฏไฟกใ˜ใ‚‰ใ‚Œใชใ„ใใ‚‰ใ„ใƒšใ‚ณใƒšใ‚ณใ—ใฆใ‚‹ใ€ใจใ„ใ†่จ€่‘‰ใ€‚ ใƒปใŸใฃใŸ2ๅˆ†20็ง’ใงใ€ๅนผใ„ๅญไพ›ใซใจใฃใฆใฎใ€Œ่ฆชใŒ่ปฝใ‚“ใ˜ใ‚‰ใ‚Œใฆใ„ใ‚‹ใ€ใŒไธŽใˆใ‚‹็—›ใฟใ€ใ‚ฎใƒฃใƒณใ‚ฐใฎใ€Œใชใ‚ใ‚‰ใ‚ŒใŸใ‚‰็ต‚ใ‚ใ‚Šใ€ใƒซใƒผใƒซใ€ใ‚ขใ‚ธใ‚ข็ณปใฎๅ…จ่บซ้ซ˜็ดšใƒ–ใƒฉใƒณใƒ‰ใฎ็†็”ฑใฎไธ€็ซฏใ€ไฝ™่ฃ•ใŒใชใใฆใ‚‚้ซ˜ไพกใช้ดใ‚’ๆฑ‚ใ‚ใ‚‹ๆ–‡่„ˆใธใจ็„ก็†ใชใใ™ใ‚‰ใ™ใ‚‰่ฉฑ้กŒใŒๅบƒใŒใฃใฆใ„ใ‚‹ใ€‚ไผš่ฉฑใฎไธญใงใใ‚“ใใ‚“ใจไธ–็•Œ่ฆณใŒๅบƒใŒใฃใฆใ„ใใ€‚ใ“ใ‚ŒใŒไฝœๅฎถใฎ่ฉฑใ—ๆ–นใ‹โ€ฆโ€ฆใ€‚
She gets it. She just does
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Evident absence, Michiko Takahashi, Tokyo, 1971. Photo by Shomei Tomatsu
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โ€œI donโ€™t think influence is something that flows in only one direction.โ€ Tite Kubo (@tite_official) drew 'BLEACH' every week for fifteen years, building a 686-chapter story that sold 130 million copies and set the template for countless other series and the modern fighting manga. For our Issue 38 cover story, he talks about the ending he planned from the very first chapter, how Ichigoโ€™s darkest arc took a toll on his own health, and the influence 'BLEACH' has had on a new generation of manga artists. Read the full interview now: hypebeast.com/2026/10/tite-kโ€ฆ
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RESCENE [PULSE] Highlight Medley ๐Ÿ”— youtu.be/kmDGZd1mv7I 4th Mini Album [PULSE] ๐Ÿชฝ2026.11.03 6PM (KST) #RESCENE #๋ฆฌ์„ผ๋А #ใƒชใ‚ปใƒณใƒŒ #PULSE
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NAKITA KO LANG LETCHE HAHAHAHA HAHAHAHAHAHAHAHAHAHAHAHAHAH ALIW KA MA๐Ÿ˜ญ๐Ÿ˜ญ๐Ÿ˜ญ
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Scans of my new zine, Fresh Laundry and other attempts to get close to the world. :333 i love making zines.
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tweeting is just a way to relieve the catholic urge to confess
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The real tragedy of living in a third-world country is that you can do everything right and still struggle because the environment is designed to make ordinary things unnecessarily difficult.
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But in all seriousness, the reaction from Japanese One Piece fans to people using the Straw Hat Jolly Roger in protests has been genuinely pissing me off. So many of them are more concerned about people bringing One Piece into real-life politics, calling it dangerous rhetoric and worrying that the series could get banned in certain countries, than they are about WHY people are even using it in the first place. And I think this perfectly highlights the disconnect between Japanese fans and international fans. For some of them, One Piece is a manga they love and want to protect from controversy. For a lot of us, its themes of oppression, corruption, government tyranny and the fight for freedom hit a little closer to home. Some of us have lived through these things. Some of us have watched our families and loved ones suffer and die because of corrupt governments and injustice. They can afford to treat these themes as fiction because they donโ€™t necessarily have to relate them to their own reality. But when people who have experienced these things firsthand see the Straw Hat flag as a symbol of resistance and freedom, why is theyโ€™re first reaction to police how other fans use it rather than understand why it resonates with them in the first place? And thatโ€™s what bothers me. Instead of trying to understand why people from completely different backgrounds see themselves in this story, theyโ€™re dismissing it as dangerous political rhetoric that might get one piece banned in these countries
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I love them all!
Miki Tanaka, the greatest Pokรฉmon card artist of all time, was responsible for two of the greatest cards ever, Slowpoke and Psyduck. She returned to reprise her legendary role in none other than Slowpoke and Psyduck GX, the greatest card of all time.
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krystal, you are so fucking classy
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I Caught Myself is absolutely best
best paramore song but you can't say decode, misery business, all i wanted, hard times or this is why
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it's really important to break this habit. i'm not kidding when i say being codependent on someone to function will not only break you, it will inveitably break that connection too
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wish I was here
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tudo รฉ perfomatico pra alguรฉm cujo o รบnico hobby รฉ mexer no celular
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HINDI NA AKO MAKAPAGHINTAY NG MIBF! LIKE PLEASE!? @electromilc ร— Chuckberry J. Pascual โœจ๐Ÿ˜ I'm seated @myavenidaph Favorite ko rin itong aklat! โœจ Welcome back, Bree! #MIBF2026
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we brought to kids today a world where criminals are not held accountable, voted as presidents even. we pretend there is no war, we support programs that destroy their homes, then we wonder why the youth today is filled with so much hatred.
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iโ€™m still hoping they do something with the sample used here ๐Ÿ˜ญ๐Ÿ˜ญ๐Ÿ˜ญ
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