Composer, Synthesist & Performer Grammy & Emmy Winner, Oscar Nominated Judas and the Black Messiah, Crash, Godfather of Harlem and The Cleaning Lady
Los Angeles, CA
Joined February 2009
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In 1997 I had the opportunity to be a part of Vanity Fair's photoshoot of 18 of the most legendary composers. I'm incredibly grateful!
I'm glad to have been able to sit down with the incredibly talented @kavehrastegar and discuss the making of At The Carousel Club!
A snippet from my conversation with @kavehrastegar. It was incredible to work with him.
It was such a great experience getting to work with @kavehrastegar on my album At The Carousel Club!
The process of creating At The Carousel Club was unique for me. Sculpting music out of electronic instruments and mixing it with the free improvisation of jazz musicians.
I had the pleasure of sitting down for an interview with @kavehrastegar. Here is a moment from our conversation.
I never get tired of exploring this art form. I had an incredible time filming this documentary that showcases my new album At The Carousel Club!
I sort of look at electronic music as sculpture. You keep working at it, and adding, then all of a sudden a picture starts to form.
On my new record At The Carousel Club there are a lot of interlocking patters. So yes, this new album is contemporary, instrumental, and minimalist.
On my new record At The Carousel Club you will notice the presence of @nelscline. Nels is there to supply these beautiful ambient textures.
I had a blast in rehearsals for At The Carousel Club with @leahzegar @kavehrastegar @ochidquartet and @vinniecolaiuta
I featured different instruments on my new album At The Carousel Club including such as original Moogs, original ARPs but it's got a Verbos system, and a Make Noise system and they all combine together to make a beautiful tapestry.
An Easter egg you might find on my new album At The Carousel Club is a reference to @philipglass operas.