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THE DESCENT - a short visual story.
This film is deeply personal to me. Beneath its science-fiction world lies a story about memory, identity, compassion, and the parts of ourselves that survive even after everything else has been stripped away.
I poured a lot of myself into every frame, every sound, and every quiet moment of The Descent. I hope something in it stays with you after the credits.
A huge thank you to CapCut for supporting this project. I also had the chance to explore CapCut AI Studio, and I was genuinely surprised by how well it understood the intention behind my prompts, not only the literal descriptions, but also the mood, visual logic, and emotional direction I was trying to communicate. It became a valuable part of the creative process.
Thank you to everyone who watched, supported the project, and helped me bring this descent to life.
THE DESCENT is out now.
#CapCutCREAITE
wise words 🙏
Truth is, the AI film scene is industry now.
and like every industry before it, the first thing it ate was its own promise.
The promise was beautiful and meant something. no gatekeepers. no permission. no rich uncle, no film school, no crew of a 100, no producer deciding your story wasn’t “marketable.” just you, an idea and a machine that didn’t care who your father was. for a moment the gates were open, and everyone walked through
They didn’t like that.
It started with the industry moving in. Deals with CapCut. Partnerships. Then, almost overnight, Hollywood directors who had spent years calling it the death of cinema were slowly, reluctantly writing cheques for it. That could have been a good thing. Money, legitimacy, a bridge between two worlds.
But they didn’t come alone. They brought the old ways with them.
Suddenly there were festivals. Then fees to enter the festivals. Then their selected people on the list of juries, “Official selections.” Laurels on posters. Which on people should be good. But with it the gatekeeping. And trust me its there behind the scenes they have their blacklists.
See early access is the new nepotism. Follower count is the new budget. That's why those in those circles started buying their followers to up their follow count btw. Being in the right group chat is the new being born in the right city. The same names win the same prizes and thank the same tools, and when you think a new name wins you find that its someone tied to industry.
The industry has been here for a bit now. It doesn't mean industry = bad. But the nepotism and gatekeeping came with it. And you'll start noticing it yourself as time goes on why its just more of the same exclusionary old ways that ruined Hollywood.
So if you feel like its rigged. That's because it is. They'll tell you blue in the face it isnt. Well then just look at who is sponsoring them.
Still time to build your own table. Own your work, your audience, your name. Publish where nobody needs your gratitude. Make the strange film, the ugly film, the one that wins no laurels and fits no challenge. Make the thing they’ll copy next year and pretend they thought of first.
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Major Kobayashi retweeted
Hollywood didn’t make these monsters. AI filmmakers did.
Our Halloween Special is now airing on Fairground AI TV, with four new films:
Porch Stories by Daniil Volkau
Four years after seven children vanished on Halloween night, a documentary crew returns to the porch where they were last seen. But when the only photograph from that night reveals an eighth child no one remembers, the childless couple who lived there must finally explain who, or what, came home with them.
Holloway by Wilfred Lee
Say grace. Every house on the block looks perfect. That’s the problem. An unsettling portrait of domestic life unraveling at the seams.
Taotie by Nam An Trinh
A man with a torch crosses a moonlit wasteland on a mythic descent into possession and horror. Inspired by the Taotie, the ancient Chinese beast of endless hunger.
The Sister by JSFilmz
A routine scavenging run for generator parts leads two survivors to an abandoned diner. Their nostalgic detour quickly turns into a desperate fight for survival.
Watch free on Roku (channel 300), LG (channel 249), Prime Video and Xumo Play.
Which one are you watching first? 🎃
#AIFilm #AIFilmmaking #AICinema #Halloween
Major Kobayashi retweeted
Dreamina Originals Officially Launches
Dreamina AI has officially launched Dreamina Originals, the first professional film and series content label dedicated to empowering creators and supporting creative production. We will provide computing power, technology, AI creative tools, and top-tier distribution resources—accompanying creators across the entire content value chain, from production to distribution, as we explore film and series creation in the AI era.
We look forward to working with everyone to define great content and great IP for the AI era together.
