
👅Funlance™ brand & editorial designer ¶ Director @BhamDsgn, @designfestbrum & @BDF_Gather ¶ Part of @TheJointworksJQ ¶ Falumni ¶ Normal/innocent man
Birmingham, England
Joined June 2009
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Finally pulled together a portfolio! Feels good to have some of my fave [Brand, Editorial, Event & Public] design projects from the last few years in one place – minus those under NDA 👀
Thankful for trusting clients & talented collaborators 💛
➜ tinyurl.com/luketongestudio
Luke T☺︎nge retweeted
in 2000 years if we're still here these will be in a museum as a testament to how profoundly diseased our society had become
Luke T☺︎nge retweeted
brother I don't care if the logo is legible/readable.
does it look cool or what.
Luke T☺︎nge retweeted
This one's spectacular. In the 1960s, London's Mews were still being used to keep horses. This clip spoils us with a lovely glimpse of the people, pubs, and lifestyle among the cobbled backstreets that have since become expensive housing. They certainly had more personality then than nowadays. @Britains___Pubs
Luke T☺︎nge retweeted
Just Eat apologises for AI food mistakes after social media ridicule bbc.in/4jAIj9J
Luke T☺︎nge retweeted
I’m seeing the beginning of some very talented artists getting a kind of machine intelligence blindness. I’m watching the quality of their work atrophy. Take a minute to look at the work that you were making three years ago and now. Make sure that the tools you’re now building aren’t accidentally turning your aesthetics, and even your concepts, to mush.
Luke T☺︎nge retweeted
My favorite thing about graphic design is actually doing the graphic design.
*this is a tweet about ai
Luke T☺︎nge retweeted
I spend a lot of time, perhaps too much, thinking about the lost architecture of Britain.
Crystal Palace was the most tremendous loss of the modern era, yet it's rare to see any pictures of it. When built in 1851, it was the largest building in the world and three times the size of St Paul's Cathedral.
What's more, that immense ironwork and 293,000 glass panels went up in just 190 days for the World's Fair. Almost 1 million square feet of glass. An extraordinary feat.
It was razed in a fire in the 1930s and never rebuilt.
Luke T☺︎nge retweeted
Runaway AI poses a threat to us all. How humanity stays in control should be a priority for everyone.
Projection location: Slough, UK
(Narrated by Gavin Esler)
Luke T☺︎nge retweeted
welcome to life kids, here’s your screen. you absolutely have to learn how to use this thing because your entire professional and social life will be plugged into it. just don’t get lost in the infinite addiction portal that is also on there for some reason haha ok kids have fun
This is an incredible project: NBC News asked parents to check their kids' YouTube history during school hours — and the results show kids are spending huge chunks of the day watching videos that have nothing to do with learning
nbcnews.com/specials/hooked-…
Luke T☺︎nge retweeted
When “Storm” — a seven-and-a-half-minute music video starring Swedish rapper Yung Lean and directed by Romain Gavras — debuted in April, it seemed like a celebration of all the things AI supposedly couldn’t fake: sweat, luck, and the swagger of a guy who knows how cool he looks standing still.
But once people started calling “Storm” something AI couldn’t do, AI companies seemed to take it personally. “The tech people were like, ‘Oh yeah? AI could never?’ Then they started replicating it,” Gavras said. “So we were forced into this conversation. It’s a nightmare.”
In September, social media was flooded with clips that re-created a half-minute from “Storm” — Lean’s cigarette, his walk up the steps, the dance explosion behind him — with the same choreography and camera moves but with Lean and his classmates replaced by strangers, pets, celebrities, and worse. Many of the clips were made with a tool called Genjutsu, which was released in late August by the AI video company Higgsfield. As the trend took off, other AI apps began offering ready-made “Storm” templates of their own.
It’s a glimpse of a future in which people can lift an artist’s style, or even their entire personality, as easily as they once downloaded mp3s. Gavras finds it “fascinating and depressing — it’s like Prometheus stealing the fire.”
Read the full story: nymag.visitlink.me/6-cKhK
Luke T☺︎nge retweeted
This is what billionaire ownership of the media means:
Mark Zuckerberg’s Meta shut down the No Kings account for hours during the height of their protests.
Meta suppressed accounts supporting Brazil President Lula da Silva in the recent election.
Larry Ellison’s TikTok blocked advertising for a documentary criticizing Elon Musk.
Fight back. Defeat oligarchy. Preserve democracy.
Luke T☺︎nge retweeted
🚨🇺🇸 Trump: "You'll all be forced into a communist system. You'll be forced into a system where everyone gets healthcare."
Luke T☺︎nge retweeted
Mark Zuckerberg’s Instagram suspended the No Kings Instagram account for today’s No Kings' day of action.
Larry Ellison’s TikTok has shut down the account promoting Alex Gibney’s Elon Musk documentary.
Elon Musk promoted the fake story about James Talarico on his X while donating over $150 million to help Ken Paxton.
Your reminder that Trump’s billionaire allies control what you see on TikTok, X, Twitch, Facebook, Instagram, WhatsApp and YouTube — and they have a vested interest in making sure Dems don’t take the majority, so Trump isn’t investigated.




