#dreaminaoriginals #dreaminaai #AIGC
Major Kobayashi retweeted
New on Dreamina AI web: preview before you commit. A global first. 🎬
When you pick your model, choose the one tagged (for preview) to see your idea first:
‣ Preview: Generate and compare at 480p as many times as you like—at just 1/8 the cost of 1080p.
‣ Final: Pick your favorite result and generate it in 1080p. The output stays faithful to your preview frame.
Explore more of your video creation ideas affordably so every shot gets another take.
🕐 Available now across Southeast Asia, the Middle East, Africa, Europe, and South America. More countries and regions coming soon.
#DreaminaAI #DreaminaAIforPreview
No swords. No mercy. Two war machines and a city in the way.
ROUND 2!!
a fragment from THE DRIFTER Made with Dreamina Seedance 2.5 #thedrifter #DreaminaCPP @dreamina_ai @dreamina_cpp
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The night is far from over.
a fragment from THE DRIFTER.
Made with Dreamina Seedance 2.5.
#thedrifter #DreaminaCPP
@dreamina_ai @dreamina_cpp
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Neo Yamato is burning. He’s heading the wrong way.
- a fragment from THE DRIFTER
Made with Dreamina Seedance 2.5
#thedrifter #DreaminaCPP @dreamina_ai @dreamina_cpp
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exceptional <3
Our bet is that better AI will make films more personal.
So I made a film where hurting someone turns you into candy.
Would that make us civilised?
Created with @seedance 2.5.
Happy to collaborate with @BytePlusGlobal on this project.
#seedance25
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Leaving Singapore with new friends, fresh inspiration, and a lot to think about.
Thank you @capcutapp for inviting me to CapCut World as a Creative Partner. As a filmmaker, seeing how quickly AI is opening up new possibilities for storytelling makes me excited to keep exploring and keep making films.
Getting to meet the people behind the tools, exchange ideas with fellow creators, and share our excitement for what comes next made this trip truly special.
Grateful to have been a part of it. Thank you for having me! 🖤
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POSSIBLE LOVE, a new film from Lee Chang-dong, acclaimed director of Burning and Secret Sunshine, is South Korea's Official Selection for International Feature Film at the 99th Academy Awards®.
Two married couples cross paths to film a documentary that causes them to face their different lives and hidden desires. Starring Jeon Do-yeon, Sul Kyung-gu, Zo In-sung, and Cho Yeo-jeong.
In select theaters October 23 in the US, Canada, UK, Ireland and Japan. Coming to Netflix November 6.
Ten years after the fall of the House of Yamato, its third and youngest heir went looking for an old family retainer to settle a blood debt.
It was already waiting for him, out in the flooded field.
It still remembered his name.
It was never a man.
- a fragment from THE DRIFTER
Made with Dreamina Seedance 2.5
#thedrifter #DreaminaCPP @dreamina_ai @dreamina_cpp
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Major Kobayashi retweeted
Replying to @majorK08
@majorK08's The Descent is here. A soldier hunts a rogue machine in a ruined world, only to discover his own forgotten past. Watch this for a gripping mix of sci-fi action and deep mystery.
Watch now: share.storyarcnetwork.com/@t…
#SciFi #Fantasy #Cyberpunk #IndependentFilm #NewRelease #TheDescent #StoryArc #NamAnTrinh
TAOTIE is now on TV. 📷
Really surreal to say this, TAOTIE is now streaming on Fairground AI Creator TV, newly launched on Roku (Channel 300) and LG (Channel 249) in the U.S. and select territories.
Even more special to be part of Fairground’s launch lineup / Launch Partners, alongside a growing community of filmmakers exploring what AI-native cinema can become.
This film started as a small experiment built around mythology, greed, and atmosphere, so seeing it make its way onto a 24/7 television channel feels pretty wild.
Huge thanks to the Fairground team for giving TAOTIE a new home, and for continuing to create more spaces for independent AI filmmaking.
From my screen to the big screen… and now apparently Roku. 📷📷
TAOTIE - now playing on Fairground AI Creator TV.
#TAOTIE #FairgroundAI #Roku #AIShortFilm
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